Herbert Howells - Take him, earth, for cherishing Downtown Voices Stephen Sands, conductor Trinity Church, NYC Text translated by Helen Waddell, from a 4th-century poem by Aurelius Clemens Prudentius: Take him, earth, for cherishing, to thy ... more
Part of the Royal School of Church Music, RSCM Scottish Voices is a self-financing adult choir that aims to draw together some of the most accomplished and experienced church musicians in Scotland to perform six times a year in a variety of venues around ... more
There’s a quiet revolution happening in the world of choral music. It’s not about genre, technique, or even repertoire - it’s about wellbeing, emotional safety and nervous system regulation. And it’s Long overdue. Because choir ha...
Ensemble quartonal: Music, When Soft Voices Die (Music by Edward C. Bairstow, Poem by Shelly) Das "Ensemble quartonal" wurde im Jahr 2006 von vier ehemaligen Mitgliedern der Chorknaben Uetersen gegründet. Im Mai 2010 konnte das junge Quartett beim Deut... more
Harmonies and memories echo through the years. Sunday well spent with an alumni, raising our Voices once more in one song of praise to God.
You have an extraordinary voice, see the stage as an integral experience and are looking forward to working with other young people on a very high musical level? Then you are the missing piece of the puzzle for the CHOREOS ensemble.
St Cecilia Mass - Charles Gounod (1818-1893) Trinity Church NYC Downtown Voices (http://DowntownVoices.net) NOVUS NY Stephen Sands, Conductor (http://StephenSands.net) Brianna J. Robinson, soprano Steven Caldicott Wilson, tenor Enrico Lagas... more
I Never Saw Music: Davide Riva (1989 - *) Text: Emily Dickinson (1830 - 1886) Mixed choir (SATB) | Composed for "Bormio Young Vocal Ensemble" All parts performed, recorded and mixed by Diego Ceruti I never saw a Moor I never saw the Sea Yet... more
Formed in 2006, Palmetto Voices is comprised of musicians from all around the southeast, lead by Dr. Sonja Sepulveda. Specialized styles include; concert spiritual, jazz and renaissance music.
Anonymous catch in 4 equal Voices based on peals of bells from "The Catch Club or Merry Companions", published in 1731. I have added some lower Voices at the octave for better resonance.