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video:
A tu lado - Javier Busto (Bass' Guide)
A tu lado - Javier Busto (Bass' Guide)
Lyrics: Matías Antón Mena
Music Arr.: Javier Busto
An absolutely romantic text that a man writes to his wife as a declaration of love. The piece was written for the 50th anniversary of the Habaneras Contest in Tor... moreA tu lado - Javier Busto (Bass' Guide)
Lyrics: Matías Antón Mena
Music Arr.: Javier Busto
An absolutely romantic text that a man writes to his wife as a declaration of love. The piece was written for the 50th anniversary of the Habaneras Contest in Torrevieja, Spain. The musical writing has nothing of a traditional habanera. The constant habanera rhythm is not present but must be felt as an internal rhythm. What I have included is the alternation of minor and major modes so typical of habaneras.
More Information, contact us:
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video:
The Heavens Are Telling from The Creation by Franz Joseph Haydn
“The Heavens are Telling” from Haydn’s “The Creation” is a piece that has been performed as a separate octavo throughout the last century. It is a wonderful way to introduce young musicians to the classical era of choral composition.
Uriel: and the pe... more“The Heavens are Telling” from Haydn’s “The Creation” is a piece that has been performed as a separate octavo throughout the last century. It is a wonderful way to introduce young musicians to the classical era of choral composition.
Uriel: and the people of God sang praise with voice and heavenly song to end the fourth day. They proclaimed God’s power saying:
Choir: The heavens are telling the glory of God. The sky proclaims the work of God’s almighty hands.
Gabriel, Uriel, and Raphael: God’s work is proclaimed from day to day, from night that is gone to following night. In every land resounds the word, all the world can hear it, always understood.
-GNAAS KNUST Choir
@HARMONIOUS CHORALE GHANA @VocalEssence Chorale
@VOCES8 @VocalEssence @Lordina The Soprano @ONE VOICE Choir GHANA
@The Symphonials - Ghana @Bernard The Magician
@Haydn2032
@Classical Tunes @Classical Music Only @Top Classical Music - Music History Channel
@Classical Music @Classical Music/ /Reference Recording
@CLASSIC... less
video:
Tourdion - The Stairwell Carollers, Ottawa
Ottawa Choir, The Stairwell Carollers, perform Tourdion by Pierre Attaignant.
This version of “Tourdion” is available on our “Audite nova” CD. All our CDs benefit charities and are available on our website in both CD and MP3 formats. Get our profess... moreOttawa Choir, The Stairwell Carollers, perform Tourdion by Pierre Attaignant.
This version of “Tourdion” is available on our “Audite nova” CD. All our CDs benefit charities and are available on our website in both CD and MP3 formats. Get our professional recordings here... http://www.stairwellcarollers.com
The Stairwell Carollers, an a cappella group formed in 1977 by director Pierre Massie, has earned the distinction of being ranked amongst the best of Ontario Choirs. The group took first place in both the 2010 and 2013 Ontario Music Festival Association provincial competition.
Visit our blog http://www.stairwellcarollers.blogspot.com/ or our website http://www.stairwellcarollers.com/ for updates.
Audio: Tom Barnes. Recorded at St. Barnabas Church, Ottawa, Ontario, Canada, June 1, 2018.
Videographers: Matthieu Brennan, Andrew Mason
Editing: Pierre Massie less
video:
R. Brisotto: "Era Magro" for mixed Choir
A choral composition by Roberto Brisotto (1972)
Excerpt from "Terre Calpestate"
(music by Roberto Brisotto and Battista Pradal)
Lyrics by Don Giuseppe Boschet
Ensemble InContrà
conductor: Roberto Brisotto
Live Recording
29/10/2017
COROVIVO
Chie... moreA choral composition by Roberto Brisotto (1972)
Excerpt from "Terre Calpestate"
(music by Roberto Brisotto and Battista Pradal)
Lyrics by Don Giuseppe Boschet
Ensemble InContrà
conductor: Roberto Brisotto
Live Recording
29/10/2017
COROVIVO
Chiesa di San Francesco
Cividale del Friuli (UD)
ITALIA
blog:
Keeping Choir attendance up – stick or carrot?
[A version of this article first appeared as a post on my blog From the Front of the Choir]
As I wrote recently (It’s summer – where have all the Choir gone??!!), patchy attendance at regular Choir sessions can be very frustrating.
