Score link for transposed SATB version: https://dwsolo.musicaneo.com/sheetmusic/sm-513792_our_father_the_lord_s_prayer_for_satb_and_organ.html Setting by Reginald Smith of the 1662 BCP version of the Lord's Prayer transcribed and performed by David ...  moreScore link for transposed SATB version: https://dwsolo.musicaneo.com/sheetmusic/sm-513792_our_father_the_lord_s_prayer_for_satb_and_organ.html Setting by Reginald Smith of the 1662 BCP version of the Lord's Prayer transcribed and performed by David Warin Solomons (dwsChorale) Our Father, which art in heaven, Hallowed be thy Name; Thy kingdom come; Thy will be done in earth, as it is in heaven: Give us this day our daily bread; And forgive us our trespasses, as we forgive them that trespass against us; And lead us not into temptation, But deliver us from evil; For thine is the kingdom, and the power, and the glory, For ever and ever. Amen.  less

NotePerformer 3/Scrolling Score Into This World I Came As a Lost One Music by Gustav Mahler (1901) from "Lieder nach Ruckert" German words by Friedrich Rückert English singing translation by Robert Schuneman. Arranged for SATB Chorus and Orchestra ...  moreNotePerformer 3/Scrolling Score Into This World I Came As a Lost One Music by Gustav Mahler (1901) from "Lieder nach Ruckert" German words by Friedrich Rückert English singing translation by Robert Schuneman. Arranged for SATB Chorus and Orchestra by Stanley M. Hoffman (2000) NotePerformer 3 and scrolling score video in search of live performances. Arrangement: © Copyright 2002 by Ione Press, Inc., a division of ECS Publishing Group. www.ecspublishing.com All rights reserved. Used by permission. ECS Publishing Catalog No. 8401.  less

The Choir of Somerville College, Oxford Robert Pecksmith (organ) David Crown (conductor) St. Thomas' Church, Crosscrake 28 June 2012 Facebook: http://www.facebook.com/somervillechoir Website: http://www.somervillemusicsociety.com

In this version the recording is taken partly from the first performance (which had good bits in it but wasn't perfect) and partly from an electronic version created by Mike Roberts. The joins are barely noticeable! The Hubbard Saga was written speciall...  moreIn this version the recording is taken partly from the first performance (which had good bits in it but wasn't perfect) and partly from an electronic version created by Mike Roberts. The joins are barely noticeable! The Hubbard Saga was written specially for Sale Festival 2001 and follows the antique antics of the fabulous dog of Old Mother Hubbard. The children's chorus echoes the barking of the dog whilst the adult choir takes us through the story. Then the children -- one by one tell us the story behind the poem itself. The forces are: Children's choir (in 2 parts) Adult choir (SATB) Flute Clarinet String quartet Chorus part http://www.sheetmusicplus.com/title/8121318?aff_id=175705 Full score http://www.sheetmusicplus.com/title/8121304?aff_id=175705 parts also available for rental at http://www.classicalmusicnow.com/rentalcat.htm  less

German folksong about two hares escaping the hunter Arranged for mixed choir (SAB) by David W Solomons images from Walter Crane's Baby Bouquet. Words (slightly amended by Pastor Joachim Bremer) (translation below) Zwischen Berg und tiefem, tiefem Tal...  moreGerman folksong about two hares escaping the hunter Arranged for mixed choir (SAB) by David W Solomons images from Walter Crane's Baby Bouquet. Words (slightly amended by Pastor Joachim Bremer) (translation below) Zwischen Berg und tiefem, tiefem Tal saßen einst zwei Hasen, fraßen ab das grüne, grüne Gras, fraßen ab das grüne, grüne Gras, bis auf den Rasen. Als sie sich nun satt gefressen hatten, Setzten sie sich nieder, Bis dass der Jäger Jäger kam Bis dass der Jäger Jäger kam, Und schoss sie nieder. Als sie sich nun aufgerappelt hatten, Und sie sich besannen, Dass sie noch am lieben Leben war'n, Dass sie noch am lieben Leben war'n, Hoppelten sie von dannen. ========== Between the mountain and the deep valley there were once two hares sitting eating up the green green grass right down to the ground When they had had their fill They sat down Until the hunter came and shot them down When they came back to their senses and realised they were still alive they hopped away.  less

Ottawa choir, The Stairwell Carollers, perform "Missa secunda" by Hans Leo Hassler (1564 - 1612), a German composer and organist of the late Renaissance and early Baroque eras. Audio: Tom Barnes. Recorded at St. Barnabas Church, Ottawa, Ontario, Can...  moreOttawa choir, The Stairwell Carollers, perform "Missa secunda" by Hans Leo Hassler (1564 - 1612), a German composer and organist of the late Renaissance and early Baroque eras. Audio: Tom Barnes. Recorded at St. Barnabas Church, Ottawa, Ontario, Canada, June 18th, 2011. Stills: Holly Massie Videographer: Zoe Hart. Editing: Pierre Massie  

Voices: ChoralTracks https://www.cpdl.org/wiki/index.php/O_nata_lux_(Scott_Villard) #ChoralTracks #MatthewCurtis #AlexandraBurch

La Chorale CasaSawt sous la direction de son chef de chœur Adnane Matrone, chante lors de sa participation au dixième Symposium Mondial de chant choral à Séoul en 2014. Arirang est la chanson traditionnelle et folklorique de la musique coréenne la plus...  moreLa Chorale CasaSawt sous la direction de son chef de chœur Adnane Matrone, chante lors de sa participation au dixième Symposium Mondial de chant choral à Séoul en 2014. Arirang est la chanson traditionnelle et folklorique de la musique coréenne la plus connue et la plus populaire aussi bien en Corée qu'à l'étranger, arrangée ici par Adnane Matrone.  

Columbus Maennerchor, Damenchor and Kinderchor / Jugendchor Christmas Concert at St Mary's in German Village on December 4, 2011. Singing "Lasst uns froh and munter sein" under the direction of Catherine O'Keefe.

Setting by D W Solomons of a poem by Marie Keyser, for two equal voices Elle est près du fleuve dormeur debout It stands by the sleepy river mais le saule incliné toucherait de sa cîme l'eau But the bending willow would touch the water with its very...  moreSetting by D W Solomons of a poem by Marie Keyser, for two equal voices Elle est près du fleuve dormeur debout It stands by the sleepy river mais le saule incliné toucherait de sa cîme l'eau But the bending willow would touch the water with its very top L'église vieille dit les heures de l'île où la nuit descend The church - an old church - tells the hours from the island where the night descends Je la vois encore son toit de gris dans le gris de l'eau. I can still see it, its grey roof in the grey of the water pressens dans la tour de bois ma demeure la folie I have a presentiment in the tower of wood of my dwelling place, of madness la folie le silence of madness, of silence clos clos vigilance Closed in, closed in but keeping watch Oh Ne pas altérer ce qui reste, et le doit. Oh never change what remains and should remain "Was bleibt aber stiften die Dichter." What remains, however, is the stuff of poetry.  less