an class="view_more">This is a setting of a poem by The Reverend Doctor Malcolm Guite, Chaplain of Girton College Cambridge,with his permission. The poem is a response to The 8th "O antiphon" for Advent O Virgin of virgins, how shall this be? for neiTher before Thee was an...  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">morean>an class="view_more" style="display:none;">This is a setting of a poem by The Reverend Doctor Malcolm Guite, Chaplain of Girton College Cambridge,with his permission. The poem is a response to The 8th "O antiphon" for Advent O Virgin of virgins, how shall this be? for neiTher before Thee was any like Thee, nor shall There be after. Daughters of Jerusalem, why marvel ye at me? The thing which ye behold is a divine mystery. Who are The daughters of Jerusalem, Who glimpse you still as you transform Their seeing? Whom have you called to this mysterium, and baThed in The bliThe fountain of your being? Daughters of sorrow, daughters of despair, The cast-aside, The overlooked, The spurned The broken girls who scarcely breaThe a prayer The ones whose love has never been returned. O Maid amongst The maidens, turn your face, for when we glimpse you we are not alone, O look us out of grief and into grace, Lift us in love made stronger than our own, Summon The spring in our worst wilderness, and make us fruitful in your fruitfulness.  lessan>

an class="view_more">On Christmas Eve morning 2017, I was approached by a member of our congregation who said he had been inspired by The Holy Ghost to write some words and that he would like me to set Them to music. To begin with I wasn't sure, since They seemed somewhat re...  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">morean>an class="view_more" style="display:none;">On Christmas Eve morning 2017, I was approached by a member of our congregation who said he had been inspired by The Holy Ghost to write some words and that he would like me to set Them to music. To begin with I wasn't sure, since They seemed somewhat repetitive, but as The day progressed to The early afternoon I found that I was also inspired (I even missed lunch!). The piece varies in mode from D Dorian to A Aeolian. The performance is by me (multi-tracking).  an>

an class="view_more">"The Little Birch Tree," Russian folk song, arr. Mary Goetze. Recorded live on May 15, 2015, at The Broward Center for The Performing Arts in fort Lauderdale, Florida. Performed by The Primes Choir ensemble of The Girl Choir of South Florida. Assistant...  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">morean>an class="view_more" style="display:none;">"The Little Birch Tree," Russian folk song, arr. Mary Goetze. Recorded live on May 15, 2015, at The Broward Center for The Performing Arts in fort Lauderdale, Florida. Performed by The Primes Choir ensemble of The Girl Choir of South Florida. Assistant Director: Jorge Valls, Accompanist: Emme Wien, Flute: Nicole Straussman. See The lovely birch in The meadow, Curly leaves all dancing when The wind blows. Loo-lee-loo, when The wind blows, Loo-lee-loo, when The wind blows. Oh, my little tree, I need branches, for The silver flutes I need branches. Loo-lee-loo, three branches, Loo-lee-loo, three branches. From anoTher birch I will make now, I will make a tingling balalaika. Loo-lee-loo, balalaika, Loo-lee-loo, balalaika. When I play my new balalaika, I will think of you, my lovely birch tree. Loo-lee-loo, lovely birch tree, Loo-lee-loo, lovely birch tree.  lessan>

an class="view_more">"Scarborough Fair", English folk song, arr. Charlene Archibeque. Recorded live on Sunday, May 4, 2014, at All Saints Episcopal Church in fort Lauderdale, Florida. Performed by The Lyric Choir ensemble of The Girl Choir of South Florida. Artistic Direct...  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">morean>an class="view_more" style="display:none;">"Scarborough Fair", English folk song, arr. Charlene Archibeque. Recorded live on Sunday, May 4, 2014, at All Saints Episcopal Church in fort Lauderdale, Florida. Performed by The Lyric Choir ensemble of The Girl Choir of South Florida. Artistic Director: Wallis Peterson, Accompanist: Susan Dodd.  an>

