I Thank You God was commissioned by the American Choral Directors Association (ACDA) and premiered at the National ACDA Convention in February, 1999. the text is adapted from the E.E. Cummings poem of the same name. Composer Gwyneth Walker writes: "Thi...  moreI Thank You God was commissioned by the American Choral Directors Association (ACDA) and premiered at the National ACDA Convention in February, 1999. the text is adapted from the E.E. Cummings poem of the same name. Composer Gwyneth Walker writes: "This is a poem of grandeur and of praise. therefore it might be expected that this musical setting would aim at vastness, grandeur and awakening." Walker accomplishes this through a variety of means. First, the piano introduction includes slowly unfolding piano arpeggios which focus on open intervals of octaves, fifths and fourths, exploiting the full range of the piano keyboard. the composer also takes the singers on a harmonic journey which begins in a low register in C minor, and then travels through a number of other key areas until it reaches the distant key of G-flat. At this point, the voices are drawn cLosely together into a tone cluster containing the pitches G-flat, A-flat and B-flat, only to open apart into the glorious C major chords which conclude the ...    less

Presentamos un nuevo vídeo con audio grabado en directo y proveniente de nuestro último concierto en Sevilla. "O dolce nomen" de Étienne Mouliné es una de las bellas piezas del barroco francés temprano que se pudo escuchar el caluroso 24 de junio en el Or...  morePresentamos un nuevo vídeo con audio grabado en directo y proveniente de nuestro último concierto en Sevilla. "O dolce nomen" de Étienne Mouliné es una de las bellas piezas del barroco francés temprano que se pudo escuchar el caluroso 24 de junio en el Oratorio de la Escuela de Cristo.  

Loving all kinds of a cappellla music, we sing music of (nearly) all ages and all styles. Renaissance, 19th century, modern Choral music, pop, .... - we like nearly every theme and style. We try to use original languages and love to engage us in music whi...  moreLoving all kinds of a cappellla music, we sing music of (nearly) all ages and all styles. Renaissance, 19th century, modern Choral music, pop, .... - we like nearly every theme and style. We try to use original languages and love to engage us in music which is not often heard. We go on stage in self-organized concerts, but perform in smaller occasions, too.  

We're London's high-end LGBT chamber choir focusing on great Choral works and covering a huge diversity of music from through the ages, from across the globe, and in a variety of styles.

African-American Choral music grew out of the oral tradition of spirituals that was created by African slaves.  these songs, influenced by Christianity and rooted in African culture, expressed the hardship and hope of African slaves in the United Sta...

  “United in Song” A Choral Celebration !     the award winning children’s choir the Major Minors and the well-known Hutt Valley Singers, will join forces for a very special occasion:      ...

From July 26 – 29 2018 Vienna will be once again the stage for choirs from around the world. Under the slogan "Coming together to sing, Singing for a better future" the participants will model and promote world peace.   On...

the Samford University A Cappella Choir singing "Regina Caeli" by Cecilia McDowall at the Florilege Vocal de Tours: International Song Competition, May 25-27, 2012. Philip Copeland, conductor.

the Samford University A Cappella Choir singing "Hymne a la Vierge" by Pierre Villette at the Florilege Vocal de Tours: International Song Competition, May 25-27, 2012. Philip Copeland, conductor.