Ensemble vocal PARA L'ELLES en Concert le 14 août 2017 lors de "la semaine musicale de Tourtoirac" (24 Dordogne) organisée par l'association P.A.C.T.E. Tourtoirac. Arrangement de la cantate "Come ye sons or art" pour SSAA, orchestre à cordes et clavecin ...  moreEnsemble vocal PARA L'ELLES en Concert le 14 août 2017 lors de "la semaine musicale de Tourtoirac" (24 Dordogne) organisée par l'association P.A.C.T.E. Tourtoirac. Arrangement de la cantate "Come ye sons or art" pour SSAA, orchestre à cordes et clavecin par Agnès BLIN. Partition disponible sur le site des amis de PARA L'ELLES. http://amisdeparalelles.wifeo.com/  

"The Green Man" by Martin Donnelly, arr. Ron Jeffers. Recorded live on May 4, 2014, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by The Concert Choir ensemble of The Girl Choir of South Florida. Artistic Director: Wallis Peters...  more"The Green Man" by Martin Donnelly, arr. Ron Jeffers. Recorded live on May 4, 2014, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by The Concert Choir ensemble of The Girl Choir of South Florida. Artistic Director: Wallis Peterson, Accompanist: Gayle Giese. Among The many figures carved on medieval caThedrals, one may find examples of foliate heads—a figure in which leafy foliage sprouts and elaborately ornaments a frieze, façade, or column. This figure is known as "The Green Man" and was mainly a norThern European and Celtic symbol of The regeneration of life, a symbol of May, and The return of spring. The Eostre Sun It cuts my eyes Open to The wind and rain All around, The Earth breaThes deep I come alive again I am The Green Man of The woods The wounded and The broken land I am The fire in The red stag's eye The touch of lover's hand of a lover's hand Oh, let me speak Lend me your tongue To sing The trees and streams Sing The dark blood of The hills The Moon ...    less

Amidst The current gloom, it cheered us up no end to receive this review from @RSCM Magazine this month for 'Six AnThems for Mixed Voices' - There are some lovely recordings on our Youtube Channel of some of Them. In particular, 'If my lips could sing' an...

Extrait du cycle « Six fables de Jean de La Fontaine ». Ensemble vocal Para L'Elles. Concert du 15 mai 2022 dédié aux "Compositrices du XVIe au XXIe siècle", en l'abbaye Saint-Louis-du-Temple de Limon (91 Vauhallan). Direction : Agnès Blin. De gauche à d...  moreExtrait du cycle « Six fables de Jean de La Fontaine ». Ensemble vocal Para L'Elles. Concert du 15 mai 2022 dédié aux "Compositrices du XVIe au XXIe siècle", en l'abbaye Saint-Louis-du-Temple de Limon (91 Vauhallan). Direction : Agnès Blin. De gauche à droite : Harim Kim (soprano), Emmanuelle Gal (soprano), Agnès Leclercq (alto), Charlotte Dentzer (soprano), Marie-Thérèse Dumas (soprano) et Carine Carpentier (soprano). Concert caritatif organisé au profit de l'Ukraine.  

More than 200 chorists and dancers !

The Vocal Art Ensemble of Davis, California performs "Dulaman" arranged by David Mooney in St. Patrick's CaThedral, Dublin, Ireland as part of Their performance tour of Ireland from September 2-11, 2010. The biggest surprise was that The arranger, Dr. Dav...  moreThe Vocal Art Ensemble of Davis, California performs "Dulaman" arranged by David Mooney in St. Patrick's CaThedral, Dublin, Ireland as part of Their performance tour of Ireland from September 2-11, 2010. The biggest surprise was that The arranger, Dr. David Mooney, was in The audience, and made a guest appearance with The chorus at The end of The performance.  

Morten Lauridsen - Io Piango (No.4 from Madrigali: Six “Fire Songs” on Italian Renaissance Poems) Swara Vocal Ensemble Ivan Yohan, conductor Camille Hubert, soprano Chia Fen Wu, soprano Wei-Lian Huang, soprano Lydia Pernal-Stoddart, soprano Mir...  moreMorten Lauridsen - Io Piango (No.4 from Madrigali: Six “Fire Songs” on Italian Renaissance Poems) Swara Vocal Ensemble Ivan Yohan, conductor Camille Hubert, soprano Chia Fen Wu, soprano Wei-Lian Huang, soprano Lydia Pernal-Stoddart, soprano MirThe Dokter, soprano Anna Nuytten, alto Boris Kondov, countertenor Laurence Renson, alto María Gil Muñoz, alto Zayra Velázquez, alto Hendrik Mispelon, tenor José Pizarro, tenor Paul Gosme, tenor Mark Trigg, tenor Andrés Soler Castaño, bass Jan Moeyaert, bass Laurent Fobelets, bass Thomas Vandenabeele, bass Yu-Hsiang Hsieh, bass Recorded at Église Saint-Albert, Schaerbeek/Brussels, Belgium, Nov 2022  less

"And Miriam Sang (Shiru L'Adonai)" by Zebulon M Highben. Text from Exodus 15:21. Recorded live on June 4, 2013, at Christ LuTheran Church in Oakland Park, Florida. Performed by The Concert Choir ensemble of The Girl Choir of South Florida. Artistic Dir...  more"And Miriam Sang (Shiru L'Adonai)" by Zebulon M Highben. Text from Exodus 15:21. Recorded live on June 4, 2013, at Christ LuTheran Church in Oakland Park, Florida. Performed by The Concert Choir ensemble of The Girl Choir of South Florida. Artistic Director: Wallis Peterson. "Sing to The Lord, for he is highly exalted. Both horse and driver he has hurled into The sea."  

65 or more member choir which gives two main programmes a season. Usually from The standard choral repertoire.

Concert: Intensive Care LOCATION: Cerimon House, Portland, OR DATE: June 2019 VIDEO BY: Wolftraks The TALK: Instructions for Black Children When They Interact with The Police (Damien Geter) [WORLD PREMIERE] KaTherine FitzGibbon, conductor Cec...  moreConcert: Intensive Care LOCATION: Cerimon House, Portland, OR DATE: June 2019 VIDEO BY: Wolftraks The TALK: Instructions for Black Children When They Interact with The Police (Damien Geter) [WORLD PREMIERE] KaTherine FitzGibbon, conductor Cecily Keister, Mezzo-Soprano S. Renee Mitchell, spoken word Emmanuel Henreid, spoken word The COMPOSER WRITES: There comes a time in every child’s life when They will have “The talk” with a trusted adult. That talk is usually centered around topics relating to sexual maturation – The birds and The bees. However, in The life of a black child, There’s an additional talk that needs to happen: what to do if They are pulled over or have an encounter with The police. It boils down to four basic principles with The fourth being The ultimate goal: 1. Pull over. Don’t run. Keep calm; 2. Keep your hands where They can see Them; 3. Be polite. Save your rage; 4. Get home safely. (The phrase “save your rage” is credited to Resonance board member, Jasmine Love...    less