Anthem by John Amner, performed by the multitrack one-man choir dwsChorale Come let's rejoice unto the Lord: let us make joy to God our Saviour. Let us approach to his presence in confession: and in psalms let us make joy to him. Alleluia. (Word...  moreAnthem by John Amner, performed by the multitrack one-man choir dwsChorale Come let's rejoice unto the Lord: let us make joy to God our Saviour. Let us approach to his presence in confession: and in psalms let us make joy to him. Alleluia. (Words based on the first two verses of Psalm 95, known as the Venite)  

Bach BWV 230 alleluja movement Live in concert recording March 2011 St Clement's Anglican Church Cantabile Chamber Singers Margarita String Quartet www.cantabilechambersingers.com

[Dum transisset] Sabbatum, Maria Magdalene et Maria Jacobi et Salome emerunt aromata, ut venientes ungerent Jesum. Alleluia. [When] the Sabbath [was past], Mary Magdalene and Mary the mother of James and Salome had bought sweet spices, that th...  more[Dum transisset] Sabbatum, Maria Magdalene et Maria Jacobi et Salome emerunt aromata, ut venientes ungerent Jesum. Alleluia. [When] the Sabbath [was past], Mary Magdalene and Mary the mother of James and Salome had bought sweet spices, that they might come and anoint Jesus. Alleluia. Sung at Canterbury Cathedral during our Royal School of Church Music Summer Course in 1986, under Martin How. I (David W Solomons) was one of the altos. John Huntley - a fellow alto - recorded this performance.  less

Grupo Vocal e Instrumental Reyes Bartlet José Híjar Polo, maestro de coro Eligio Luis Quinteiro, director XIV Festival de Música Antigua y Barroca de Puerto de la Cruz Iglesia de la Peña de Francia, 17 de abril de 2017 Imagen y sonido: Mediawink ...  moreGrupo Vocal e Instrumental Reyes Bartlet José Híjar Polo, maestro de coro Eligio Luis Quinteiro, director XIV Festival de Música Antigua y Barroca de Puerto de la Cruz Iglesia de la Peña de Francia, 17 de abril de 2017 Imagen y sonido: Mediawink Iluminación: Iluminación EC  

A l’occasion de la célébration de la journée internationale de la Paix, le 21 septembre, BIAYENDA CHOIR s'est mobilisé dans le cadre de l’initiative ONE DAY ONE CHOIR qui rassemble des milliers de choristes à travers les cinq continents dans le but de cha...  moreA l’occasion de la célébration de la journée internationale de la Paix, le 21 septembre, BIAYENDA CHOIR s'est mobilisé dans le cadre de l’initiative ONE DAY ONE CHOIR qui rassemble des milliers de choristes à travers les cinq continents dans le but de chanter ensemble pour promouvoir la paix dans le monde. Dakar Septembre 2016  

Recorded on January 10th, 2011. Quem Vidistis, Pastores?, by Tomas Luis de Victoria (1548-1611). "Whom have you seen shepherds? Speak, tell us who has appeared! We have seen the new-born and a chorus of Angels praising God. Alleluia. Speak, what have you ...  moreRecorded on January 10th, 2011. Quem Vidistis, Pastores?, by Tomas Luis de Victoria (1548-1611). "Whom have you seen shepherds? Speak, tell us who has appeared! We have seen the new-born and a chorus of Angels praising God. Alleluia. Speak, what have you seen! Tell us of the birth of Christ. We have seen the new-born and a chorus of Angels praising God. Alleluia." CONTINUUM is the newest and most dynamic early music ensemble on the UK classical music scene. Under the collaborative leadership of top producer and director Adrian Peacock, the internationally renowned expert in Spanish early music Bruno Turner, and bass-baritone Jamie W. Hall, CONTINUUM brings together twelve of the finest professional consort singers in London, carefully chosen to produce a unique and vibrant sound that celebrates the very best qualities of the English choral tradition and the powerful beauty of the uninhibited human voice. This all-male ensemble has made 16th century Spanish sacred polyphony and chant the core of its rep...    less

La Chorale CasaSawt sous la direction de son chef de chœur Adnane Matrone, chante lors de sa participation au dixième Symposium Mondial de chant choral à Séoul en 2014. Arirang est la chanson traditionnelle et folklorique de la musique coréenne la plus...  moreLa Chorale CasaSawt sous la direction de son chef de chœur Adnane Matrone, chante lors de sa participation au dixième Symposium Mondial de chant choral à Séoul en 2014. Arirang est la chanson traditionnelle et folklorique de la musique coréenne la plus connue et la plus populaire aussi bien en Corée qu'à l'étranger, arrangée ici par Adnane Matrone.  

Setting by D W Solomons of a poem by Marie Keyser, for two equal voices Elle est près du fleuve dormeur debout It stands by the sleepy river mais le saule incliné toucherait de sa cîme l'eau But the bending willow would touch the water with its very...  moreSetting by D W Solomons of a poem by Marie Keyser, for two equal voices Elle est près du fleuve dormeur debout It stands by the sleepy river mais le saule incliné toucherait de sa cîme l'eau But the bending willow would touch the water with its very top L'église vieille dit les heures de l'île où la nuit descend The church - an old church - tells the hours from the island where the night descends Je la vois encore son toit de gris dans le gris de l'eau. I can still see it, its grey roof in the grey of the water pressens dans la tour de bois ma demeure la folie I have a presentiment in the tower of wood of my dwelling place, of madness la folie le silence of madness, of silence clos clos vigilance Closed in, closed in but keeping watch Oh Ne pas altérer ce qui reste, et le doit. Oh never change what remains and should remain "Was bleibt aber stiften die Dichter." What remains, however, is the stuff of poetry.  less

The Brazilian Online Choir   Whether you are new to Brazilian music or already have a passion for it, you are invited to join us for a unique and exciting experience: The Brazilian Online Choir! The Brazilian Online Choir is a 3-mo...

"STABAT MATER", Giovanni Baptista PERGOLESI I. Stabat Mater II. Cujus animam III. O quam tristis IV. Quae moerebat V. Quis est homo VI. Vidit suum VII. Eia Mater VIII. Fac ut ardeat IX. Sancta Mater X. Fac ut portem XI. Inflamatus XII. Quando ...  more"STABAT MATER", Giovanni Baptista PERGOLESI I. Stabat Mater II. Cujus animam III. O quam tristis IV. Quae moerebat V. Quis est homo VI. Vidit suum VII. Eia Mater VIII. Fac ut ardeat IX. Sancta Mater X. Fac ut portem XI. Inflamatus XII. Quando corpus -- Amen ORQUestA FILARMONÍA CORO FILARMONÍA Cecilia Lavilla (Soprano) Maite Maruri (Contralto) Dir: PASCUAL OSA Ciclo de conciertos "LA MÚSICA EN LA HISTORIA" 2º concierto: EL BARROCO (1730-1750) Auditorio Centro de Arte de Alcobendas (Madrid) Grabado por Julio Menor Sonido directo de videocámara  less