&n...
video:
RAIN for SATB Chorus (divisi) unaccompanied by Stanley M. Hoffman (1988, rev. 1999)
(1988, rev. 1999)
Music: © Copyright 1999 by Ione Press, Inc.,
a division of ECS Publishing.
www.ecspublishing.com
All rights reserved.
Used by permission.
ECS Publishing Catalog No. 5315
Text: Used by permission of Haim Guri with
the kind... more(1988, rev. 1999)
Music: © Copyright 1999 by Ione Press, Inc.,
a division of ECS Publishing.
www.ecspublishing.com
All rights reserved.
Used by permission.
ECS Publishing Catalog No. 5315
Text: Used by permission of Haim Guri with
the kind assistance of ACUM, Tel Aviv, Israel.
English translation by Mark Elliott Shapiro.
video:
A Gloucestershire Wassail
A Gloucestershire Wassail arranged by Alan Cruise Johnston
free download of score:
http://dwsolo.musicaneo.com/sheetmusic/sm-196137_wassail_arranged_for_mixed_Choir.html
performed by the one-man multitrack Choir dwsChorale
( http://www.dwschorale.com ... moreA Gloucestershire Wassail arranged by Alan Cruise Johnston
free download of score:
http://dwsolo.musicaneo.com/sheetmusic/sm-196137_wassail_arranged_for_mixed_Choir.html
performed by the one-man multitrack Choir dwsChorale
( http://www.dwschorale.com )
Images kindly provided by
Conrad Bladey (Hutman Productions)
( http://mysite.verizon.net/cbladey/ )
Jeremy Tarling (Flickr) (Creative Commons)
and
Glyn Baker (geograph org) Creative Commons
video:
Comin' thro' the rye for Choir, clarinet and guitar
"Comin' Thro' the Rye" is a poem written in 1782 by Robert Burns (1759–96). The words are set to the melody of the Scottish Minstrel "Common' Frae The Toun".
(This is a variant of the tune to which Auld Lang Syne is usually sung—the melodic shape is alm... more"Comin' Thro' the Rye" is a poem written in 1782 by Robert Burns (1759–96). The words are set to the melody of the Scottish Minstrel "Common' Frae The Toun".
(This is a variant of the tune to which Auld Lang Syne is usually sung—the melodic shape is almost identical, the difference lying in the tempo and rhythm.)
It is performed here by the dwsChorale, with a cheeky insertion of a hornpipe!
Gin a body meet a body
Comin' thro' the rye
Gin a body kiss a body
Need a body cry?
Ilka lassie has her laddie
Nane, they say, hae I
Yet a' the lads they smile at me
When comin' thro' the rye.
Gin a body meet a body
Comin' frae the toun
Gin a body greet a body
Need a body froun?
Ilka lassie has her laddie
Nane, they say, hae I
Yet a' the lads they smile at me
When comin' thro' the rye.
Gin a body meet a body,
Comin' frae the well,
Gin a body kiss a body,
Need a body tell?
'Mang the train there is a swain
I dearly lo'e mysel'
But what his name or whaur his hame
I dinna care to tell less
video:
Ola Gjeilo - Ubi Caritas (virtual Choir)
A join virtual Choir project of three Belgian Choirs: Chorale Royale Protestante de Bruxelles (Laurent Fobelets, conductor), Da Cagile (Boris Kondov, conductor) and Lassenne Vocale (Ivan Yohan, conductor).
video:
Jakub Neske - Deus Ex Machina
'Deus Ex Machina' is a piece composed by award-winning Polish composer of the young generation, Jakub Neske. The text for the piece was written by Bartholomew Begley, a Dublin-based philosophy lecturer who works on philosophical translations of early mode... more'Deus Ex Machina' is a piece composed by award-winning Polish composer of the young generation, Jakub Neske. The text for the piece was written by Bartholomew Begley, a Dublin-based philosophy lecturer who works on philosophical translations of early modern Latin texts. The text 'Deus Ex Machina' tells the story of a suddenly and unexpectedly found God 'out of a machine.'
The setting of the Choir was very experimental – the aim was to take full advantage of the possibilities offered by the spatial, immersive sound. The Choir sections were spread horizontally and vertically; therefore, the entire space around the listener was arranged. The visuals indicate the positions of the Choir by points of light, whose brightness and movement were devised based on the sound energy of each of the choral sections. less