[A version of this article first appeared as a post on my blog From the Front of the Choir] I started my first community choir over 20 years ago. I used to worry that, after the Long summer break, the singers would have forgotten me and wouldn’...

Anthem by Edgar Bainton And I saw a new heaven and a new earth: for the first heaven and the first earth were passed away; and there was no more Sea. And I John saw the holy city, new Jerusalem, coming down from God out of heaven, prepared as a ...  moreAnthem by Edgar Bainton And I saw a new heaven and a new earth: for the first heaven and the first earth were passed away; and there was no more Sea. And I John saw the holy city, new Jerusalem, coming down from God out of heaven, prepared as a bride adorned for her husband. And I heard a great voice out of Heaven, saying, Behold, the tabernacle of God is with men, and he will dwell with them, and they shall be his people, and God himself shall be with them, and be their God. And God shall wipe away all tears from their eyes; and there shall be no more death, neither sorrow, nor crying, neither shall there be any more pain: for the former things are passed away. (Revelation 21) Sung at Canterbury Cathedral during our Royal School of Church Music Summer Course in 1986, under Martin How. I (David W Solomons) was one of the altos. John Huntley - a fellow alto - recorded this performance.  less

Agnus Dei from my Mass for men's Voices (Alto, Tenor, Bass) and organ The whole Mass setting contains Kyrie, Gloria, Sanctus, Benedictus, Agnus Dei and also an organ voluntary based on the themes. A version for 3 part mixed choir (Soprano, Alto and M...  moreAgnus Dei from my Mass for men's Voices (Alto, Tenor, Bass) and organ The whole Mass setting contains Kyrie, Gloria, Sanctus, Benedictus, Agnus Dei and also an organ voluntary based on the themes. A version for 3 part mixed choir (Soprano, Alto and Men) and organ is also available at: http://dwsolo.musicaneo.com/sheetmusic/sm-185192_mass_for_three_part_mixed_choir_and_organ.html Because of its gently exotic modal flavours, the music was deemed to have a ring of "oriental promise" by one appreciative member of the congregation at the first performance. This setting has been sung in Cathedrals in Manchester, Southwell and Dublin and the Agnus has also featured in services at Christ Church Didsbury. The recording here is the Agnus Dei sung by the Voluntary Choir of Manchester Cathedral during their visit to Southwell Minster.  less

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Hist Whist Jere Hutcheson Valkyrie Voices Johansen High School

Downtown Voices (http://DowntownVoices.net) NOVUS NY Stephen Sands, conductor (http://StephenSands.net) Arvo Pärt – Passio St. Paul's Chapel, New York City Trinity Wall Street This concert featured iconic works of two of the most compelling and...  moreDowntown Voices (http://DowntownVoices.net) NOVUS NY Stephen Sands, conductor (http://StephenSands.net) Arvo Pärt – Passio St. Paul's Chapel, New York City Trinity Wall Street This concert featured iconic works of two of the most compelling and influential composers of the 20th century: Arvo Pärt and Francis Poulenc. The monumental work Passio by Arvo Pärt is a meditative setting of texts from the Passion according to St. John and is considered as the apotheosis of his writing. This is the video of that live performance.  less

The first of three settings of text from the Odes of Solomon. The Odes of Solomon are believed to have been written around the year 100 A.D., and include strong parallels to the Dead Sea Scrolls. Scholars have debated whether the Odes should be consid...  moreThe first of three settings of text from the Odes of Solomon. The Odes of Solomon are believed to have been written around the year 100 A.D., and include strong parallels to the Dead Sea Scrolls. Scholars have debated whether the Odes should be considered Jewish, Christian or Gnostic, and whether they were first written in Greek, Hebrew or Syriac. Early Christian writings refer to and quote from them. A Syriac manuscript containing the text of most of the Odes was discovered in 1909 by the English scholar J. Rendel Harris, and other partial texts in various languages have also been found. There are 42 Odes. Some fragments are still missing from Odes I and III, and no part of Ode II has yet been found. For these choral settings, I selected text from four of the Odes of Solomon which I found particularly compelling. The anonymous translation I have used comes from The Gnostic Society Library.  less

[A version of this article first appeared as a post on my blog From the Front of the Choir] I’ve written before about how you can use the Long choir break to get better at what you do.   photo by troy   One way is to attend sin...

We are a local childrens choir with a Long tradition. our goal is to perform our songs to please the audience and make them aware of 'all things bright and beautifull'