12th International Chamber Choir Competition Marktoberdorf, Germany, www.modfestivals.org; June 10-15, 2011; Live recording; This is a service of Choral Festival Network www.Choralfestivalnetwork.org; Concert St. Andreas Nesselwang a June 12

Ian Assersohn conducts Dorking Camerata as they record his setting of "My True Love" from his collection of 5 Choral songs. Words by Sir Philip Sidney (1554-1586). The accompanist is Jan Assersohn. Recorded 14th May 2011 by Mark Sugden-Best at Treetops...  moreIan Assersohn conducts Dorking Camerata as they record his setting of "My True Love" from his collection of 5 Choral songs. Words by Sir Philip Sidney (1554-1586). The accompanist is Jan Assersohn. Recorded 14th May 2011 by Mark Sugden-Best at Treetops Recording Studio, Capel, Surrey, UK. Video by David Tilsley Links: www.appletreemusic.net www.dorkingcamerata.org www.treetopsstudio.co.uk  

AppleChor commissioned this piece from composer Greg Bartholomew of Seattle, WA as part of the ChoralNet Composers of Choral Music Community first time commissions project. The piece is written on a text by Jack Senzig adapted by Greg Bartholomew. A...  moreAppleChor commissioned this piece from composer Greg Bartholomew of Seattle, WA as part of the ChoralNet Composers of Choral Music Community first time commissions project. The piece is written on a text by Jack Senzig adapted by Greg Bartholomew. AppleChor is an auditioned 4th and 5th grade school choir at Red Apple Elementary In Racine, WI. Red Apple is a STEAM School. Luigi Enriquez accompanied on piano. More works by Greg bartholomew can be found on his website: http://gregbartholomew.com/  less

Phoenix Chorale Christopher Gabbitas, Artistic Director Composer: Benjamin Britten (1913-1976) Text: WH Auden (1907-1973) Performed at 'unCLOUDED day', a concert to celebrate the return of live Choral music following the Covid-19 pandemic. Solo...  morePhoenix Chorale Christopher Gabbitas, Artistic Director Composer: Benjamin Britten (1913-1976) Text: WH Auden (1907-1973) Performed at 'unCLOUDED day', a concert to celebrate the return of live Choral music following the Covid-19 pandemic. Soloists: Lies’l Hill, soprano Nina Garguilo, soprano Julia Powers, alto Thomas Strawser, tenor Christopher Herrera, bass Learn more about Phoenix Chorale at https://www.phoenixChorale.org If you like our music, please Subscribe! Video Direction: Andrew Staples Sound Engineering: Sound Mirror I In a garden shady this holy lady With reverent cadence and subtle psalm, Like a black swan as death came on Poured forth her song in perfect calm: And by ocean's margin this innocent virgin Constructed an organ to enlarge her prayer, And notes tremendous from her great engine Thundered out on the Roman air. Blonde Aphrodite rose up excited, Moved to delight by the melody, White as an orchid she rode quite naked In an oyster shell on top of the ...    less

European Grand Prix for Choral Singing 2012 22 April 2012 Maribor, Slovenia

47th Montreux International Choral Festival Montreux/Vevey, Switzerland April 2011

The Southern California Children’s Chorus (SCCC), Orange County’s only chorus dedicated exclusively to meeting the educational and performance needs of children, seeks to do more than introduce youth to music and singing. It strives to enrich the lives of...  moreThe Southern California Children’s Chorus (SCCC), Orange County’s only chorus dedicated exclusively to meeting the educational and performance needs of children, seeks to do more than introduce youth to music and singing. It strives to enrich the lives of its members through programs stressing musical aptitude, teamwork, discipline, self-confidence and personal growth. Music camps, social outings, concert tours and an annual, child-involved fundraiser are combined with weekly rehearsals and live performances to create the type of nurturing environment that enables members to mature musically and socially. The SCCC and its musical directors serve as mentors, coaches and friends to students in a variety of socioeconomic levels.  less

Bogoroditse Devo is a contemporary Russian setting of the classic Hail Mary text. The piece was commissioned by The Rose Ensemble in 2009. It has quickly become a favorite of choirs and Choral music lovers all over the world. This is a MUST HEAR piece,...  moreBogoroditse Devo is a contemporary Russian setting of the classic Hail Mary text. The piece was commissioned by The Rose Ensemble in 2009. It has quickly become a favorite of choirs and Choral music lovers all over the world. This is a MUST HEAR piece, and if you're a mixed choir, a MUST PERFORM piece too!  

As part of the Vocal Art Ensemble's "INKSPELL--Choral Music Inspired by Masters of Poetry" concerts, this is the third 'verse' of Karin Rehnqvist's "Natt over Jorden" for women's chorus. Written by Eric Blomberg, the poem/lyrics speak of a lonely Earth, b...  moreAs part of the Vocal Art Ensemble's "INKSPELL--Choral Music Inspired by Masters of Poetry" concerts, this is the third 'verse' of Karin Rehnqvist's "Natt over Jorden" for women's chorus. Written by Eric Blomberg, the poem/lyrics speak of a lonely Earth, blanketed by the dark cover of night, suspended in an ocean of stars.  

This brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background...  moreThis brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background: I have sung the traditional version of Good King Wenceslas since I was a kid. I fell in love with the lyrics and the story, but have always been puzzled by the way it was arranged, in particular the way that the "las" of Wenceslas lands on the downbeat. When I was young, I thought the lyrics were actually "Good King Wences last looked out!" All to say that I got inspired to create a totally different version. I used the 19th century poem by John Mason Neale, but I wanted to create a different "feel" to the story, to take it back in time to its origins in the Middle Ages - hence the medieval feel to much of the piece. I also felt that since the Wenceslas story is all about a journey, a setting in 3/4 time would create a better sense of that feeling, ra...    less