The Lea Singers are a Harpenden-based chamber Choir of 30 singers. Our aims are to achieve high standards of singing and performance, and to contribute to our local community. Our annual programme typically includes 6-8 concerts in the Harpenden area a...  moreThe Lea Singers are a Harpenden-based chamber Choir of 30 singers. Our aims are to achieve high standards of singing and performance, and to contribute to our local community. Our annual programme typically includes 6-8 concerts in the Harpenden area and further afield, a cathedral tour, open singing days and the occasional recording. We rehearse on Wednesday evenings at St George’s School, Harpenden. We are known for good Music making, varied repertoire including regular commissions, excellent soloists, interesting concert venues and loyal patronage of a range of local hostelries…. We come from a wide range of Musical backgrounds and have a thriving interns scheme for talented singers from local Schools. Over our 50 year history, the Leas have sung under 11 permanent conductors and many guests, each of whom has made a distinctive contribution to our style and repertoire. In December 2011 we appointed Benjamin Goodson to take up the baton. The Lea Singers are a registered charity. In 50 years, we hav...    less

Vehi Sheamda Lyrics: from the traditional Passover Hagada Music:Yonatan Razel Vocal arrangement: Baruch Gruman Performed at the Memorial Day ceremony in Lapid by Kol-Hamishpaha on 2013-04-14 Rinat Gruman Shani Gruman Idith Gruman Baruch Gruman ...  moreVehi Sheamda Lyrics: from the traditional Passover Hagada Music:Yonatan Razel Vocal arrangement: Baruch Gruman Performed at the Memorial Day ceremony in Lapid by Kol-Hamishpaha on 2013-04-14 Rinat Gruman Shani Gruman Idith Gruman Baruch Gruman והיא שעמדה מלים מתוך ההגדה של פסח לחן: יונתן רזאל עיבוד קולי: ברוך גרומן בוצע בטקס יום הזכרון על הבמה המרכזית בלפיד ע"י קול-המשפחה ב 2013-04-14 רינת גרומן שני גרומן עדית גרומן ברוך גרומן  

Laudate Dominum by Giuseppe Ottavio Pitoni (1657-1743). This Italian composer wrote some fifty masses for three or four Choirs. He is the one who extended until the middle of the 18th century the roman School influence, still attached to the so called "T...  moreLaudate Dominum by Giuseppe Ottavio Pitoni (1657-1743). This Italian composer wrote some fifty masses for three or four Choirs. He is the one who extended until the middle of the 18th century the roman School influence, still attached to the so called "Treditions Palestriniennes". read more - http://en.wikipedia.org/wiki/Giuseppe_Ottavio_Pitoni Laudate Dominum in sanctis eius. Laudate eum in firmamento virtutis eius. Laudate eum in virtutibus eius. Laudate eum secundum multitudinem magnitudinis eius. Laudate eum in sono tubae. Laudate eum in psalterio et cithara. Laudate eum in tympano et choro. Laudate eum in chordis et organo. Laudate eum in cymbalis bene sonantibus. Laudate eum in cymbalis iubilationis. Omnis spiritus laudet Dominum! Praise the Lord in his sanctuary. Praise him in his mighty firmament. Praise him for his mighty deeds. Praise him according to the entire range of his greatness. Praise him with the sound of the trumpet. Praise him with lyre and harp. Praise him with timb...    less

CHORALIS CONSTANTINUS 500 A HABSBURG CSÁSZÁRI UDVAR ÉNEKES SZERTARTÁSAI A 15-16. SZÁZADI GYAKORLAT ALAPJÁN Vocal LITURGICAL Music IN THE HABSBURG IMPERIAL COURT ACCORDING TO 15TH AND 16TH-CENTURY PRACTICES www.choralisconstantinus.hu A SOROZAT...  moreCHORALIS CONSTANTINUS 500 A HABSBURG CSÁSZÁRI UDVAR ÉNEKES SZERTARTÁSAI A 15-16. SZÁZADI GYAKORLAT ALAPJÁN Vocal LITURGICAL Music IN THE HABSBURG IMPERIAL COURT ACCORDING TO 15TH AND 16TH-CENTURY PRACTICES www.choralisconstantinus.hu A SOROZAT ZÁRÓ HANGVERSENYE THE LAST CONCERT OF THE SERIES Heinrich Isaac: Quis dabit capiti meo aquam? Lament on the Death of Lorenzo de' Medici (1492) CORVINA CONSORT corvinaconsort.hu artistic director - Zoltán Kalmanovits Ágnes Pintér, Károly, Pászti, Zoltán Kalmanovits, András Demjén 2011. november 22. Belvárosi Szent Mihály Templom/St. Michael's Church - Budapest Musica Aeterna Művészeti Alapítvány/MusicaAeterna Art Foundation  less

