Last June, at the Final School Year Concert of our Voces Blancas del Nalón Schools Choirs, we rehearsed and sang our interpretation of The New One Day One Choir Song. We did it so, that the 21st of September, we could join our voices to all those thousand...  moreLast June, at the Final School Year Concert of our Voces Blancas del Nalón Schools Choirs, we rehearsed and sang our interpretation of The New One Day One Choir Song. We did it so, that the 21st of September, we could join our voices to all those thousand of choirs and choral singers that are singing for the peace within the OneDayOneChoir initiative. El pasado junio, en el Festival de fin de curso de los Coros Escolares de Voces Blancas del Nalón, preparamos y cantamos nuestra interpretación de la pieza The New One Day One Choir Song. De esta manera, sumamos nuestras voces a las de miles de coros y coralistas del mundo que cantan el día 21 de septiembre por la paz mundial. Festival de Fin de Curso Coros Escolares de Voces Blancas del Nalón, junio 2018  less

Setting by William Walton of the poem by Phineas Fletcher "Drop slow tears", transposed for men's voices and sung by the one-man choir dwsChorale

Voices of Casey will present Street Requiem at Cranbourne Community Theatre on Saturday 20th August at 2pm.   Street Requiem, conceived by the creator of the School of Hard Knocks, Dr Jonathon Welch AM, and composed in collaboration with Dr Kathlee...

Poem by 17th Century Unitarian minister and poet John Mason, music composed and performed by David W Solomons [aka the dwsChorale]. This particular setting was composed with a small mixed-ability choir in mind, so the voices are mainly in two parts ...  morePoem by 17th Century Unitarian minister and poet John Mason, music composed and performed by David W Solomons [aka the dwsChorale]. This particular setting was composed with a small mixed-ability choir in mind, so the voices are mainly in two parts (men's and women's voices), splitting to four parts (SATB) occasionally, where the words suggest it. The musical style is reminiscent of the 19th century although the piano part does go into 20th century style syncopation at times.  

Recorded on April 29, 2012 using a Flip Video camera.

[The views expressed in this blog are from my personal experiences from 25 years of leading non-auditioned community choirs in the UK, as well as adult singing workshops. My focus is on teaching by ear using a repertoire of songs from traditions across th...

Taymaz Saba and Andrei Diaconu were commissioned by Laudate Singers to co-write this piece. This dynamic piece includes all facets of our Voices, Sax & Syn concert: singers, pre-recorded sound, two saxophones and synthesizer. Birds singing. Robotic voice...  moreTaymaz Saba and Andrei Diaconu were commissioned by Laudate Singers to co-write this piece. This dynamic piece includes all facets of our Voices, Sax & Syn concert: singers, pre-recorded sound, two saxophones and synthesizer. Birds singing. Robotic voices. Percussion. Funky bass. Poignant harmonies. Expressive lyricism. Groovy syncopation. This is truly a modern setting of the Song of Mary! Turn it up for the best experience!! Synthesizer: Tim Tsang Alto saxophone: Campbell Ryga Tenor saxophone: Ross Taggart Conductor: Lars Kaario Laudate Singers (www.laudatesingers.com) Voices, Sax & Syn concert March 12, 2011 St Andrews United Church, North Vancouver, Canada  less