Can You Feel The Love Tonight performed by The MCHS Mixed Ensemble for The Christmas 2012 show

an class="view_more">Christmas in Cologne, Germany Thank you to my friend, Joachim Diessner, for providing this video. Words by Joseph Mohr Benita Borbonus, Sopran Simon Bales, Trompete Ehrenfelder Kantorei Vera Bongert, Ursel Cremer, Ute Eisenhut (a.G.), C...  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">morean>an class="view_more" style="display:none;">Christmas in Cologne, Germany Thank you to my friend, Joachim Diessner, for providing this video. Words by Joseph Mohr Benita Borbonus, Sopran Simon Bales, Trompete Ehrenfelder Kantorei Vera Bongert, Ursel Cremer, Ute Eisenhut (a.G.), Christine von Förster, Roswitha Frost, Claudia Hennen, Corry Kok, anja Meksem, Barbara Meyer zum Wischen, Priska Mielke, Ingrid Müller, Sarah Neusel, Maxime Oeburg, Sigrid Roggatz, Stefanie Schlösser, Katrin Witzel, Sopran Yasemin Becker, Maria Biehl, Renate von Bonin, Leonie Drews, Ursula Gurski, Eva Marleen Hecker, Sonja Helms, anke Hoffmann, Alice Keuken (a.G.), Sibylle Kiock, Barbara Kuster, anne Pfeiffer, Inge Ramm, Eva Schlu-Kröpelin, Dorle Schubert, Barbara Siefker (a.G.), Dagmar Smernic, Heike Sprunk, Linda Stenzel, Yvonne Welling (a.G.), Magdalena Wochnik (a.G.) Alt Joachim Bertsch (a.G.), Jörg Biegus, Christoph Hamborg, Michael Mayer, Matthias Velten (a.G.), Gertrud Wilhelm, Tenor Alexander Blicker-Dielmann, Bernd Hellmich, Michael Kolvenbach (a.G.),...    lessan>

Noel Nouvelet - arr.: P. Lawson - with The Hungarian text from Gy. Kerényi - first rehearsal in The Regional Waldorf Secondary School Budapest on 20.11.2017.

an class="view_more">Magnificat and Nunc Dimittis set to music for six part men's voices choir by David W Solomons www.dwsolo.com All parts performed by MatThew Curtis - www.choraltracks.com The title of this work (Canticula Ursae Minoris/songs of The Little Bear) comes...  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">morean>an class="view_more" style="display:none;">Magnificat and Nunc Dimittis set to music for six part men's voices choir by David W Solomons www.dwsolo.com All parts performed by MatThew Curtis - www.choraltracks.com The title of this work (Canticula Ursae Minoris/songs of The Little Bear) comes from The origin of The melodies: Many years ago I wrote an "oratorio" based on Winnie The Pooh and gave each character little melodic leitmotifs, sung as "Sing ho for The life of a bear" and "What I say said Eeyore is that it's unsettling" and I have used Them for various sections of These Canticles, with Eeyore's little song curiously dominating The Lesser Doxology - Glory be to The FaTher and to The Son... The work, called Poohratorio of course, is due to be published once AA Milne goes into public domain (2031).  lessan>

Berikut adalah lagu 'O Sanctissima' yang dibawakan oleh Cantare dal Cuore pada saat Misa Malam Natal 2017 di Gereja Katolik Redemptor Mundi Surabaya

an class="view_more">song by Debussy for voice and piano arranged for soloist and choir [poem by Paul Bourget - English version see below] Les feuilles s'ouvraient sur le bord des branches, délicatement. Les cloches tintaient, légères et franches, dans le ciel clément....  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">morean>an class="view_more" style="display:none;">song by Debussy for voice and piano arranged for soloist and choir [poem by Paul Bourget - English version see below] Les feuilles s'ouvraient sur le bord des branches, délicatement. Les cloches tintaient, légères et franches, dans le ciel clément. Rhythmique et fervent comme une antienne, ce lointain appel me remémorait la blancheur chrétienne des fleurs de l'autel. Ces cloches parlaient d'heureuses années, et, dans le grand bois, semblaient reverdir les feuilles fanées, des jours d'autrefois. The leaves unfurled on branches so lightly delicate and soft. The bells rang out so light and free in The cloudless sky Rhythmical and fervent a distant call like The anThems of old Called to mind The pure white lilies on holy altar's sacrifice Those bells spoke to me of happier times now gone and in The great wood They seemed to revive The faded leaves of days long since passed. singing translation (c) David W Solomons  lessan>