Grabación en directo de la obra "Ama Lur" en su versión orquestal a cargo de San Pedro abesbatza (Directora: Amaia Aldalur) y Sapere Aude Sinfonietta, todos bajo la dirección de Fernando Velazquez. "Ama Lur" obraren orkestarako bertsioaren zuzeneko gra...  moreGrabación en directo de la obra "Ama Lur" en su versión orquestal a cargo de San Pedro abesbatza (Directora: Amaia Aldalur) y Sapere Aude Sinfonietta, todos bajo la dirección de Fernando Velazquez. "Ama Lur" obraren orkestarako bertsioaren zuzeneko grabaketa. Bertan San Pedro abesbatzak (Zuzendari: Amaia Aldalur) eta Sapere Aude Sinfoniettak parte hartu zuten FErnando Velazquezen zuzendaritzapean. Live recording of the orquestral version of "Ama Lur" (Mother Land) by Choir San Pedro abesbatza (Conductor: Amaia Aldalur) and Sapere Aude Sinfonietta with Fernando Velazquez as conductor. 2016/VIII/01 San Pedro Parrokia (Zumaia - Gipuzkoa) Zumaiako Musika Jaialdia  less

A setting by Edward Gold of a poem by Thomas Love Peacock sung by David Warin Solomons multitracking as the dwsChorale Glee- The Ghosts In life three ghostly friars were we, and now three friarly ghosts we be. Around our shadowy table placed, The spe...  moreA setting by Edward Gold of a poem by Thomas Love Peacock sung by David Warin Solomons multitracking as the dwsChorale Glee- The Ghosts In life three ghostly friars were we, and now three friarly ghosts we be. Around our shadowy table placed, The spectral bowl before us floats: With wine that none but ghosts can taste, We wash our unsubstantial throats. Three merry ghosts—three merry ghosts— three merry ghosts are we: Let the ocean be port, and we’ll think it good sport To be laid in that red sea. With songs that jovial spectres chaunt, Our old refectory still we haunt. The traveller hears our midnight mirth: "O list!" he cries, "the haunted choir!" The merriest ghost that walks the earth, Is sure the ghost of a ghostly friar. Three merry ghosts—three merry ghosts— three merry ghosts are we: Let the ocean be port, and we’ll think it good sport To be laid in that red sea.  less

To make a prairie - for piano and three voices Music by John Graham poem by Emily Dickinson, 1830 - 1886 To make a prairie it takes a clover and one bee, One clover, and a bee. and revery*. The revery alone will do, If bees are few. Music sung ...  moreTo make a prairie - for piano and three voices Music by John Graham poem by Emily Dickinson, 1830 - 1886 To make a prairie it takes a clover and one bee, One clover, and a bee. and revery*. The revery alone will do, If bees are few. Music sung (in the key of F) by the dwsChorale The scores in B flat and in F will be available soon.  

Over the Rainbow, Coro las Veredas. Original: Harold Arlem, Arr. Joanna Forbes L'Estrange basada en la versión de Eva Cassidy. Enrique Martín, Director. Paula Mercedes Lozano, piano Arreglo de cuerdas: Patricia Mora. Over The Rainbow incluido en Nub...  moreOver the Rainbow, Coro las Veredas. Original: Harold Arlem, Arr. Joanna Forbes L'Estrange basada en la versión de Eva Cassidy. Enrique Martín, Director. Paula Mercedes Lozano, piano Arreglo de cuerdas: Patricia Mora. Over The Rainbow incluido en Nube, el Cd del Coro las Veredas. Más información: www.corolasveredas.com  

"Almas de Barro" Music and lyrics by Santiago Veros. contact@santiagoveros.site https://www.santiagoveros.site CANTALA, Lawrence University Women’s Choir perform a perfect version of "Almas de Barro" by Santiago Veros live in concert on October 12,...  more"Almas de Barro" Music and lyrics by Santiago Veros. contact@santiagoveros.site https://www.santiagoveros.site CANTALA, Lawrence University Women’s Choir perform a perfect version of "Almas de Barro" by Santiago Veros live in concert on October 12, 2019 in Lawrence Memorial Chapel under the direction of Dr. Phillip A. Swan. Foreward: Santiago Veros wrote Almas de Barro at the age of 19, dedicating it to a young woman who at the time was shy and with whom he rarely talked. This piece intimately describes the moments during music theory classes when the two would look at each other continuously, youthfully, and silently, as if unable to do anything else. The piece, written as a counterpoint assignment, was intended to be performed during music theory class as a declaration of love. The idea was to make a musical representation of those moments. The piece begins without words, the voices representing youthful looks. They come together and occasionally dodge each other to highlight the discomfort ...    less

Cantata Escénica "Carmina Burana" de Carl Orff. Versión W. Killmayer para dos pianos y percusión. Dirección Musical: andrés Aciar. Dirección escénica: Mónica Maffia Coro de la Facultad de Filosofía y Letras de la UBA Alumnos de la cátedra de percusi...  moreCantata Escénica "Carmina Burana" de Carl Orff. Versión W. Killmayer para dos pianos y percusión. Dirección Musical: andrés Aciar. Dirección escénica: Mónica Maffia Coro de la Facultad de Filosofía y Letras de la UBA Alumnos de la cátedra de percusión del Conservatorio "Julián Aguirre". Pianos: Julia Mann; Christian Hurtado Percusión: Martin Romeira, David Roda, Marcelo Figueredo, Pablo Cristiani, Nehuen Manzano Solistas y coro: Sopranos 1 María Funes Tondino Gaia Ghio (solista) Luz Kaplan (solista) Magalí Sandgarten (solista) María Clara Santander (solista) Sofía Skele (solista) María Isabel Urquiola Sopranos 2 M. de la Paz Castro Corbat Ana María Ferfoglia María Soledad García Seyda Cleria Giaccardi Florencia Rotte Dafne Roussos Fanny Seldes Florencia Sutelman andrea S. N. Vallarini Mezzos Josefina Awruch María Inés Bergero María Castel Ana Mazic Altos Catalina Acosta Díaz Mathilde Germain Sonia López Marta López Dono Cristela Medina Gloria Ozols Sofía Rodrígue...    less