The alto section of the multitrack one-Man choir dwsChorale sings Three little maids from school, from Gilbert and Sullivan's The Mikado Downloadable mp3 available from http://www.cdbaby.com/cd/dwschorale3

Singing with Shani WahrMan in the Israel Musicals production of The Music Man, 17 July 2011.

The Blue Bird Poem by Mary Coleridge Music by Charles Villiers Stanford (also known under the pseudonym Karel Drofnatski!!) Performed (transposed down a bit) by the dwsChorale (one-Man multitrack choir)

Trois Chansons - poems by Charles Duc D'Orléans music by Claude Debussy Performed (transposed) by the one-Man multitrack choir dwsChorale

Score (for the original higher voice setting) https://www.sheetmusicplus.com/title/3949102?aff_id=175705 Lotti's 6 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus etiam pro nobis; sub Pontio Pilato...  moreScore (for the original higher voice setting) https://www.sheetmusicplus.com/title/3949102?aff_id=175705 Lotti's 6 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus etiam pro nobis; sub Pontio Pilato passus et sepultus est. Translation He was crucified also for us, under Pontius Pilate he suffered and was buried.  

Many are the ways of the Lord. And Man cannot fully understand or comprehend them. But that doesn’t mean we should lose faith in the Almighty. He always comes through ❤️

Anthem by John Amner, performed by the multitrack one-Man choir dwsChorale Come let's rejoice unto the Lord: let us make joy to God our Saviour. Let us approach to his presence in confession: and in psalms let us make joy to him. Alleluia. (Word...  moreAnthem by John Amner, performed by the multitrack one-Man choir dwsChorale Come let's rejoice unto the Lord: let us make joy to God our Saviour. Let us approach to his presence in confession: and in psalms let us make joy to him. Alleluia. (Words based on the first two verses of Psalm 95, known as the Venite)  

Score (for the original higher voice setting in The European Sacred Music book) https://www.sheetmusicplus.com/title/4422853?aff_id=175705 Lotti's 8 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus ...  moreScore (for the original higher voice setting in The European Sacred Music book) https://www.sheetmusicplus.com/title/4422853?aff_id=175705 Lotti's 8 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus etiam pro nobis; sub Pontio Pilato passus et sepultus est. Translation He was crucified also for us, under Pontius Pilate he suffered and was buried.  

the most beautiful thing in the world, is the world itself http://www.facebook.com/share.php?u=http://www.youtube.com/watch?v=q5hG3Xovjiw Like me on Facebook! http://www.facebook.com/pages/Dan-Wright-multitracks/309402602408932 this video took a l...  morethe most beautiful thing in the world, is the world itself http://www.facebook.com/share.php?u=http://www.youtube.com/watch?v=q5hG3Xovjiw Like me on Facebook! http://www.facebook.com/pages/Dan-Wright-multitracks/309402602408932 this video took a lot of hard work. I started this almost immediately after my first choral video went up. I love these choral multitracks but they are very tedious to edit and very long to record. just so you know, because I know people are going to ask, the soprano solo at the beginning is in the box in the top-left corner as always there is no autotune used. so because of all my hard work I think it would be wonderful if you would all like, subscribe, comment and share it with your friend. it would mean a lot to me :) --Composed by Eric Whitacre--  less

Robin Adair arranged for SATB choir (sung, transposed down in this video, by the one-Man multitrack choir dwsChorale) [Note: a few textual errors have crept into the perforMance - but the score has the correct words] The original tune was composed...  moreRobin Adair arranged for SATB choir (sung, transposed down in this video, by the one-Man multitrack choir dwsChorale) [Note: a few textual errors have crept into the perforMance - but the score has the correct words] The original tune was composed with the words Eibhlin a Ruin (Ellen Aroon or Eileen Aroon) by the Irish bard Carroll O'Daly (14th Century), although it was later attributed to the 18th century Irish composer Charles Coffey (this was presumably an arrangement of the original). The words of "Robin Adair" itself are understood to be by Lady Caroline Keppel, who was in love with a surgeon by that name. (This seems more likely than the theory that Robert Burns wrote it, although Burns certainly knew Keppel's lyrics and made his own parodies upon the words). Some later versions of the melody contain "Scotch snaps" but this version follows the simplest melodic line, without the Scotch snaps - possibly O'Daly's original tune? - and with quite roMantic choral harmonies.  less