This post was orginally found on our Embro Thistle Singers blog. I remember when we had Professional Development Days when I was teaching, the teachers would complain that they were more tired that day than from a whole day of teaching. I had had...
Agnus Dei ("Lamb of God") is a choral composition in one movement by Samuel Barber, his own arrangement of his Adagio for Strings (1936). In 1967, he set the Latin words of the liturgical Agnus Dei, a part of the Mass, for mixed chorus with optional organ... more
[A version of this article first appeared as a post on my blog From the Front of the Choir] Even though I’ve been teaching for almost 30 years, I still get affected by that glum-looking face in the third row. ... and it's no...
Thomas D. Rossin conducts Lauridsen's setting in concert December 10th, 2011. The performance was at the University of St. Thomas Chapel
Salvacosta perform Will Todd's 'My Lord Has Come'... Will Todd Copyright 2011 Oxford University Press Performed by Salvacosta DMB Music www.dmbmusic.co.uk www.darrenbartlett.co.uk Copyright DMB MUSIC 2016
The SFU Choir from Burnaby, B.C., Canada perform Jonathan Coulton's "Mandelbrot Set" at their "College is Awesome" concert, on Friday, April 8th, 2011. Learn more about the SFU Choir at http://www.sfuchoir.ca/
Closing Gala Concert, 1st May 2011, 8pm, Cork City Hall - 57th International Cork Choral Festival - www.corkchoral.ie - This video is a service of Choral Festival Network www.choralfestivalnetwork.org
Fleischmann International Trophy Competition, 30th April 2011, 8pm, Cork City Hall - 57th International Cork Choral Festival - www.corkchoral.ie - This video is a service of Choral Festival Network www.choralfestivalnetwork.org
If you’re a singer on your way to a voice lesson, rehearsal, or audition, it’s always good to do a bit of warming up in the car, because there are few things more annoying to music directors than Singers wasting time complaining that they&rsqu...
[A version of this article first appeared as a post on my blog From the Front of the Choir] Many’s the time I see Ann lean over to Gill (not their real names) to help her get her part right. And every time I see a pained expression on ...
