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video:
Les escargots qui vont a l'enterrement - Prevert
Song of the two snails who go to the funeral of a dead leaf. Poem by Jacques Prévert. Music composed for two unaccompanied altos (countertenors) and sung by David W Solomons (one of my first multitrack recordings back in the early 1980s).
video:
Trois Chansons by Debussy
Trois Chansons - poems by Charles Duc D'Orléans
music by Claude Debussy
Performed (transposed) by the one-man multitrack choir dwsChorale
video:
Aditya Chander - What Sweeter Music
I wrote this Christmas carol back in December last year. It came Highly Commended in Westminster School's Carol Competition in 2012, and was the first Highly Commended entry in The Times Carol Competition in 2013. Apologies for some sound distortion - I'v... moreI wrote this Christmas carol back in December last year. It came Highly Commended in Westminster School's Carol Competition in 2012, and was the first Highly Commended entry in The Times Carol Competition in 2013. Apologies for some sound distortion - I've tried my best to edit most of it out. The performers are credited at the end of the video. Hope you enjoy, and Merry Christmas!
video:
Lotti Crucifixus a 6 sung by a one man choir
Score (for the original higher voice setting)
https://www.sheetmusicplus.com/title/3949102?aff_id=175705
Lotti's 6 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices
Crucifixus etiam pro nobis; sub Pontio Pilato... moreScore (for the original higher voice setting)
https://www.sheetmusicplus.com/title/3949102?aff_id=175705
Lotti's 6 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices
Crucifixus etiam pro nobis; sub Pontio Pilato passus et sepultus est.
Translation
He was crucified also for us, under Pontius Pilate he suffered and was buried.
video:
Come let's rejoice John Amner
Anthem by John Amner, performed by the multitrack one-man choir dwsChorale
Come let's rejoice unto the Lord:
let us make joy to God our Saviour.
Let us approach to his presence in confession:
and in psalms let us make joy to him.
Alleluia.
(Word... moreAnthem by John Amner, performed by the multitrack one-man choir dwsChorale
Come let's rejoice unto the Lord:
let us make joy to God our Saviour.
Let us approach to his presence in confession:
and in psalms let us make joy to him.
Alleluia.
(Words based on the first two verses of Psalm 95, known as the Venite)
video:
Lotti Crucifixus a 8 sung by a one man choir
Score (for the original higher voice setting in The European Sacred Music book)
https://www.sheetmusicplus.com/title/4422853?aff_id=175705
Lotti's 8 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices
Crucifixus ... moreScore (for the original higher voice setting in The European Sacred Music book)
https://www.sheetmusicplus.com/title/4422853?aff_id=175705
Lotti's 8 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices
Crucifixus etiam pro nobis; sub Pontio Pilato passus et sepultus est.
Translation
He was crucified also for us, under Pontius Pilate he suffered and was buried.
video:
Lux Aurumque -- one-man choir
the most beautiful thing in the world, is the world itself http://www.facebook.com/share.php?u=http://www.youtube.com/watch?v=q5hG3Xovjiw
Like me on Facebook!
http://www.facebook.com/pages/Dan-Wright-multitracks/309402602408932
this video took a l... morethe most beautiful thing in the world, is the world itself http://www.facebook.com/share.php?u=http://www.youtube.com/watch?v=q5hG3Xovjiw
Like me on Facebook!
http://www.facebook.com/pages/Dan-Wright-multitracks/309402602408932
this video took a lot of hard work. I started this almost immediately after my first choral video went up. I love these choral multitracks but they are very tedious to edit and very long to record.
just so you know, because I know people are going to ask, the soprano solo at the beginning is in the box in the top-left corner
as always there is no autotune used.
so because of all my hard work I think it would be wonderful if you would all like, subscribe, comment and share it with your friend. it would mean a lot to me :)
--Composed by Eric Whitacre-- less
video:
Robin Adair, arranged for choir
Robin Adair
arranged for SATB choir
(sung, transposed down in this video, by the one-man multitrack choir dwsChorale)
[Note: a few textual errors have crept into the performance - but the score has the correct words]
The original tune was composed... moreRobin Adair
arranged for SATB choir
(sung, transposed down in this video, by the one-man multitrack choir dwsChorale)
[Note: a few textual errors have crept into the performance - but the score has the correct words]
The original tune was composed with the words Eibhlin a Ruin (Ellen Aroon or Eileen Aroon) by the Irish bard Carroll O'Daly (14th Century),
although it was later attributed to the 18th century Irish composer Charles Coffey (this was presumably an arrangement of the original).
The words of "Robin Adair" itself are understood to be by Lady Caroline Keppel, who was in love with a surgeon by that name.
(This seems more likely than the theory that Robert Burns wrote it, although Burns certainly knew Keppel's lyrics and made his
own parodies upon the words).
Some later versions of the melody contain "Scotch snaps" but this version follows the simplest melodic line, without the Scotch snaps - possibly O'Daly's original tune? - and with quite romantic choral harmonies.
less
video:
"Sonnet 27" Franco Prinsloo (The Horizons Project Choir)
The work was composed by Franco Prinsloo to commemorate the 400th anniversary of the death of William Shakespeare. 126 of the 154 Sonnets were addressed to – and inspired by – a beautiful Young man who embodied for Shakespeare everything that was finest i... moreThe work was composed by Franco Prinsloo to commemorate the 400th anniversary of the death of William Shakespeare. 126 of the 154 Sonnets were addressed to – and inspired by – a beautiful Young man who embodied for Shakespeare everything that was finest in the world. The work is a melancholic love song that is based on a folk like melody underlined by a constant pedal point, resembling the sound of bagpipes.