Kenfig Hill & District Male Voice Choir is a Fine example of the tradition of Male Voice Choirs in Wales. It is a registered charity centred around the Kenfig Hill community of South Wales, UK. We also have two associated youth choirs 'Da Ca...  moreKenfig Hill & District Male Voice Choir is a Fine example of the tradition of Male Voice Choirs in Wales. It is a registered charity centred around the Kenfig Hill community of South Wales, UK. We also have two associated youth choirs 'Da Capo' and 'Crescendo'. The choir's history stretches back to 1896, with a few gaps. The latest incarnation was re-founded in 1972.  

Lobet den Herrn alle Heiden BWV230, J.S.Bach Coral Reyes Bartlet Humboldt Ensemble José Híjar Polo, Maestro de Coro Mark Peters, Director VIII Festival de Música Antigua y Barroca de Puerto de la Cruz Iglesia de la Peña de Francia, 28 de marzo de ...  moreLobet den Herrn alle Heiden BWV230, J.S.Bach Coral Reyes Bartlet Humboldt Ensemble José Híjar Polo, Maestro de Coro Mark Peters, Director VIII Festival de Música Antigua y Barroca de Puerto de la Cruz Iglesia de la Peña de Francia, 28 de marzo de 2010 www.reyesbartlet.com  

Sung by Viva, Sandnes kulturskolekor Soloists: Hanne Wilford and Bodil Boe. Recorded 1995 on the CD "Feel Good" med SMUK, the name of the choir at that time: Sandnes Musikkskoles UngdomsKor, today VIVA, Sandnes kulturskolekor

Remember not, Lord, our offences, nor the offences of our forefathers neither take thou vengeance of our sins, but spare us, good Lord. Spare thy people, whom thou hast redeemed with thy most precious blood, and be not angry with us for ever. Spare...  moreRemember not, Lord, our offences, nor the offences of our forefathers neither take thou vengeance of our sins, but spare us, good Lord. Spare thy people, whom thou hast redeemed with thy most precious blood, and be not angry with us for ever. Spare us, good Lord. (Part of the Litany from the Book of Common Prayer, 1559) Sung at Canterbury Cathedral during our Royal School of Church Music Summer Course in 1986, under Martin How. I (David W Solomons) was one of the altos. John Huntley - a fellow alto - recorded this performance.  less

On our WE Day tour 2015, we were honored to team up with JRDN and perform his upcoming single 'Same Sky.' The song was a favorite among the change makers who fill up the stadiums across North America as they attend the annual WE Day event. Enjoy! Si...  moreOn our WE Day tour 2015, we were honored to team up with JRDN and perform his upcoming single 'Same Sky.' The song was a favorite among the change makers who fill up the stadiums across North America as they attend the annual WE Day event. Enjoy! Singers, JRDN DAYVO Alvin Kadaji Eric Kyama Lawrence Barasa Christopher Mukhovi Kenneth Gikuiyu Henry Wanjala Kelvin Mahasi Smith Milongo Bernard Agwanda Charles Murage  

Commemorating the 70th anniversary of Hugo Distler's death, two successful vocal ensembles from Leipzig perform together on a single CD for the first time. The three- and four-voice motets recorded by the young Ladies of the Sjaella sextet and the five yo...  moreCommemorating the 70th anniversary of Hugo Distler's death, two successful vocal ensembles from Leipzig perform together on a single CD for the first time. The three- and four-voice motets recorded by the young Ladies of the Sjaella sextet and the five young gentlemen of the Ensemble Nobiles represent some of the highlights from Distler's choral oeuvre: the Jahrkreis op. 5, and the Geistliche Chormusik op. 12. One of the composer's best-known works, the Totentanz op. 12 no. 2, stands at the heart of this disc. The fourteen motets for Eternity Sunday contained in the Totentanz op. 12 no. 2 were set to music by Hugo Distler and form the work's musical part. Distler accompanies the motets with non-musical verses that narrate a dialogue between death and his numerous victims.While on the present recording some of the victims' roles are spoken by the singers themselves, Heinz-Martin Benecke lends death his charismatic voice. The Totentanztopos is known especially through its pictorial representations of death'...    less

We are a women's choir based in Canterbury, Kent. We enjoy singing a wide range of repertoire, from classical to jazz and international music. We perform on a regular basis, raising funds for local charities and organisations. We have on going partnership...  moreWe are a women's choir based in Canterbury, Kent. We enjoy singing a wide range of repertoire, from classical to jazz and international music. We perform on a regular basis, raising funds for local charities and organisations. We have on going partnerships with choirs in Rheims and Ris Orangis. Our focus is on sharing the joy of singing and friendship.  

Miracle Sound is een vrouwen barbershopkoor (Ladies Barbershop Harmony Chorus) voor de regio Achterhoek en is opgericht op 19 juli 1990. We hebben momenteel 22 leden maar streven in de toekomst naar een ledental van 30 (of meer natuurlijk). Onze leden kom...  moreMiracle Sound is een vrouwen barbershopkoor (Ladies Barbershop Harmony Chorus) voor de regio Achterhoek en is opgericht op 19 juli 1990. We hebben momenteel 22 leden maar streven in de toekomst naar een ledental van 30 (of meer natuurlijk). Onze leden komen uit Doetinchem, Zutphen, Ulft, Steenderen, Gaanderen, Etten en Megchelen. Het doel van Miracle Sound is om het Barbershopzingen bekend te maken bij een groter publiek maar vooral: plezier maken! Het repertoire bestaat uit evergreens, love- en popsongs, musicals en ballads. Uiteraard allemaal gezongen in Barbershop-stijl, dus zonder muzikale begeleiding!  less

Audio downloadable at https://davidwarinsolomons.bandcamp.com/track/music-all-powerful Part song (glee) by Thomas forbes Walmisley (father of Thomas Attwood Walmisley) poem by Henry Kirke White

"Reflections" by Jake Runestad. Text adapted from writings by Henry David Thoreau. Santa Fe Desert Chorale. Joshua Habermann, conductor. Debra Ayers, piano. Live performance - July 19, 2016.