HCS is a non-auditioning, mixed-voice choir of approx 60 VOICES, based in the south side of Glasgow. We rehearse, in excellent facilities provided by Hutchesons' Grammar School, on Monday evenings, Aug - Nov and Jan - Mar; we give two concerts, in Nov ...  moreHCS is a non-auditioning, mixed-voice choir of approx 60 VOICES, based in the south side of Glasgow. We rehearse, in excellent facilities provided by Hutchesons' Grammar School, on Monday evenings, Aug - Nov and Jan - Mar; we give two concerts, in Nov and Mar, in an on-site auditorium, with 3-manual digital organ. The auditorium can accommodate 60 singers, up to 30 orchestral players and an audience of around 250 (300 max).  

We are a small friendly choir performing a broad repertoire from early to modern music. Founded in 1985, the Chandos Chamber Choir is an auditioned amateur choir of approximately 30 VOICES. The choir performs about three times a year both within London an...  moreWe are a small friendly choir performing a broad repertoire from early to modern music. Founded in 1985, the Chandos Chamber Choir is an auditioned amateur choir of approximately 30 VOICES. The choir performs about three times a year both within London and further afield.  

From our CHORALATIONS concert in Saskatoon, SK Knox United Church April 13, 2025 North Sky Chorale is directed by Richard Janzen Andra Wist, djembe Connor Elias, shaker https://northskychorale.ca

May 10, 2014 Soloists: Tierney Federeau, Kim Rogalsky, Nikyla Hladio Percussion: Adrian Pecold ------------------------------------ http://www.prairieVOICES.org https://www.facebook.com/PrairieVOICES https://twitter.com/_PrairieVOICES

Psalm 23 is dedicated to my aunt Patricia Shaw of Vancouver, as this is her favourite Psalm. Two points of note: First, the composition grew out of the feeling that all 4 VOICES should start on the same note, grow outwards and then come back to that...  morePsalm 23 is dedicated to my aunt Patricia Shaw of Vancouver, as this is her favourite Psalm. Two points of note: First, the composition grew out of the feeling that all 4 VOICES should start on the same note, grow outwards and then come back to that same note at the end. The rest just seemed to evolve on its own, seemingly guided by some external force. Second, unusually, I have asked choirs (where possible) to sing this without any breaks, via staggered breathing, as I wanted to highlight the deep conviction underlying the words of the Psalm, as one single thread of deep belief that moves from beginning to end. Sincere thanks to Matthew Curtis (choraltracks.com) for recording "Psalm 23." As always, comments are welcomed. Email me at rain@magma.ca, if you'd like more info. I would like to acknowledge the a cappella choir that I sing in, The Stairwell Carollers, and our director Pierre Massie, for their musical inspiration these past 26 years. I would also like to thank my friends in our "Ad ...    less

VOICES: ChoralTracks https://www.cpdl.org/wiki/index.php/Missa_Brevis_in_E_Minor_(2019)_(Scott_Villard)

VOICES: ChoralTracks https://www.cpdl.org/wiki/index.php/Missa_Brevis_in_E_Major_(2020)_(Scott_Villard)