Performed by Stella Choir - REPERTOIRE OF WINTER 2023 Contact : stellachoirstaff@gmail.com Conductor : jad.harjane19@gmail.com In this emotionally charged piece, the composer and the choir honour our departed loved ones. As the VOICES intensify to ...  morePerformed by Stella Choir - REPERTOIRE OF WINTER 2023 Contact : stellachoirstaff@gmail.com Conductor : jad.harjane19@gmail.com In this emotionally charged piece, the composer and the choir honour our departed loved ones. As the VOICES intensify to an incredible climax, the audience is invited to surrender to the moment. Let the soaring music carry you away, echoing the profound love for those who've journeyed beyond. Dans ce morceau très émouvant, le compositeur et le chœur rendent hommage à ceux de nos êtres chers qui ne sont plus. À mesure que les voix atteignent une rare intensité, le public est invité à lâcher prise et se laisser porter par cet instant d'amour partagé. Conducted by Jad Harjane Composed by Jake Runestad Filmed by DIAZ PRODUCTION at LADABATEK , Tangier Sponsored by THE AMERICAN LANGUAGE CENTER  less

Cat.No. TKM830. A new and enchanting melody written by Toby Huelin for this well-known set of words, two-part either upper VOICES or upper and lower Showcase your choir on our #youtube channel - we offer free music and promotion in return for a recordi...  moreCat.No. TKM830. A new and enchanting melody written by Toby Huelin for this well-known set of words, two-part either upper VOICES or upper and lower Showcase your choir on our #youtube channel - we offer free music and promotion in return for a recording - please contact mail@timknightmusic.com for more info! See what other specialist services we offer (including commissions, singing holidays, choir and concert management workshops and composition courses) at www.timknightmusic.com. In the UK, all Tim Knight Music is distributed by and can be ordered through Spartan Press quoting the catalogue number on 01528 544770 http://www.spartanpress.co.uk/ or via www.timknightmusic.com shop page. Those without a ‘TKM’ prefix can be ordered directly from the publisher’s website – please contact mail@timknightmusic.com if you are having trouble sourcing this piece. In the USA and overseas, you can order direct from the publisher, via www.timknightmusic.com shop page, or via https://www.sheetmusicplus.com/ ABOU...    less

Score (for the original higher voice setting) https://www.sheetmusicplus.com/title/3949102?aff_id=175705 Lotti's 6 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's VOICES Crucifixus etiam pro nobis; sub Pontio Pilato...  moreScore (for the original higher voice setting) https://www.sheetmusicplus.com/title/3949102?aff_id=175705 Lotti's 6 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's VOICES Crucifixus etiam pro nobis; sub Pontio Pilato passus et sepultus est. Translation He was crucified also for us, under Pontius Pilate he suffered and was buried.  

Mar. 14, 2015 Soloist: Tyler Teixeira Dancers: Nikyla Toews, Evan Hawkins, Ainsley Check, Walker Rambo, and Mikaela Hoeppner Percussion: Steven Webb and Adrian Pecold Choreography: Ainsley Check http://www.prairieVOICES.ca https://www.fa...  moreMar. 14, 2015 Soloist: Tyler Teixeira Dancers: Nikyla Toews, Evan Hawkins, Ainsley Check, Walker Rambo, and Mikaela Hoeppner Percussion: Steven Webb and Adrian Pecold Choreography: Ainsley Check http://www.prairieVOICES.ca https://www.facebook.com/PrairieVOICES https://twitter.com/_PrairieVOICES  

May 10, 2014 http://www.prairieVOICES.org https://www.facebook.com/PrairieVOICES https://twitter.com/_PrairieVOICES

I NEVER SAW Davide Riva’s beautiful acapella setting for four-part mixed VOICES is set to the beloved poem by Emily Dickinson. The composition is divided into two repeated sections. In the first section, the choral texture is homo-rhythmic and in the se...  moreI NEVER SAW Davide Riva’s beautiful acapella setting for four-part mixed VOICES is set to the beloved poem by Emily Dickinson. The composition is divided into two repeated sections. In the first section, the choral texture is homo-rhythmic and in the second section, the VOICES are set into a simple counterpoint. “I Never Saw” closes on the dominant chord creating a feeling of suspension that enhances the concept of faith expressed by Dickinson.  

Mar. 14, 2015 Accompanist: Steven Webb http://www.prairieVOICES.org https://www.facebook.com/PrairieVOICES https://twitter.com/_PrairieVOICES

This post originally appeared on Helping You Harmonise in December 2011. A discussion over on Choralnet from a couple of weeks back has prompted to me write about a phenomenon I’ve been thinking about for a while. The main subject is about the ro...

[A version of this article first appeared as a post on my blog From the Front of the Choir] I often get asked this, along with “How can I sing high without hurting myself?” photo by Allisonnik There is no quick fix, but here are some ...