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group:
Southern California Children's Choir
The Southern California Children’s Chorus (SCCC), Orange County’s only chorus dedicated exclusively to meeting the educational and performance needs of children, seeks to do more than introduce youth to music and singing. It strives to enrich the lives of... moreThe Southern California Children’s Chorus (SCCC), Orange County’s only chorus dedicated exclusively to meeting the educational and performance needs of children, seeks to do more than introduce youth to music and singing. It strives to enrich the lives of its members through programs stressing musical aptitude, teamwork, discipline, self-confidence and personal growth. Music camps, social outings, concert tours and an annual, child-involved fundraiser are combined with weekly rehearsals and live performances to create the type of nurturing environment that enables members to mature musically and socially. The SCCC and its musical directors serve as mentors, coaches and friends to students in a variety of socioeconomic levels. less
video:
Gjendines bådnlåt 嫣汀的搖籃曲
2013.5.20
北歐音畫夏季音樂會 2
大東文化藝術中心演藝廳
指揮: 科勒.漢肯 Kåre Hanken
Gjendines bådnlåt:Gunnar Eriksson
嫣汀的搖籃曲(挪威民謠)- 編曲:艾瑞克森
艾瑞克森(Gunnar Eriksson, 1936─)為瑞典著名指揮家、作曲家及編曲家,師事斯德哥爾摩皇家音樂學院傳奇人物教授艾瑞克‧艾瑞克¬森。目前活躍於瑞典,並任教於哥德堡大學,並擔任哥德堡室內合唱團與萊爾克室內合唱團的指揮及領導者。本曲歌詞分為兩大段,相同... more2013.5.20
北歐音畫夏季音樂會 2
大東文化藝術中心演藝廳
指揮: 科勒.漢肯 Kåre Hanken
Gjendines bådnlåt:Gunnar Eriksson
嫣汀的搖籃曲(挪威民謠)- 編曲:艾瑞克森
艾瑞克森(Gunnar Eriksson, 1936─)為瑞典著名指揮家、作曲家及編曲家,師事斯德哥爾摩皇家音樂學院傳奇人物教授艾瑞克‧艾瑞克¬森。目前活躍於瑞典,並任教於哥德堡大學,並擔任哥德堡室內合唱團與萊爾克室內合唱團的指揮及領導者。本曲歌詞分為兩大段,相同的主旋律分別由女生兩部演唱,其他聲部巧妙地以分散和弦演唱著嫣汀之名,呈現出輕巧恬靜的曲趣。
Barnet legges i vuggen ned
stundom greder(gråter) og stundom ler
Sove nu i Jesu navn
Jesus bevare barnet
Min mor hun tok meg på sitt fang
Danse med meg frem og tilbake
Danse så med de små danse
Danse så skal barnet danse
放在搖籃裡的寶寶
有時哭泣有時笑
此刻他正在耶穌的懷裡睡著
是受耶穌所保護的小孩
我的母親抱我放在她的腳上
帶著我來來回回的跳舞
跳著小巧的舞蹈
跳著屬於寶寶的舞蹈 less
group:
Brisbane Birralee Voices
The ensemble is made up of approximately 70 singers aged between 12 and 17 years. As well as attending weekly rehearsals, the members of this ensemble are committed to music studies and/or voice training. They also participate in a variety of wonderful pe... moreThe ensemble is made up of approximately 70 singers aged between 12 and 17 years. As well as attending weekly rehearsals, the members of this ensemble are committed to music studies and/or voice training. They also participate in a variety of wonderful performance opportunities, recordings and a touring program.
Brisbane Birralee Voices is acknowledged on home shores and abroad as one of Australia's finest children's Choirs. The program encourages young singers to develop their vocal technique and attain musical excellence and there is a strong focus on nurturing the individual in a broader sense.
In addition to the excitement of achieving high artistic goals and the personal enrichment experienced by each member, there is an emphasis placed on the benefits of sharing their gift of music with others and the intrinsic value of music within society. This helps develop generosity of spirit, tolerance and acceptance of cultural diversity.
