The fundamental connection between music and scenic performance – this will be the intent with which CHOREOS wants to produce a new quality of musical scenic performances. The long-term experience of scenic choreographic work with different choirs shows ...  moreThe fundamental connection between music and scenic performance – this will be the intent with which CHOREOS wants to produce a new quality of musical scenic performances. The long-term experience of scenic choreographic work with different choirs shows us that singing or experiencing music is always connected to a primal impulse to movement. This primal impulse is unfolded our production, connect it to space and light and bring it all together in our performance. The result is a new musical work in a physical wholesomeness in which sound and movement do not compete but complement and enhance each other in fruitful ways. We are not interested in creating pictures for the music – we enhance the uncompromising sound to another level of perception, we heighten and amplify the body consciousness of our singing performers. We use the knowledge about the space and the powerful energies therein for our performances of choir singing. The dialogue between the perception of the inside and outside, the area of tension ...    less

Most Singers know Messiah pretty well, but how would you feel having to walk out on stage for a complete Messiah performance without your score?   That's exactly what the members of Bristol Choral Society will be doing this Saturday 22 December at ...

Hello everyone, I've developed MixMyPart.com which is an online application to help Singers learn their harmony parts and practice from home.  Teachers, Choir Directors, and Music Directors can prepare their own recordings for use in our multitrac...

[A version of this article first appeared as a post on my blog From the Front of the Choir]   As they say: size doesn’t matter, it’s what you do with it that counts.   Measuring lung capacity with a spirometer The University of...

This was originally published on the Embro Thistle Singers blog.  The phrase is that curved line in a piece of music that is like climbing a mountain.  You start out with lots of excitement.  It is hard work to go up that slanted side an...

A group of vibrant young men and women, poised to uplift souls up to heaven with every effort and opportunity they have, through good Choral music.

Ljubljanski madrigalisti mixed Chamber choir

Ljubljanski madrigalisti mixed Chamber choir

[A version of this article first appeared as a post on my blog From the Front of the Choir] There are many reasons why you might have to stay home and not be able to get to choir. How can you keep your choral and musical interests alive? Here are 1...

2012十週年音樂會 高雄市文化中心至德堂 2012-11-16 指揮: 朱如鳳 詩：Aasmund Vinje韋恩葉 曲：Edvard Grieg葛利格 編曲：Thomas Beck貝克 挪威國民樂派作曲家葛利格（Edvard Grieg, 1843-1907）於1880年採用同年代詩人韋恩葉（Aasmund Vinje, 1818-70）的詩作《十二首歌曲》（Tolv melodier, op.33），〈春天〉是其中第二首，原為一首獨唱曲，因著作者對此曲甚為喜愛，也將其改寫為弦樂...  more2012十週年音樂會 高雄市文化中心至德堂 2012-11-16 指揮: 朱如鳳 詩：Aasmund Vinje韋恩葉 曲：Edvard Grieg葛利格 編曲：Thomas Beck貝克 挪威國民樂派作曲家葛利格（Edvard Grieg, 1843-1907）於1880年採用同年代詩人韋恩葉（Aasmund Vinje, 1818-70）的詩作《十二首歌曲》（Tolv melodier, op.33），〈春天〉是其中第二首，原為一首獨唱曲，因著作者對此曲甚為喜愛，也將其改寫為弦樂團曲。 本曲曲名或可譯為「晚春」，描寫一將死之人，眼見人生最後一個春天的感慨與期盼，據說葛利格是為紀念一位早逝的朋友而譜寫此曲，兩段重複的歌詞，展現平易、真摯的情感。本版本則是由挪威當代作曲家貝克（Thomas Beck），改編成的無伴奏混聲合唱曲。 Enno ei gong fekk eg vetren at sjå for våren at røma; Heggen med tre som der blomar var på, eg atter såg bløma. Enno ei gong fekk eg isen at sjå frå landet at fljota. Snjoen at bråna og fossen i å at fyssa og brjota. Graset det grøne eg enno ein gong fekk skoda med blomar; Enno eg høyrde at vårfuglen song mot sol og mot sumar. Ei gong eg sjølv i den vårlege eim, som mettar mitt auga, Ei gong eg der vil meg finna ein heim og symjande lauga. Alt det, som våren i møte meg bar og blomen, eg plukkad', Federnes åndir eg trudde det var, som dansad' og sukkad'. Derfor eg fann millom bjørkar og bar i våren ei gåta; Derfor det ljod...    less