Jakub Jan Ryba: Responsoria pro Sabatho Sancto - Ecce quomodo - live recording March 24, 2013 - Church of the Assumption of the Virgin Mary, Hradec Kralove The Czech Boys choir The Hradec Králové Philharmonic Orchestra Mikulas Chvojka, Adam Peichl, ...  moreJakub Jan Ryba: Responsoria pro Sabatho Sancto - Ecce quomodo - live recording March 24, 2013 - Church of the Assumption of the Virgin Mary, Hradec Kralove The Czech Boys choir The Hradec Králové Philharmonic Orchestra Mikulas Chvojka, Adam Peichl, Petr Vanc - soprano Vaclav Polivka - countertenor Vladimir Richter - tenor Ales Prochazka - bass Vladimir Matejcek - recitation Jakub Martinec - conductor  

The fabulous ECU Chamber Singers sing my O MAGNUM MYSTERIUM - Andrew Crane, conductor Dec 6, 2011 St. Paul’s Episcopal Church - Grenville NC - USA The SATB edition is a cappella; the SA is accompanied, with piano and cello. Published by Alliance...  moreThe fabulous ECU Chamber Singers sing my O MAGNUM MYSTERIUM - Andrew Crane, conductor Dec 6, 2011 St. Paul’s Episcopal Church - Grenville NC - USA The SATB edition is a cappella; the SA is accompanied, with piano and cello. Published by Alliance Music Pub. (North America) and Annie Bank (world except North America)  

【wow! 合唱】音樂會 時間/ 2014年9月20日 地點/ 大東文化藝術中心 指揮/ 朱如鳳 浪漫派德國作曲家布拉姆斯（Johannes Brahms， 1833-97），於55歲時寫下無伴奏合唱代表作《五首歌曲》（FünfGesänge， op.104， 1888），其中第一、二樂章的歌詞均取自呂克特（Friedrich Rückert， 1788-1866）的詩作〈夜哨〉（Nachtwache）。 B小調第一樂章為六聲部混聲合唱，以厚重的塊狀和弦、複雜多變的和聲，極弱的基本音...  more【wow! 合唱】音樂會 時間/ 2014年9月20日 地點/ 大東文化藝術中心 指揮/ 朱如鳳 浪漫派德國作曲家布拉姆斯（Johannes Brahms， 1833-97），於55歲時寫下無伴奏合唱代表作《五首歌曲》（FünfGesänge， op.104， 1888），其中第一、二樂章的歌詞均取自呂克特（Friedrich Rückert， 1788-1866）的詩作〈夜哨〉（Nachtwache）。 B小調第一樂章為六聲部混聲合唱，以厚重的塊狀和弦、複雜多變的和聲，極弱的基本音量，營造陰鬱晦暗的色調，描繪歌詞中徹夜無眠的悲傷。 LeiseTöne der Brust,gewecktvom Odem der Liebe, Hauchetzitterndhinaus,obsicheuchöffen' einOhr, Öffn' einliebendesHerz,und wennsichkeineseuchöffnet, Trag' einNachtwindeuchseufzend in meineszurück. 充滿愛的氣息，讓細微的聲響 顫抖地自胸口發出，你們聽得到嗎 展現出你們的和善吧，若你們無動於衷 僅有夜風嘆息地把這哀傷送回到我心中  less

James W. Knox - Radicimus Missam - Movement I: Kyrie A virtual collaboration project between Coro Autêntico, Portugal (Gonçalo Lourenço, conductor), The Cygnus Vocal Octet, Japan (Taku Sato, ensemble leader), Lassenne Vocale, Belgium (Ivan Yohan, conduct...  moreJames W. Knox - Radicimus Missam - Movement I: Kyrie A virtual collaboration project between Coro Autêntico, Portugal (Gonçalo Lourenço, conductor), The Cygnus Vocal Octet, Japan (Taku Sato, ensemble leader), Lassenne Vocale, Belgium (Ivan Yohan, conductor), and Parahyangan Catholic University choir, Indonesia (Alfonsus Albert, conductor)  

