The Garrison Children's Voices is a subset of the Garrison Methodist Presbyterian Church's music ministry located in Burma Camp, Accra. Its mission is to enrich, inspire, motivate and engage the children, not only of the church, but the entire Barracks... more
Resonare Fibris Vocal Ensemble is a group of choral music lovers with extensive experience in this field. Some of them are professional singers and music teachers. Its repertoire ranges from early to contemporary music. This group is conducted by Luisa D. Camacho
The Alab Vocal Ensemble, is a choral group based in the Cathedral Parish of St. andrew, Parañaque City, composed of young talented individuals from different Choirs of the Diocese of Parañaque. It was formed in September 2013 as a recital and laboratory c... more
Karleks vals Adak Vocal Ensemble Played in Fajr music festival Tehran-Azadi
Η συναυλία αφιέρωμα στο Μίκη Θεοδωράκη πραγματοποιήθηκε στο ανοιχτό θέατρο Πολυγύρου στα πλαίσια του 4ου Φεστιβάλ Πολυγύρου. Το φωνητικό σύνολο "Θαμυριάδες" συνοδεύει η oρχήστρα του ΜΟΝΤΑΖ. Πολύγυρος 22/07/2012
This month, children and adults will be singing side by side at carol concerts across the UK. The concerts will include works from new collection Carols for Everyone, which features seven carols arranged for SATB Choir and children’s Choir. ...
Professional Vocal quintet from Seville (Spain), specialized on Renaissance and Baroque Vocal music. First spanish Vocal group about singing the complete catalogue of Madrigals by Monteverdi.
Resonare Fibris Vocal Ensemble Directora: Luisa D. Camacho Hodie Christus natus est / Alleluia [himno procesional sobre un Cantus Firmus] J. Domínguez Concierto de Navidad "Adventus Redemptoris" 14 de diciembre de 2014 Real Santuario de Santa Ma... more
Le Jardin féerique From "Ma Mère l'Oye" Maurice Ravel Transcribed by Thierry Machuel Vocal Art Ensemble of Sweden Sara Korsgren Norrby, soprano Jan Yngwe, Conductor Camera, sound and editing, David Böling
This is an extract from our full blog on classical concerts for children: It’s one of the perennial questions asked by those involved in promoting classical concerts: how do we get more young people (and indeed children) coming to hear how ...