They meet the demands of their performance and touring schedule by ha... less
blog:
Listening Part 1 - A Learned Skill
This post was orginally found on our Embro Thistle singers blog.
I remember when we had Professional Development Days when I was teaching, the teachers would complain that they were more tired that day than from a whole day of teaching. I had had...
group:
Kórus Spontánusz
Who are we? Well, we are the Kórus Spontánusz!
That was our answer, unexpected even for us, since we hadn’t thought of a name yet. It happened on a December night in 2001 in Sopron in front of the Dömötöri Patisserie where we sang Christmas carols for ... moreWho are we? Well, we are the Kórus Spontánusz!
That was our answer, unexpected even for us, since we hadn’t thought of a name yet. It happened on a December night in 2001 in Sopron in front of the Dömötöri Patisserie where we sang Christmas carols for the passersby. We didn’t notice being founded, only the joy of polyphonic singing. It was, and still is our experience that making music together strengthens existing friendships and facilitates the development of new ones.
We started out with 13 people and our numbers have only been growing ever since, we count 25-35 members on average. We gladly sing anything may that be it religious or secular, Hungarian or from abroad regardless of its period or language if it fits our skills and numbers.
We sing in churches, restaurants, museums, the Academy of Music, small villages in Hungary or Austria, at international competitions, libraries – anyplace where we are welcome.
Singing in a Choir is a demanding activity; it takes a lot of time, energy, discipline a... less
video:
Water Ruminations - IV. The Sweet Cold Water
IV. THE SWEET COLD WATER
We are the mirror as well as the face in it.
We are tasting the taste this minute of eternity.
We are pain and what cures pain, both.
We are the sweet cold water and the jar that pours.
Texts by Rumi, translated by Colem... moreIV. THE SWEET COLD WATER
We are the mirror as well as the face in it.
We are tasting the taste this minute of eternity.
We are pain and what cures pain, both.
We are the sweet cold water and the jar that pours.
Texts by Rumi, translated by Coleman Barks
© 1995 Coleman Barks. Used by permission.
Performed by the Millennium Consort, Martin Neary, conductor, and the Pomona College Choir, Donna Di Grazia, director.
Water Ruminations is a setting of six poems by the thirteenth-century poet Rumi, in English translations from the Persian by Coleman Barks, for double Choir and organ. The poetry sings of literal and spiritual connections between water and sky, a drop of water and human life, flowing water and love, drinking water and its container, the giddiness of spring and rolling seas, and the ocean's gifts and singing. Its images, from 800 years ago, speak to us with both vivid immediacy and transcendence.
The idea for the piece originated with the Mellon Elemental Arts Initiative, which propo... less
group:
The Lassus Scholars
The Lassus Scholars, named after the great Renaissance composer Orlande de Lassus, seek to achieve excellence in expression and interpretation in all musical styles from the 16th century to the present day.
group:
CHOREOS
The fundamental connection between music and scenic performance – this will be the intent with which CHOREOS wants to produce a new quality of musical scenic performances.
The long-term experience of scenic choreographic work with different Choirs shows ... moreThe fundamental connection between music and scenic performance – this will be the intent with which CHOREOS wants to produce a new quality of musical scenic performances.
The long-term experience of scenic choreographic work with different Choirs shows us that singing or experiencing music is always connected to a primal impulse to movement. This primal impulse is unfolded our production, connect it to space and light and bring it all together in our performance. The result is a new musical work in a physical wholesomeness in which sound and movement do not compete but complement and enhance each other in fruitful ways.
We are not interested in creating pictures for the music – we enhance the uncompromising sound to another level of perception, we heighten and amplify the body consciousness of our singing performers. We use the knowledge about the space and the powerful energies therein for our performances of Choir singing. The dialogue between the perception of the inside and outside, the area of tension ... less
video:
BEATUS VIR RV597
Beatus Vir RV 597
Antonio Vivaldi (1678-1741)
Coro Academia Concerto
Altamiro Bernardes
Madrigal Mackenzie
Parcival Módolo
Catedral Metropolitana de Sorocaba
15 de agosto de 2007