This is a vocal improvisation based on classical guitar study No 10 by Fernando Sor, sung by the dwsChorale (multitracking) with a bell-like accompaniment for the guitar part.

“Birds of Paradise” Saturday March 28 - 8 PM - First Presbyterian Church, San Anselmo MARIN BAROQUE Daniel Canosa, Music Director Rosemary Beecher-Bryant, Daniel Pickens-Jones david Morris: Treble Viol Julie Jeffrey: Tenor Viol Lynn Tetenbau...  more“Birds of Paradise” Saturday March 28 - 8 PM - First Presbyterian Church, San Anselmo MARIN BAROQUE Daniel Canosa, Music Director Rosemary Beecher-Bryant, Daniel Pickens-Jones david Morris: Treble Viol Julie Jeffrey: Tenor Viol Lynn Tetenbaum: Bass Viol Peter Hallifax: Bass Viol Adam Cockerham: Vihuela, Baroque Guitar Peter Maund: Percussion Stephen Escher: Cornett, Recorder Richard Van Hessel: Alto and Tenor Sackbut, Recorder, Gittern Michael Cushing: Tenor Sackbut, Recorder Herbert W. Myers: Curtal, Shawm, Recorder Rosemary Beecher-Bryant, Joanna Dudley, Linda Price, Kristin Whitley: Sopranos Linda Allen, Betsy Levine-Proctor, Martha Rodriguez-Salazar, Jessica Winn: Altos Carl Boe, Mark Bonney, Samuel Faustine, Samuel Palmer: Tenors George Fencl, Raymond Martinez, Daniel Pickens-Jones, Ricky Torres-Cooban: Basses  less

Ave Maria, Thomas Keesecker - performed by the Choirs of the South Carolina Governor's School of the Arts and Humanities, April 2013. The piece was performed at St Peter's Basilica in Rome on March 15, 2013.

The second of "Two poems by Thomas Moore" with me directing the Concentus Nymphae feminine choir The score is available for free at IMSLP: http://imslp.org/wiki/Two_Poems_by_Thomas_Moore_(Camacho,_João_Carlos)

"STABAT MATER", Giovanni Baptista PERGOLESI I. Stabat Mater II. Cujus animam III. O quam tristis IV. Quae moerebat V. Quis est homo VI. Vidit suum VII. Eia Mater VIII. Fac ut ardeat IX. Sancta Mater X. Fac ut portem XI. Inflamatus XII. Quando ...  more"STABAT MATER", Giovanni Baptista PERGOLESI I. Stabat Mater II. Cujus animam III. O quam tristis IV. Quae moerebat V. Quis est homo VI. Vidit suum VII. Eia Mater VIII. Fac ut ardeat IX. Sancta Mater X. Fac ut portem XI. Inflamatus XII. Quando corpus -- Amen ORQUESTA FILARMONÍA Coro FILARMONÍA Cecilia Lavilla (Soprano) Maite Maruri (Contralto) Dir: PASCUAL OSA Ciclo de conciertos "LA MÚSICA EN LA HISTORIA" 2º concierto: EL BARROCO (1730-1750) Auditorio Centro de Arte de Alcobendas (Madrid) Grabado por Julio Menor Sonido directo de videocámara  less

Tre a cappella Korsange, 2. I Seraillets Have, Jens Peter Jacobsen (letra) Iglesia Santa Julia, Ciudad de Buenos Aires, Argentina 2007

Recently rediscovered work of mine from 1975 Sanctus, sanctus, sanctus Dominus Deus Sabbaoth Sanctus Sanctus Dominus Sanctus Pleni sunt caeli et terra gloria Tua Osanna in excelsis Benedictus qui venit in nomine Domini Osanna in excelsis. ...  moreRecently rediscovered work of mine from 1975 Sanctus, sanctus, sanctus Dominus Deus Sabbaoth Sanctus Sanctus Dominus Sanctus Pleni sunt caeli et terra gloria Tua Osanna in excelsis Benedictus qui venit in nomine Domini Osanna in excelsis. Agnus Dei qui tollis peccata mundi Miserere nobis Agnus Dei qui tollis peccata mundi Dona nobis pacem Amen  

The St Peter's Singers of Leeds and St Peter's Chamber Orchestra, with Alan Horsey (harpsichord) and david Houlder (organ continuo), directed by Dr Simon Lindley, perform the excitingchorus 'Let us therefore not divide it' from Johann Sebastian Bach's ma...  moreThe St Peter's Singers of Leeds and St Peter's Chamber Orchestra, with Alan Horsey (harpsichord) and david Houlder (organ continuo), directed by Dr Simon Lindley, perform the excitingchorus 'Let us therefore not divide it' from Johann Sebastian Bach's masterwork St John Passion (BWV 245) at Leeds Town Hall on Monday 18th February 2013. This complete performance of the Passion, in English, was given as part of the Leeds International Concert Season. More information about St Peter's Singers, including details of forthcoming events, can be found on our website http://www.stpeters-singers.org.uk, our Facebook group page 'St Peter's Singers of Leeds' and on Twitter (@SPSLeeds). http://www.stpeters-singers.org.uk  less

Setting of Martin Luther's translation of Psalm 23 Der Herr ist mein Hirte; mir wird nichts mangeln. (The Lord is my Shepherd, I shall not want.) Er weidet mich auf grüner Aue und führet mich zum frischen Wasser. (He maketh me to lie down in green p...  moreSetting of Martin Luther's translation of Psalm 23 Der Herr ist mein Hirte; mir wird nichts mangeln. (The Lord is my Shepherd, I shall not want.) Er weidet mich auf grüner Aue und führet mich zum frischen Wasser. (He maketh me to lie down in green pastures; he leadeth me the quiet waters by.) Er erquicket meine Seele; (My soul he doth restore again) er führet mich auf rechter Straße um seines Namens willen. (and me to walk doth make in the paths of righteousness, even for his own Name's sake.) Und ob ich schon wanderte im finstern Tal, fürchte ich kein Unglück; (Yea, though I walk in death's dark vale, yet will I fear no ill) denn du bist bei mir, dein Stecken und dein Stab trösten mich. (For Thou art with me; and thy rod and staff my comfort still.) Du bereitest vor mir einen Tisch im Angesicht meiner Feinde....  less

Participação do Coro Voximix do Conservatório Regional de Castelo Branco no concerto comemorativo dos 75 anos do Conservatório de Música da Covilhã (17.06.2011), com a pianista Helena Nunes e sob a direcção de Armanda Patrício. (http://Corocrcb.blogspot.com)