Choral arrangement of Cole Porter's Let's Do it performed by the dwsChorale (i.e. David Solomons multitracking)

It all began with the idea one morning that the "other tune" for Nahum Tate's carol "While shepherds watched" is, of course, the Yorkshire ditty "On Ilkley moor bar t'hat". Well, as the day progressed to afternoon, other tunes got added, resulting in ...  moreIt all began with the idea one morning that the "other tune" for Nahum Tate's carol "While shepherds watched" is, of course, the Yorkshire ditty "On Ilkley moor bar t'hat". Well, as the day progressed to afternoon, other tunes got added, resulting in a curious potpourri for choir and piano. The choir gets to sing "On Ilkla Moor", the Este psalter tune known to all, and also Auld Lang Syne. The second voice, in its madrigalian way, gets a sly English cadence!. Meanwhile, the piano also gets some sly references to "Sing a song of sixpence" and "Scotland the brave". I sang it in G (ATBB) on this video, to fit my multitrack range, but mixed choir versions are also available on musicaneo: in C (SATB) (fairly high for the sopranos) http://www.musicaneo.com/sheetmusic/sm-196257_while_shepherds_watched_-_in_various_melodies.html#196258 and in Bflat (SATB) (fairly low for the basses) http://www.musicaneo.com/sheetmusic/sm-196257_while_shepherds_watched_-_in_various_melodies.html#196257  less

Spaséñiye Sodélal (Salvation is Created) - A Kievan Chant Composed by Pavel Tchesnokov. Recorded at St Hildas Church, Cross Green, Leeds on 26 March 2015. Performed by Leeds Male Voice Choir. Directed by Tim Knight.

Gospel style setting for 2 or 4 voices, 2 flutes, double bass, guitar and tambourine of my evangelical poem about the meaning of Christmas.

A simple Communion Service for choir, organ and congregation written for a local church. The photographs were taken by Keith Brownlow, fellow student at Sale University of the 3rd Age, with thanks.

Anthem by John Amner, performed by the multitrack one-man choir dwsChorale Come let's rejoice unto the Lord: let us make joy to God our Saviour. Let us approach to his presence in confession: and in psalms let us make joy to him. Alleluia. (Word...  moreAnthem by John Amner, performed by the multitrack one-man choir dwsChorale Come let's rejoice unto the Lord: let us make joy to God our Saviour. Let us approach to his presence in confession: and in psalms let us make joy to him. Alleluia. (Words based on the first two verses of Psalm 95, known as the Venite)  

Salvacosta performed sections of this 13 minute long Lion King Spectacular on Britain's Got Talent at the Birmingham hippodrome Feb 6th 2016. Beautifully arranged by Darren Bartlett & includes well known songs from the Disney Classic by Tim Rice & Elton J...  moreSalvacosta performed sections of this 13 minute long Lion King Spectacular on Britain's Got Talent at the Birmingham hippodrome Feb 6th 2016. Beautifully arranged by Darren Bartlett & includes well known songs from the Disney Classic by Tim Rice & Elton John. LION KING Circle of Life Can You Feel The Love Tonight Endless Night He Lives In You King of Pride Rock Shadowland Circle of Life (reprise) 'The Lion King' Tim Rice & Elton John Copyright Walt Disney Music Company Performed by Salvacosta Feat. Darren Marc Bartlett Arr. by Darren Marc Bartlett Flute & Brass Arrangements - Alvin Allison Video Creation - Kingsbere Designs www.dmbmusic.co.uk www.darrenbartlett.co.uk Copyright DMB MUSIC 2016  less

Parody by dwsolo of Gruber's Christmas carol "Silent Night" sung by the composer multitracking. Here the would-be sleeper is kept awake by biting insects! A version for SATB is also available at http://www.musicaneo.com/sheetmusic/sm-181539_silent_gnat...  moreParody by dwsolo of Gruber's Christmas carol "Silent Night" sung by the composer multitracking. Here the would-be sleeper is kept awake by biting insects! A version for SATB is also available at http://www.musicaneo.com/sheetmusic/sm-181539_silent_gnat.html#181540  

A performance with a few extra (silly!) musical ideas by the dwsChorale Sumer is icumen in Lhude sing cuccu Groweþ sed and bloweþ med and springþ þe wde nu Sing cuccu Awe bleteþ after lomb lhouþ after calue cu Bulluc sterteþ bucke uerteþ muri...  moreA performance with a few extra (silly!) musical ideas by the dwsChorale Sumer is icumen in Lhude sing cuccu Groweþ sed and bloweþ med and springþ þe wde nu Sing cuccu Awe bleteþ after lomb lhouþ after calue cu Bulluc sterteþ bucke uerteþ murie sing cuccu Cuccu cuccu Wel singes þu cuccu ne swik þu nauer nu Sing cuccu nu Sing cuccu. Sing cuccu Sing cuccu nu Summer has arrived, Loudly sing, cuckoo! The seed is growing and the meadow is blooming, and the wood is coming into leaf now, Sing, cuckoo! The ewe is bleating after her lamb, The cow is lowing after her calf; The bullock is prancing, The billy-goat farting Sing merrily, cuckoo! Cuckoo, cuckoo, You sing well, cuckoo, Never stop now. Sing, cuckoo, now; sing, cuckoo; Sing, cuckoo; sing, cuckoo, now!  less

Robin Adair arranged for SATB choir (sung, transposed down in this video, by the one-man multitrack choir dwsChorale) [Note: a few textual errors have crept into the performance - but the score has the correct words] The original tune was composed...  moreRobin Adair arranged for SATB choir (sung, transposed down in this video, by the one-man multitrack choir dwsChorale) [Note: a few textual errors have crept into the performance - but the score has the correct words] The original tune was composed with the words Eibhlin a Ruin (Ellen Aroon or Eileen Aroon) by the Irish bard Carroll O'Daly (14th Century), although it was later attributed to the 18th century Irish composer Charles Coffey (this was presumably an arrangement of the original). The words of "Robin Adair" itself are understood to be by Lady Caroline Keppel, who was in love with a surgeon by that name. (This seems more likely than the theory that Robert Burns wrote it, although Burns certainly knew Keppel's lyrics and made his own parodies upon the words). Some later versions of the melody contain "Scotch snaps" but this version follows the simplest melodic line, without the Scotch snaps - possibly O'Daly's original tune? - and with quite romantic choral harmonies.  less