DENNOS LECENCIA - CODEX MARTINEZ COMPAÑON TRUJILLO DEL PERÚ (1782-85) / GU Choir Entering the colonial Spanish-American period, indigenism and slavery raise their voices in the Peruvian Codex of Martinez Compañón (S. XVIII) and in the work of the Spa...  moreDENNOS LECENCIA - CODEX MARTINEZ COMPAÑON TRUJILLO DEL PERÚ (1782-85) / GU Choir Entering the colonial Spanish-American period, indigenism and slavery raise their voices in the Peruvian Codex of Martinez Compañón (S. XVIII) and in the work of the Spanish Juan de Arañés (S. XVII). The subtle and everyday expressions of the indigenous people, together with those of the Africans, convey their deep desire for freedom. The Bozal Spanish language, as also the themes, texts and rhythm of the works, show the strong syncretism between the Spanish culture and that of the indigenous and African natives. GOA UNIVERSITY Choir Artistic Director SANTIAGO LUSARDI GIRELLI Anthony Gonsalves Western Music Chair SOPRANOS MERLE ANA HENRIQUES - GRAZIELLA SUZEL GONSALVES - FLEUR DIAS - ELIZABETH IPE - GRESHMA MARILYN D´SILVA - ALICE D´CRUZ - PATRICIA SEQUEIRA - ANDREA FARIA - MARIE CHRISTINE PINTO ALTOS AMEETA MASCARENHAS - PATRICIA COLAÇO - ASTRID MONTEIRO - SAHER NISCHAL JOSEPHINE CARVALHO - CLARA ASTARLOA ...    less

The Czestochowa Philharmonic Choir Director - Janusz Siadlak 2013

Gurt Lush Choir singing The Parting Glass at Colston Hall at the Gurt Gasworks Concert 2012. An exquisite traditional Irish ballad. Solos from Kat Coles & Helen Spilsbury.

Gurt Lush Choir singing True Colours at Colston Hall at the Gurt Gasworks Concert 2012

The Samford University A Cappella Choir singing "Chantez a Dieu" by Jan Pieters Sweelinck at the Florilege Vocal de Tours: International Song Competition, May 25-27, 2012. Philip Copeland, conductor.

Live by Bel Canto Choir Vilnius & Friends. Buy our music on: iTunes: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?id=716951968 Amazon: http://www.amazon.com/s/ref=ntt_srch_drd_B00F4ZGJNI?ie=UTF8&field-keywords=Bel%20Canto%20Choir%20Vilniu...  moreLive by Bel Canto Choir Vilnius & Friends. Buy our music on: iTunes: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?id=716951968 Amazon: http://www.amazon.com/s/ref=ntt_srch_drd_B00F4ZGJNI?ie=UTF8&field-keywords=Bel%20Canto%20Choir%20Vilnius&index=digital-music&search-type=ss Chorale "Jesus bleibet meine Freude" from the cantata "Herz und Mund und Tat und Leben" BWV 147. Johann Sebastian Bach. Live by Bel Canto Choir Vilnius, featuring soloist Ieva Prudnikovaitė, the violinist Artūras Šilalė and the pianist Artūras Anusauskas. From the Bel Canto Choir Vilnius special Concert and DVD/CD, entitled "Wake up, Europe. The Night is over...!". Live from St. Catherine Church in Vilnius, Lithuania on July 5, 2013. The Concert was organized in partnership with European Commission Representation in Lithuania, and was dedicated to Lithuania's first Presidency of the Council of the European Union. For more information on the Choir, please visit: http://www.chorasbelcanto.lt  less

Stonehouse Male Voice Choir have been entertaining audiences in the west of Scotland for the last 80 years.

Multitrack one-man Choir performance of Siyahamba, with a first attempt at using CrazyTalk Pro. Daft fun....I jump for joy...

On Saturday 22nd March the Choir gave a concert at Westbury on Trym Baptist Church. A select audience were given a well thought out programme including this piece, The Sound of Silence.

Cape Town Youth Choir (formerly Pro Cantu): "Emarabini" Conductor: Leon Starker Arr. Leon Starker Soloists: Kate Farquharson & Hlumelo Marepula Performed at Hugo Lambrechts Auditorium, Cape Town (16th July 2013) in a joint concert with the Whiffenpoo...  moreCape Town Youth Choir (formerly Pro Cantu): "Emarabini" Conductor: Leon Starker Arr. Leon Starker Soloists: Kate Farquharson & Hlumelo Marepula Performed at Hugo Lambrechts Auditorium, Cape Town (16th July 2013) in a joint concert with the Whiffenpoofs of Yale Emarabini South African Traditional "This is a traditional Xhosa song about an orphan. The song asks "who will look after this child, for it is truly without parents?" eMarabini is sung with a new meaning today as South Africa's orphan population continues to increase due to the HIV/AIDS epidemic. The feeling behind this song is driven by a sense of hope rather than despair; as it was sung to win past struggles, it is now sung to overcome present struggles as well." Program notes from "Up To Our Ears" on http://listentolydia.wordpress.com/ Website: www.ctyc.co.za Facebook: www.facebook.com/CapeTownYouthChoir Twitter: @capetownChoir Music available for purchase on iTunes  less