Emma and Geraldine talk about why singing is SO great! More info on future events - http://www.ggcc.org.uk Emma's site - http://www.emformusic.co.uk Geraldine's site - http://www.lucemusic.london

Surgiu em finais de 2009, num contexto catequético,da necessidade e gosto pela existência de um grupo que se dedicasse a animar as festas da catequese. Naturalmente a sua dinâmica foi assumindo outras performances. Atualmente é formado por 35 elementos...  moreSurgiu em finais de 2009, num contexto catequético,da necessidade e gosto pela existência de um grupo que se dedicasse a animar as festas da catequese. Naturalmente a sua dinâmica foi assumindo outras performances. Atualmente é formado por 35 elementos, com idades compreendidas entre os 5 e os 18 anos. Privilegiamos a música cristã contemporânea e / ou gospel, bem como temas pop/rock que de alguma forma revelem e / ou transmitam valores humanos e sociais. Neste âmbito, e entre muitos outros, constam do nosso reportório temas de filmes épicos e musicais, interpretados em Português, Inglês e Italiano... (Reportório in Concert)  less

A powerful declaration for freedom and equality, Rich Campbell’s “Border” is angular, emotional, and desperate. The text draws from (and paraphrases) several sources: contemporary media, Emma Lazarus’ “The New Colossus,” the Bible’s Matthew 25:31-40, curr...  moreA powerful declaration for freedom and equality, Rich Campbell’s “Border” is angular, emotional, and desperate. The text draws from (and paraphrases) several sources: contemporary media, Emma Lazarus’ “The New Colossus,” the Bible’s Matthew 25:31-40, currency, and others. The changing meters of “Border” fill the work with an up-tempo, rhythmic energy that propels it forward. Campbell’s piece hardly relents, even as the pace slows this work presses forward with a colorful and often modal harmonic language. “Border” is a call for justice, empathy and compassion, a summons to our collective conscience.  less

[The views expressed in this blog are from my personal experiences from 25 years of leading non-auditioned Community Choirs in the UK, as well as adult singing workshops. My focus is on teaching by ear using a repertoire of songs from traditions across th...

[The views expressed in this blog are from my personal experiences from 25 years of leading non-auditioned Community Choirs in the UK, as well as adult singing workshops. My focus is on teaching by ear using a repertoire of songs from traditions across th...

[The views expressed in this blog are from my personal experiences from 25 years of leading non-auditioned Community Choirs in the UK, as well as adult singing workshops. My focus is on teaching by ear using a repertoire of songs from traditions across th...

[The views expressed in this blog are from my personal experiences from 25 years of leading non-auditioned Community Choirs in the UK, as well as adult singing workshops. My focus is on teaching by ear using a repertoire of songs from traditions across th...

[The views expressed in this blog are from my personal experiences from 25 years of leading non-auditioned Community Choirs in the UK, as well as adult singing workshops. My focus is on teaching by ear using a repertoire of songs from traditions across th...

[The views expressed in this blog are from my personal experiences from 25 years of leading non-auditioned Community Choirs in the UK, as well as adult singing workshops. My focus is on teaching by ear using a repertoire of songs from traditions across th...

[The views expressed in this blog are from my personal experiences from 25 years of leading non-auditioned Community Choirs in the UK, as well as adult singing workshops. My focus is on teaching by ear using a repertoire of songs from traditions across th...