Coral Reyes Bartlet David Martel, piano Alfonso Lopez Raymond, barítono José Híjar Polo, director Iglesia de la Peña de Francia 20 de marzo de 2015 Imagen y sonido @mediawink

[A version of this article first appeared as a post on my blog From the Front of the Choir]   When a choir has been going for a long time and you want to revive some of your old repertoire, you will find that a lot of the newer members won’t ...

There’s a quiet revolution happening in the world of choral music. It’s not about genre, technique, or even repertoire - it’s about wellbeing, emotional safety and nervous system regulation. And it’s long overdue. Because choir ha...

You have an extraordinary voice, see the stage as an integral experience and are looking forward to working with other young people on a very high musical level? Then you are the missing piece of the puzzle for the CHOREOS ensemble.

Stellenbosch University Choir performing Ave Maria by Sergey Khvoschinsky (1957, USA) at the Hugo Lambrechts Auditorium, Parow, South Africa. Hail Mary, full of grace, the Lord is with thee: blessed art Thou among women, and blessed is the fruit of t...  moreStellenbosch University Choir performing Ave Maria by Sergey Khvoschinsky (1957, USA) at the Hugo Lambrechts Auditorium, Parow, South Africa. Hail Mary, full of grace, the Lord is with thee: blessed art Thou among women, and blessed is the fruit of thy womb, Jesus. Holy Mary, Mother of God, pray for us sinners, now and at the hour of our death. Amen.  

Everyone knows that going to Rome once in a lifetime is a must. With us it’s mixed with all day long choral music… We are very happy to announce the 14th Musica Eterna Roma – International Choir Festival and Competition, July 16-20...

The fundamental connection between music and scenic performance – this will be the intent with which CHOREOS wants to produce a new quality of musical scenic performances. The long-term experience of scenic choreographic work with different choirs shows ...  moreThe fundamental connection between music and scenic performance – this will be the intent with which CHOREOS wants to produce a new quality of musical scenic performances. The long-term experience of scenic choreographic work with different choirs shows us that singing or experiencing music is always connected to a primal impulse to movement. This primal impulse is unfolded our production, connect it to space and light and bring it all together in our performance. The result is a new musical work in a physical wholesomeness in which sound and movement do not compete but complement and enhance each other in fruitful ways. We are not interested in creating pictures for the music – we enhance the uncompromising sound to another level of perception, we heighten and amplify the body consciousness of our singing performers. We use the knowledge about the space and the powerful energies therein for our performances of choir singing. The dialogue between the perception of the inside and outside, the area of tension ...    less

En estudio

[A version of this article first appeared as a post on my blog From the Front of the Choir]   The OK Chorale have just started back after a long Christmas break. This term we’re working towards our annual spring concert. I need to plan a...

[A version of this article first appeared as a post on my blog From the Front of the Choir] How long’s a piece of string? There are so many options that I’m not going to specify any particular type or model.   photo by svennev...