Robert Plant and the Band Of Joy play "12 Gates To The City" by the Reverend Gary Davis, live on Friday 29th October 2010 backed by the London Oriana choir, Buddy Miller (Guitar), Patty Griffin (Vocals), Byron House (Bass), Darrell Scott (Guitar), Marco G...  moreRobert Plant and the Band Of Joy play "12 Gates To The City" by the Reverend Gary Davis, live on Friday 29th October 2010 backed by the London Oriana choir, Buddy Miller (Guitar), Patty Griffin (Vocals), Byron House (Bass), Darrell Scott (Guitar), Marco Giovino (Drums). HD.  

Uzun İnce Bir Yoldayım - Aşık Veysel arr. BÜMK Klasik Müzik Korosu BÜMK Klasik Müzik Korosu 2011 - 2012 Lansman Konseri 28 Aralık 2011, Albert Long Hall, Boğaziçi Üniversitesi Şef: Kaan Bayır Solistler: Ozan Sarohan, Başak Palabıyık Koreografi : A...  moreUzun İnce Bir Yoldayım - Aşık Veysel arr. BÜMK Klasik Müzik Korosu BÜMK Klasik Müzik Korosu 2011 - 2012 Lansman Konseri 28 Aralık 2011, Albert Long Hall, Boğaziçi Üniversitesi Şef: Kaan Bayır Solistler: Ozan Sarohan, Başak Palabıyık Koreografi : Alper Akçay http://klasik.bumk.org http://facebook.com/klasikkoro http://youtube.com/klasikkoro http://klasikkoro.tumblr.com  

[A version of this article first appeared as a post on my blog From the Front of the choir] Ever asked your choir members how they think things are going? Is there a large committee helping to run your choir? If so, you’ve realised that a ch...

Words by Christina Rossetti (1830-1894) Performed by Matthew Curtis (www.choraltracks.com) Music © 2010 Oxford University Press, Inc. Assigned to Oxford University Press 2010. All rights reserved. Used by permission. Words Public Domain Artw...  moreWords by Christina Rossetti (1830-1894) Performed by Matthew Curtis (www.choraltracks.com) Music © 2010 Oxford University Press, Inc. Assigned to Oxford University Press 2010. All rights reserved. Used by permission. Words Public Domain Artwork and Sounds Images and sounds are released free of copyrights under Creative Commons CC0. Choral conductors in North America: to purchase copies of this score, the US distributor is Edition Peters. http://www.edition-peters.com/product/OUP/remember/9780193372221 Choral conductors in the UK: to purchase copies of this score, visit the publisher’s website. www.global.oup.com/academic/product/remember-9780193372221?cc=us&lang=en& Oxford University Press Catalog No. 978-0-19-337222-1  less

A teaser of Inspira's Season 2 Finale Concert "Beyond A Distant Shore" concept created and developed by Calgarychoirs Staff and advisors. Works in this track: "Whitby Bay" used under special licensing through MTI New York. "All too Soon" by Stephen Hat...  moreA teaser of Inspira's Season 2 Finale Concert "Beyond A Distant Shore" concept created and developed by Calgarychoirs Staff and advisors. Works in this track: "Whitby Bay" used under special licensing through MTI New York. "All too Soon" by Stephen Hatfield and "Homeward Bound" by Marta Keen. All orchestrations by Nick Turnbull (SOCAN) and arranged by special permission. Nick Turnbull, Music Director.  

Delicate, hushed, and suspenseful, this perfectly captures the expansive and meditative feeling of Whitman’s poignant poetry. This is great for any sized choir, though the long lines, slow pace, and lush harmonies will lend itself particularly well to lar...  moreDelicate, hushed, and suspenseful, this perfectly captures the expansive and meditative feeling of Whitman’s poignant poetry. This is great for any sized choir, though the long lines, slow pace, and lush harmonies will lend itself particularly well to large ensembles. Four part mixed chorus Audio Credit: The First Recordings Project – J. David Moore, Conductor