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video:
Rhythm of Love (live) - KeyStone A Cappella
http://keystoneacappella.com
Buy our music on Loudr http://loudr.fm/artist/keystone-a-cappella/wq72B
KeyStone is back inside the car to record another of our favorite songs.
Music by Tim Lopez
Arrangement by Tom West
Lead Vocal: Josh Schrager
... morehttp://keystoneacappella.com
Buy our music on Loudr http://loudr.fm/artist/keystone-a-cappella/wq72B
KeyStone is back inside the car to record another of our favorite songs.
Music by Tim Lopez
Arrangement by Tom West
Lead Vocal: Josh Schrager
This video was recorded live using a smartphone. It is unedited, has minimal mixing adjustments, and is unmastered. Check out our YouTube channel for other KeyStone in the Car videos.
video:
The Keeper did a hunting go for women's voices
Arrangement of an old English folk song for three voices
(versions available for women's voices, mixed voices and men's voices).
This one is for women's voices.
Images from Dunham Massey in Cheshire
video:
The Stripper - based on Princess Ida
The opera company is "taking five" at the rehearsal of Gilbert and Sullivan's Princess Ida,
and Arac's little sister Anita has come into the theatre from her job at the strip joint next door.
She has already heard her brother Arac practising that so... moreThe opera company is "taking five" at the rehearsal of Gilbert and Sullivan's Princess Ida,
and Arac's little sister Anita has come into the theatre from her job at the strip joint next door.
She has already heard her brother Arac practising that song in which he gradually removes all his cumbersome armour, and she decides it is also a song for her.
Arac and his fellow guardsmen stand back and watch in great amusement as she performs her version of the song for them.
video:
Hiawatha and his mittens for four equal voices
A setting for four equal voices of the parody by Rev George Strong on Longfellow's Hiawatha poem.
The music is almost, but not quite, a canon...
Versions are available in B flat mixolydian and in C mixolydian.
(ie major with flattened 7th)
When ... moreA setting for four equal voices of the parody by Rev George Strong on Longfellow's Hiawatha poem.
The music is almost, but not quite, a canon...
Versions are available in B flat mixolydian and in C mixolydian.
(ie major with flattened 7th)
When he killed the Mudjokivis,
Of the skin he made him mittens,
Made them with the fur side inside,
Made them with the skin side outside.
He, to get the warm side inside,
Put the inside skin side outside;
He, to get the cold side outside,
Put the warm side fur side inside.
That's why he put the fur side inside,
Why he put the skin side outside,
Why he turned them inside outside less
video:
Martin How Canterbury Service
Sung at Canterbury Cathedral during our Royal School of Church Music Summer Course in 1986, under Martin How.
I (David W Solomons) was one of the altos.
John Huntley - a fellow alto - recorded this performance.
video:
In the SummerTime for choir cello and guitar
Song of summer for choir, cello and guitar based on the duo SummerTime Rag by Chris Benson
In the summerTime when the work was done
we'd take our ease and have our fun
we'd been always looking forward
to the warm dry days of sun
In the summerti... moreSong of summer for choir, cello and guitar based on the duo SummerTime Rag by Chris Benson
In the summerTime when the work was done
we'd take our ease and have our fun
we'd been always looking forward
to the warm dry days of sun
In the summerTime we would run and sing
enjoy all that the days could bring
we would laugh and winterTime
would seem a very distant thing
but it couldn't last
and the autumn came too quickly
with its wind and rain
....
video:
Weaving a spell-Incantation for Pamela - song for two altos and guitar ostinato
Weaving a spell - Incantation for Pamela - magic for a while...
This song can be understood on two levels.
At first sight it is a simple senTimental piece,
but beneath it lies a history of pure imagination,
enchantment and impossibility.
The co... moreWeaving a spell - Incantation for Pamela - magic for a while...
This song can be understood on two levels.
At first sight it is a simple senTimental piece,
but beneath it lies a history of pure imagination,
enchantment and impossibility.
The composer already realises he is
no longer feeling what he is writing,
he is just weaving a spell,
over an ostinato guitar motif,
to try to bring the feelings back
(hence the title "Incantation").
He has found in his life that
whenever he writes a song
for the object of his desire,
he has already
begun to stop feeling that desire ...
it is a sign that the relationship
is about to change
or disappear.
But the whole thing is indeed
enchantment and magic:
you can dream and
you can take the song at face value
if you wish.
less
video:
Mrs Hooligan's Christmas cake for solo, chorus and piano.wmv
Refrain
There were plums and prunes and cherries
There were raisins and currants and cinnamon too.
There were nuts and cloves and berries
but the crust it was stuck on with glue.
There were caraway seeds in abundance,
It would give yer a fine stoma... moreRefrain
There were plums and prunes and cherries
There were raisins and currants and cinnamon too.
There were nuts and cloves and berries
but the crust it was stuck on with glue.
There were caraway seeds in abundance,
It would give yer a fine stomach ache
'Twould kill any man twice to be eatin'
A slice of Mrs Hooligan's Christmas cake.
As I sat in me window last evenin'
A letterman came unto me.
He'd a nice little neat invitation
Sayin' "Won't you come over to tea?"
I knew it was Hooligan sent it
So I went for our friendship's sake
and the first thing he gave me to tackle
Was a slice of Mrs. Hooligan's cake.
less
video:
Alleyways A Christmas Song
This jaunty melody with countermelodies has been written for an a cappella choir of SATBB with splits in some of the voices from Time to Time. The words are my own and tell of children playing their games in the dusty streets (ie of Bethlehem) unaware tha... moreThis jaunty melody with countermelodies has been written for an a cappella choir of SATBB with splits in some of the voices from Time to Time. The words are my own and tell of children playing their games in the dusty streets (ie of Bethlehem) unaware that a miracle has happened and asking them to look up to the angels and join their singing.
The performance here is by the Composer's Choir conducted by Daniel Shaw.