Performed Alkmaar, December 2013. Sheet Music from www.michaelmcglynn.com

Weep, O Mine Eyes - John Bennet (Sopran's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most interna...  moreWeep, O Mine Eyes - John Bennet (Sopran's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less

Weep, O Mine Eyes - John Bennet (Alto's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internati...  moreWeep, O Mine Eyes - John Bennet (Alto's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less

Now in its 24th season, CapriCCio continues to captivate audiences with outstanding performances of choral music ranging from the 15th century to the present, from Tallis and Gabrieli to Pärt, Whitacre and even younger contemporaries, from simple folk son...  moreNow in its 24th season, CapriCCio continues to captivate audiences with outstanding performances of choral music ranging from the 15th century to the present, from Tallis and Gabrieli to Pärt, Whitacre and even younger contemporaries, from simple folk songs to Bach’s B Minor Mass and Handel’s Messiah, all performed in Capriccio’s signature style: virtuosic clarity with a sensitive, compelling spirit.  

Uniquely among choral groups, Albion is dedicated to the exploration and performance of the songs of the British Isles. The islands' musical heritage stretches back a thousand years, offering a rich store of treasures: dances, folksongs, madrigals, plains...  moreUniquely among choral groups, Albion is dedicated to the exploration and performance of the songs of the British Isles. The islands' musical heritage stretches back a thousand years, offering a rich store of treasures: dances, folksongs, madrigals, plainsong chants, airs, anthems, and more. In their variety and beauty, they lie at the heart of Albion's inspiration. Many of the songs are hundreds of years old, but in Fraser Wilson's arrangements they are reclothed in lush contemporary colours. Working with up to twelve singers at a time, Albion performs mostly unaccompanied, allowing the purity of the human voice to sound across the centuries. The group is known for its fresh sound and vibrant energy, and for warm, wholehearted music-making.  less

© Schott Music GmbH & Co. KG, Mainz, Germany

Kantorei, (pronounced kahn-to-rye) whose membership consists of professional and student musicians, is a Missouri non-profit organization in the process of becoming a 501c3. We are dedicated to educating audiences of all ages in music from the Medieval pe...  moreKantorei, (pronounced kahn-to-rye) whose membership consists of professional and student musicians, is a Missouri non-profit organization in the process of becoming a 501c3. We are dedicated to educating audiences of all ages in music from the Medieval period through the 21st century through high quality performances by its professional vocal ensemble, Kantorei Choral Ensemble. Kantorei is largely unconducted which provides a unique connection to the audience, creating an unusually intimate performance and audience experience. Our concerts are all about the voices and the music. A pure listening delight!  less

We started in October 2019 as a one off Black History Workshop! But the attendees enjoyed it so much they wanted it to become a regular thing. So now, 2 and a bit years later we are now a weekly session! We sing anything from Richard Smallwood, Kirk Fr...  moreWe started in October 2019 as a one off Black History Workshop! But the attendees enjoyed it so much they wanted it to become a regular thing. So now, 2 and a bit years later we are now a weekly session! We sing anything from Richard Smallwood, Kirk Franklin, Jonathan Nelson and even Kanye! We meet every Wednesday evening from 7:30pm in Enfield, London, UK  

Creátus Chamber was formed in 2016 to primarily explore Sacred Polyphony. As most of its repertoire was used in a liturgical setting, Creátus Chamber aims to share a more spiritual interpretation of the music. The group is enthusiastic about sharing reper...  moreCreátus Chamber was formed in 2016 to primarily explore Sacred Polyphony. As most of its repertoire was used in a liturgical setting, Creátus Chamber aims to share a more spiritual interpretation of the music. The group is enthusiastic about sharing repertoire from the vast heritage of sacred polyphony with the Catholic Community as well as with the public.  

Agrupación formada a fines de 2010 por la inquietud de jóvenes estudiantes de distintas universidades de Santiago por formar un grupo coral experimental, presentándose por primera vez en el mes de diciembre de ese año en el Centre Catalá. En 2011 reanu...  moreAgrupación formada a fines de 2010 por la inquietud de jóvenes estudiantes de distintas universidades de Santiago por formar un grupo coral experimental, presentándose por primera vez en el mes de diciembre de ese año en el Centre Catalá. En 2011 reanuda su actividad presentándose en el “I Encuentro de Música Sacra”, organizado por el Coro de ex alumnos de la UC. Además participa en la “V Temporada Oficial Coral del Centre Catalá”, en el lanzamiento de la fundación coral “Alejandro Pino”, en la “VII temporada Coral de Codelco” y en la “V Temporada Coral de la Universidad Santo Tomás.” En 2012, junto al Coro de Estudiantes, Fact. Ingeniería y Orquesta UC, interpretan el Oratorio “Cristo en el Monte de los Olivos” de Ludwig van Beethoven, bajo la dirección general del maestro Víctor Alarcón., se presentan en la VI Temporada Oficial Coral del Centre Catalá”. La agrupación es dirigida por el Sr. Manuel Suazo Pavez, titulado de la Universidad de Concepción de Pedagogía en Educación Musical, con post título e...    less