http://www.facebook.com/MoodSwingVocalGroup We recently launched our new CD, Takin' a Chance (http://www.takin-a-chance.com) and recorded this film clip on the day. While the choregraphy could be described as minimal, simple, easy, none - the vocal work...  morehttp://www.facebook.com/MoodSwingVocalGroup We recently launched our new CD, Takin' a Chance (http://www.takin-a-chance.com) and recorded this film clip on the day. While the choregraphy could be described as minimal, simple, easy, none - the vocal works are more likely to be described as brilliant, lovely, harmonious or wicked! Become a fan on facebook and keep in touch with our gigs.  

Encargo de Conrado Álvarez para la exposición 'Noche de fe' de Miguel Ángel Martín. Escultura en bronce. Más información: http://sergiorodriguezmusic.wordpress.com

Udiana Choir together with the Israel Brass Quintet, from the "Silence" program. מקהלת אודיאנה בניצוח ענת אהרוני יחד עם חמישיית המתכת הישראלית צילום: גלעד כחלילי, אקסל אוולד, שחר גוזלי תאורה: עמית רוזן עריכה: שחר גוזלי סאונד: יוסי ברמן בימוי: ע...  moreUdiana Choir together with the Israel Brass Quintet, from the "Silence" program. מקהלת אודיאנה בניצוח ענת אהרוני יחד עם חמישיית המתכת הישראלית צילום: גלעד כחלילי, אקסל אוולד, שחר גוזלי תאורה: עמית רוזן עריכה: שחר גוזלי סאונד: יוסי ברמן בימוי: עמית לוי מוקלט בקבוץ הרדוף, פברואר 2016 (מקהלת אודיאנה בניצוחה של ענת אהרוני: לשעבר מקהלת קולות השדה)  

Psalm 23 is dedicated to my aunt Patricia Shaw of Vancouver, as this is her favourite Psalm. Two points of note: First, the composition grew out of the feeling that all 4 voices should start on the same note, grow outwards and then come back to that...  morePsalm 23 is dedicated to my aunt Patricia Shaw of Vancouver, as this is her favourite Psalm. Two points of note: First, the composition grew out of the feeling that all 4 voices should start on the same note, grow outwards and then come back to that same note at the end. The rest just seemed to evolve on its own, seemingly guided by some external force. Second, unusually, I have asked choirs (where possible) to sing this without any breaks, via staggered breathing, as I wanted to highlight the deep conviction underlying the words of the Psalm, as one single thread of deep belief that moves from beginning to end. Sincere thanks to Matthew Curtis (choraltracks.com) for recording "Psalm 23." As always, comments are welcomed. Email me at rain@magma.ca, if you'd like more info. I would like to acknowledge the a cappella choir that I sing in, The Stairwell Carollers, and our director Pierre Massie, for their musical inspiration these past 26 years. I would also like to thank my friends in our "Ad ...    less

Schola Cantorum on Hudson was founded as a choral ensemble in 1995, and performs its full concert season in both Manhattan and New Jersey. We believe that music can positively impact and enrich lives. Our performances reflect this belief in their use of...  moreSchola Cantorum on Hudson was founded as a choral ensemble in 1995, and performs its full concert season in both Manhattan and New Jersey. We believe that music can positively impact and enrich lives. Our performances reflect this belief in their use of such seasonal themes as ‘freedom’ and ‘healing’ and ‘our mother earth;’ and in presentation of mostly new music in a way that is accessible. Our educational programs reflect this belief by training emerging professionals, planting seeds within young people for a lifetime of music involvement, and growing the skills of our own members. Our commitment to new choral music reflects this belief even beyond our substantial performance commitment through Project Encore™ and our Featured Composer Program. Substantially more than a singing group, SCH is unique in many respects that reflects both a breadth and a depth that bespeaks the full meaning of a ‘schola’ (‘school’).  less

