For the very first time in Brisbane, Dr. Jonathon Welch AM and the School of Hard Knocks presents Australia's most exciting singers' festival for Choirs, individual singers, conductors and composers, THE BRISBANE INTERNATIONAL SINGERS FESTIVAL (BISF).&nbs...

[A version of this article first appeared as a post on my blog From the Front of the Choir]   There is one vital ingredient to being a good singer.   Photo by Peter Smile   It’s not innate talent or Vocal range or ability...

Coral Infantil y Juvenil del Colegio Pureza de María de Madrid. Más de sesenta voces de entre 3 y 16 años entregadas a la música para conseguir la educación integral en valores culturales y educativos de sus miembros.

Be inspired by a vibrant atmosphere of friendship everybody is thrilled to share the passion for Music and singing together! Take the opportunity to sing in beautiful venues and churches at that lovely place!meeting Music is looking forward to meet you an...

[The views expressed in this blog are from my personal experiences from 25 years of leading non-auditioned community Choirs in the UK, as well as adult singing workshops. My focus is on teaching by ear using a repertoire of songs from traditions across th...

שמיניית ווקאל בהופעה במוזיאון תל אביב עיבוד: אורלי מזור-יובל

About the Choir The Udiana Choir (formerly, Kolot Hasadeh) was founded by Anat Aharoni at Kibbutz Harduf in 2004. Udiana is unusual on the Israeli scene, has appeared on some of the best stages in the country, and is praised highly by the audiences. ...  more About the Choir The Udiana Choir (formerly, Kolot Hasadeh) was founded by Anat Aharoni at Kibbutz Harduf in 2004. Udiana is unusual on the Israeli scene, has appeared on some of the best stages in the country, and is praised highly by the audiences. The Choir sings mainly a capella, with an emphasis on current Music, and integrates improvisation, drumming, and movement. Udiana has been supported by the Ministry for Culture and Sport since 2012. We aim to express processes in human development, so we build our programs around subjects that we research from different angles, including “Prayer”, “Song of the Earth”, “Peace”, and “Water”. In 2016 we created a program called “Silence” in collaboration with the Israeli Brass Quintet. In 2017 the subject was “My Soul Returns to the Fire”, where we explored the quality of fire in our lives. Stemming from the desire to support Israeli composers, and with the aim of being a part of the Israeli Music scene, every year we invite another Israeli composer to create ...    less

Vocal Ensemble "Quadrivia" Members: Alto: Tamara Ivanić Tenor: Jovo Ivanić Baritone: Karlo Hameder Bass: Aleksandar Mijailović Nell'apparir del sempiterno Sole - Soto de Langa Nell’apparir del sempiterno sole Ch’a mezzanotte più riluce intorno...  moreVocal Ensemble "Quadrivia" Members: Alto: Tamara Ivanić Tenor: Jovo Ivanić Baritone: Karlo Hameder Bass: Aleksandar Mijailović Nell'apparir del sempiterno Sole - Soto de Langa Nell’apparir del sempiterno sole Ch’a mezzanotte più riluce intorno Che l’altro non faria di mezzogiorno. Cantaron Gloria gli Angeli nel cielo E meritaro' udir sì dolci accenti Pastori che guardavano gli armenti. Quivi trovaro' in vili panni avvolto Il fanciul, con Gioseffe e con Maria O benedetta e nobil compagnia! Recorded at: Sombor, Galerija savremene umetnosti Gradskog muzeja Sombor 10.12.2022.  less

Our Music for your Choir - sheet Music and mp3's available through www.stoneandtara.com/songbook The Witches' Dialogue©2021 Anke de Bruijn & Peter Duiverman For SATB Choir a capella. Background notes to 'The Witches' Dialogue' On a rainy Novembe...  moreOur Music for your Choir - sheet Music and mp3's available through www.stoneandtara.com/songbook The Witches' Dialogue©2021 Anke de Bruijn & Peter Duiverman For SATB Choir a capella. Background notes to 'The Witches' Dialogue' On a rainy November morning, I was taking a walk with a friend. We found ourselves talking about a man who we knew only vaguely and who had been very ill for several years. We had heard recently that he was dying of cancer. The only thing we really knew about him was that he had lived a fairly miserable life. My friend told me how she and two other women had once helped a dying man by holding his feet, letting him know that it was safe to let go. Then we stopped short on the forest road and looked at each other. ‘I think we should hold his feet,’ one of us said. ‘Now?’ ‘We can always try. Thoughts have power.’ So we closed our eyes, stood for minutes next to an old, gnarled tree, and focused on the man who we imagined as lying alone in a hospital bed. When we opened o...    less