A performance of "Deep River" (arr. Luboff) by Palmetto voices (Sonja Sepulveda, conductor) with the Worship in Music Chamber Orchestra (George Gregory Hobbs, conductor) during the 2013 ACDA National Conference in Dallas, Texas.

voices, à l'école du choeur ... Ils sont âgés de 10 à 15 ans et chantent de toute leur âme. Découvrez ces jeunes pleins de talent, et encouragez-les en partageant cette vidéo autour de vous... Encadrés par une équipe de pédagogues professionnels, le...  morevoices, à l'école du choeur ... Ils sont âgés de 10 à 15 ans et chantent de toute leur âme. Découvrez ces jeunes pleins de talent, et encouragez-les en partageant cette vidéo autour de vous... Encadrés par une équipe de pédagogues professionnels, les différents choeurs de l'association voices bénéficient d'une formation vocale, chorale et scénique. Direction musicale : Julie Gibergues. www.voicesleschoeurs.com A voir également : "Le temps qui court" (2011)  

Mandskoret is a remarkably vigorous 100 year old male chorus, and is Haugesund (Norway) oldest choir. Mandskoret of 1914 are a group of adult, personable men who like to sing, from the experienced to the new singers. Mandskoret av 1914 Mandskoret e...  moreMandskoret is a remarkably vigorous 100 year old male chorus, and is Haugesund (Norway) oldest choir. Mandskoret of 1914 are a group of adult, personable men who like to sing, from the experienced to the new singers. Mandskoret av 1914 Mandskoret er en usedvanlig sprek 100 åring, og er Haugesund eldste mannskor. I Mandskoret av 1914 er vi en gjeng med voksne, omgjengelige menn som liker å synge – fra de rutinerte, til helt nye sangere. 
 Mannskor mer enn bare sang Det handler om opplevelser knyttet til deltakelse, måten vi tar vare på hverandre og den spesielle sosiale aktiviteten. Mannskor favner mer om kvaliteten i musikkaktiviteten, enn kanskje den musikalske kvaliteten. Mannskor er også en viktig bærer av solide tradisjoner i vårt samfunn. Korsang er videreføring av tradisjon. Korsang er en verdifull aktivitet som fremmer livskvalitet. Mannskorsangen er en meningsfull aktivitet som gir helsemessige gevinst. Korsang er helsefremende, og livskvaliteten forbedres som følge av følelsesmessig invo...    less

Funky voices @ Brownstock Festival 2014 Would you like to join or book the Funky voices Choir Experience? www.funkyvoices.co.uk 07834 765 473 @funkyvoices

Composed by David Warin Solomons www.dwsolo.com Conductor: Pad Zoltán Performed by: Countertenors Csapó József, Bárány Péter, Gavodi Zoltán. Tenors Fodré Lajos, Pivarcsi Gábor, Decsi András Basses Horváth Csaba, Silló György Béla, Melkovics Z...  moreComposed by David Warin Solomons www.dwsolo.com Conductor: Pad Zoltán Performed by: Countertenors Csapó József, Bárány Péter, Gavodi Zoltán. Tenors Fodré Lajos, Pivarcsi Gábor, Decsi András Basses Horváth Csaba, Silló György Béla, Melkovics Zoltán Organist Tabajdi Ádám  

Robin Adair arranged for SATB choir (sung, transposed down in this video, by the one-man multitrack choir dwsChorale) [Note: a few textual errors have crept into the performance - but the score has the correct words] The original tune was composed...  moreRobin Adair arranged for SATB choir (sung, transposed down in this video, by the one-man multitrack choir dwsChorale) [Note: a few textual errors have crept into the performance - but the score has the correct words] The original tune was composed with the words Eibhlin a Ruin (Ellen Aroon or Eileen Aroon) by the Irish bard Carroll O'Daly (14th Century), although it was later attributed to the 18th century Irish composer Charles Coffey (this was presumably an arrangement of the original). The words of "Robin Adair" itself are understood to be by Lady Caroline Keppel, who was in love with a surgeon by that name. (This seems more likely than the theory that Robert Burns wrote it, although Burns certainly knew Keppel's lyrics and made his own parodies upon the words). Some later versions of the melody contain "Scotch snaps" but this version follows the simplest melodic line, without the Scotch snaps - possibly O'Daly's original tune? - and with quite romantic choral harmonies.  less

Chai-Town was formed at the University of Illinois, when a group of young men came together with their love for music. They wanted to show how two seemingly different cultures can fuse together to produce something great. This vision has grown into Chai-T...  moreChai-Town was formed at the University of Illinois, when a group of young men came together with their love for music. They wanted to show how two seemingly different cultures can fuse together to produce something great. This vision has grown into Chai-Town A Cappella. Last year we performed at the a cappella competition Anahat, in Berkeley, CA, as a guest act at the dance competition Naach Nation, in New York, NY, and across the Midwest. As 2012 approaches, our group will be reaching its 10th anniversary and putting out our THIRD studio album! Chai-Town is a completely student-run, non-profit group of 16 members, each of whom has a passion for music. We love sharing this passion with our friends and family, our community, and the world.  less

sung (transposed down a bit) by the multitrack one-man choir dwsChorale Chi la gagliarda donna vo imparare, Venit' a nui che simo, mastri fini, Che de ser' e de matina Mai manchiamo, di sonare: Tan tan tan tarira, ra ti ru ra. Chi la gagliarda d...  moresung (transposed down a bit) by the multitrack one-man choir dwsChorale Chi la gagliarda donna vo imparare, Venit' a nui che simo, mastri fini, Che de ser' e de matina Mai manchiamo, di sonare: Tan tan tan tarira, ra ti ru ra. Chi la gagliarda donna vo imparare, sotto lo mastro elle sotto lo mastro el bisognia stare Che de ser' e de matina Mai manchiamo di sonare: Tan tan tan tarira, ra ti ru ra. My English translation: Whoever wants to learn the galliard, lady, Come to us, who are shrewd masters, We who in the evening and in the morning Never stop playing: Tan tan tan tarira, ra ti ru ra. Whoever wants to learn the galliard, lady, Must stay under the master We who in the evening and in the morning Never stop playing: Tan tan tan tarira, ra ti ru ra.  less

Media Vita by Kerensa Briggs is included on voices of Concinnity's debut album on Navona Records label called "Awaiting Golden Light"

Gospel style setting for 2 or 4 voices, 2 flutes, double bass, guitar and tambourine of my evangelical poem about Christmas. This is not typical of my usual style, but it's an interesting excursion into the evangelical music of mid-70s Oxford, where I ...  moreGospel style setting for 2 or 4 voices, 2 flutes, double bass, guitar and tambourine of my evangelical poem about Christmas. This is not typical of my usual style, but it's an interesting excursion into the evangelical music of mid-70s Oxford, where I was studying.