Music composition by Panaghiótis Glykofrídis. Live recording, 22nd of January 2012 info on composer: http://www.musipedia.gr/wiki/%CE%93%CE%BB%CF%85%CE%BA%CE%BF%CF%86%CF%81%CF%8D%CE%B4%CE%B7%CF%82 Text (English): Our Father in heaven, hallowed b...  moreMusic composition by Panaghiótis Glykofrídis. Live recording, 22nd of January 2012 info on composer: http://www.musipedia.gr/wiki/%CE%93%CE%BB%CF%85%CE%BA%CE%BF%CF%86%CF%81%CF%8D%CE%B4%CE%B7%CF%82 Text (English): Our Father in heaven, hallowed be your name, your kingdom come, your will be done, on earth as in heaven. Give us today our daily bread. Forgive us our sins as we forgive those who sin against us. Save us from the time of trial and deliver us from evil. Μουσική σύνθεση του Παναγιώτη Γλυκοφρύδη για την προσευχή του Κυρίου. Ζωντανή ηχογράφηση από τη δεύτερη Θεία Λειτουργία στον Ι.Ν. Αγίου Αλεξάνδρου Π. Φαλήρου, στις Απόδοση στα νέα ελληνικά: Πατέρα μας ουράνιε, ας είναι άγιο το όνομά σου, ας έρθει η βασιλεία σου, ας πραγματοποιηθεί το θέλημά σου και στη γη, έτσι όπως γίνεται στον ουρανό. Δώσε μας σήμερα το καθημερινό ψωμί μας και συγχώρησε τις αμαρτίες μας, όπως κι εμείς συγχωρούμε εκείνους που αμάρτησαν σε βάρος μας. Και μη μας αφήσεις να μπούμε σε πειρασμό, αλλά προστάτεψέ μας α...    less

Actuación perteneciente a nuestra intervención en el XVI Encuentro Coral Haderech, en la Villa de Ingenio, en Gran Canaria, el día 28 de Junio de 2014, bajo la dirección de Sergio Rodríguez. Aunque la calidad del sonido no es buena , ni la de la imagen, q...  moreActuación perteneciente a nuestra intervención en el XVI Encuentro Coral Haderech, en la Villa de Ingenio, en Gran Canaria, el día 28 de Junio de 2014, bajo la dirección de Sergio Rodríguez. Aunque la calidad del sonido no es buena , ni la de la imagen, queríamos que quedara constancia del estreno de esta obra que ha pasado a formar parte de nuestro repertorio por el inmenso cariño que le tenemos.  

Grupo Vocal Reyes Bartlet Sopranos: Cristo Velázquez, Cisca Corduwener, Beatriz Rodríguez Altos: Olivia Perera, Manuela Mira, Hilda Rodríguez Tenores: David Perera, Rayco González, José Híjar Bajos: Alfonso López, Julio Hernández José Híjar Polo, dir...  moreGrupo Vocal Reyes Bartlet Sopranos: Cristo Velázquez, Cisca Corduwener, Beatriz Rodríguez Altos: Olivia Perera, Manuela Mira, Hilda Rodríguez Tenores: David Perera, Rayco González, José Híjar Bajos: Alfonso López, Julio Hernández José Híjar Polo, director Puerto de la Cruz Bach Festival Iglesia de la Peña de Francia, 20 de diciembre de 2015 Imagen y sonido: Mediawink  

Grupo Vocal Reyes Bartlet Sopranos: Cristo Velázquez, Cisca Corduwener, Beatriz Rodríguez Altos: Olivia Perera, Manuela Mira, Hilda Rodríguez Tenores: David Perera, Rayco González, José Híjar Bajos: Alfonso López, Julio Hernández José Híjar Polo, dir...  moreGrupo Vocal Reyes Bartlet Sopranos: Cristo Velázquez, Cisca Corduwener, Beatriz Rodríguez Altos: Olivia Perera, Manuela Mira, Hilda Rodríguez Tenores: David Perera, Rayco González, José Híjar Bajos: Alfonso López, Julio Hernández José Híjar Polo, director Puerto de la Cruz Bach Festival Iglesia de la Peña de Francia, 20 de diciembre de 2015 Imagen y sonido: Mediawink  

http://www.theaustralianvoices.com From the composer, Gordon Hamilton: during my piano studies, one of my favourite pieces was Michael Tippett's Second Piano Sonata, which uses his disjunct mosaic form: instead of music flowing, through a logical seque...  morehttp://www.theaustralianvoices.com From the composer, Gordon Hamilton: during my piano studies, one of my favourite pieces was Michael Tippett's Second Piano Sonata, which uses his disjunct mosaic form: instead of music flowing, through a logical sequence of harmony, melody and tempo, he (and other composers, including Stravinsky, Messiaen and my own teacher Butterley) created tiny fragments of music -- totally contrasting in character -- which cascade into each other: an aural mosaic. Tra$h Ma$h is a piece made up entirely of musical quotes lifted directly from modern pop songs and mashed together using the Tippet technique (perfect for our 21st century attention spans!) Deep down, I love trashy pop, and the singers in The Australian Voices are mostly under 21. We had a whole lot of parties to find the best (and worst) songs of 2011 to mash together in a kind of 60's disjunct treatment of pop, chopping it up and sticking it back together in a way that was never intended. I think it can be ridiculous an...    less