Le chœur marocain “ Les Voix du Chœur”, dirigé par Rabii Merouane, existe depuis 2009. Il est composé de professeurs de musique, d’élèves des conservatoires et de passionnés de chant, dont la plupart ont participé à plusieurs chœurs sous la direction de :...  moreLe chœur marocain “ Les Voix du Chœur”, dirigé par Rabii Merouane, existe depuis 2009. Il est composé de professeurs de musique, d’élèves des conservatoires et de passionnés de chant, dont la plupart ont participé à plusieurs chœurs sous la direction de : - Jalila Bennani (Chœur National, Chœur des Trois Cultures, Chœur Polyphonia…) - Yves Parmentier et Oleg Reztkine (Chœur National) - Michel Piquemal, Didier Lockwood, Nayer Nagui, Jean-Claude Casadesus et Laurent Couson (Chœur des Trois Cultures) - Louis Perraudin (Chorale de Rabat) Ainsi qu’à divers projets Musicaux avec : Jean-Michel Jarre (Water of life) Ennio Morricone (Mawazine) Quincy Jones et Red-One (Hymne à la paix) Le répertoire du chœur comprend des œuvres variées : classiques, jazz et des compositions arabes ainsi que des arrangements réalisés par de jeunes talents membres du chœur.  less

[this is an updated version of a post which first appeared on my blog From the Front of the Choir]   Music and singing are auditory experiences. We don’t need to see the Musicians or singers to appreciate their Music. So why bother going...

[A version of this article first appeared as a post on my blog From the Front of the Choir]   Do you have to be able to read Music to sing? Lots of people believe so and are put off joining Choirs, or even singing at all, as a result.   &n...

Verse anthem by Henry Purcell sung by the dwsChorale Also known as the Bell Anthem Rejoice in the Lord alway, and again I say rejoice. Let your moderation be known unto all men the Lord is at hand! Be careful for nothing but in everything by ...  moreVerse anthem by Henry Purcell sung by the dwsChorale Also known as the Bell Anthem Rejoice in the Lord alway, and again I say rejoice. Let your moderation be known unto all men the Lord is at hand! Be careful for nothing but in everything by prayer and supplication, with thanksgiving let your requests be known unto God And the peace of God, which passeth all understanding shall keep your hearts and minds through Jesus Christ our Lord. (Words from Philippians IV. vv. 4 - 7)  

HCS is a non-auditioning, mixed-voice Choir of approx 60 voices, based in the south side of Glasgow. We rehearse, in excellent facilities provided by Hutchesons' Grammar School, on Monday evenings, Aug - Nov and Jan - Mar; we give two concerts, in Nov ...  moreHCS is a non-auditioning, mixed-voice Choir of approx 60 voices, based in the south side of Glasgow. We rehearse, in excellent facilities provided by Hutchesons' Grammar School, on Monday evenings, Aug - Nov and Jan - Mar; we give two concerts, in Nov and Mar, in an on-site auditorium, with 3-manual digital organ. The auditorium can accommodate 60 singers, up to 30 orchestral players and an audience of around 250 (300 max).  

Purchase the MP3: https://amzn.to/3hTEqtS Directed by Devin Graham, award-winning filmmaker and YouTube Influencer: https://www.youtube.com/user/devinsupertramp Find the Choir's rendition of "Duel of the Fates," along with additional "movie Music" on ...  morePurchase the MP3: https://amzn.to/3hTEqtS Directed by Devin Graham, award-winning filmmaker and YouTube Influencer: https://www.youtube.com/user/devinsupertramp Find the Choir's rendition of "Duel of the Fates," along with additional "movie Music" on the Choir's EP, "When You Believe": https://www.thetabernacleChoir.org/shop/products/when-you-believe.html *This video was filmed before the COVID-19 pandemic. Legendary film composer John Williams wrote the Music for each of the nine Star Wars saga films, spanning more than forty years from 1977 to 2019. For Star Wars Episode I: The Phantom Menace (1999), Williams composed “Duel of the Fates” for orchestra and chorus, accompanying a climactic lightsaber duel. The words are a fragment of an ancient Welsh poem that Williams had translated into Sanskrit—he then rearranged the syllables himself to make the text essentially meaningless, while still retaining a forceful chant-like power. He intended the choral singing itself to give the scene an explicitly re...    less