This is a jazzed-up version by David W Solomons (www.dwsolo.com) of the old 16th Century French tune which was used in G R Woodward's carol "Ding Dong Merrily on High"; it is great fun to sing. It is quite different from the more well-known arrangeme...  moreThis is a jazzed-up version by David W Solomons (www.dwsolo.com) of the old 16th Century French tune which was used in G R Woodward's carol "Ding Dong Merrily on High"; it is great fun to sing. It is quite different from the more well-known arrangement and would make a nice change in a carol concert. The vocal parts here are all performed by Matthew Curtis (www.choraltracks.com) This is the mixed choir version (SAATBB) A version for men's voices is also available at http://www.musicaneo.com/sheetmusic/sm-85908_ding_dong_merrily_on_high_for_mixed_choir_or_for_men_s_voices.html#85908  less

This is the lower version - there are 2 versions available low version (B flat Dorian) http://dwsolo.musicaneo.com/sheetmusic/sm-196218_alle_psallite_b_flat_dorian_version.html high version (D Dorian) http://dwsolo.musicaneo.com/sheetmusic/sm-196219_a...  moreThis is the lower version - there are 2 versions available low version (B flat Dorian) http://dwsolo.musicaneo.com/sheetmusic/sm-196218_alle_psallite_b_flat_dorian_version.html high version (D Dorian) http://dwsolo.musicaneo.com/sheetmusic/sm-196219_alle_psallite_in_d_dorian.html 13th century festival song in Latin based on the word "Alleluia" (Halleluya) arranged, translated and performed by David W Solomons (dwsChorale), with accompanying images of musicians and dancers across the world  

Wedding Entrance version of OLFPC Girls last Feb. 1, 2014.

Song by Debussy for voice and piano arranged (and translated) by David W Solomons (www.dwsolo.com) for soloist and choir All parts sung by Matthew Curtis (www.choraltracks.com) This is the English version - the original French version will be available soon

Columbus Maennerchor, Damenchor and Kinderchor / Jugendchor Christmas Concert at St Mary's in German Village on December 4 2011. Jugenchor (back row and 4 girls from the second row) singing "Still, Still, Still" under the direction of Catherine O'Keefe.

An international, nondenominational choir with specialization in sacred classical works and other soul inspiring music which cut across diverse denominations and cultures. We sing in English, Spanish, German, French, Italian and many other local African languages.

[A version of this article first appeared as a post on my blog From the Front of the Choir]   A while back I taught a song wrongly. Not for the first time!     Even though I corrected myself quickly, the original version stuck in peo...

Old German tune, harmonised by J S Bach words based on the translation by Percy Dearmer 1 O little one sweet, O little one mild, thy Father's purpose thou hast fulfilled; thou cam'st from heaven to mortal ken, Equal to be with us poor men, O littl...  moreOld German tune, harmonised by J S Bach words based on the translation by Percy Dearmer 1 O little one sweet, O little one mild, thy Father's purpose thou hast fulfilled; thou cam'st from heaven to mortal ken, Equal to be with us poor men, O little one sweet, O little one mild. 2 O little one sweet, O little one mild, thy Father's purpose thou hast fulfilled; thou cam'st from Him, from heaven's domain, to bring men comfort in their pain, O little one sweet, O little one mild. 3 O little one sweet, O little one mild. in thee Love's beauties are all distilled; then light in us thy love's bright flame, that we may give thee back the same, O little one sweet, O little one mild. 4 O little one sweet, O little one mild. Help us to do as thou hast willed Lo, all we have belongs to thee Ah, keep us in our fealty. O little one sweet, O little one mild.  less

This is the final section from my Modal Mass (men's voices version) This setting of the Communion Service uses mainly the Mixolydian and Dorian modes (with short excursions into Lydian and Aeolian and occasionally jazzy modes). A higher (SATB) versio...  moreThis is the final section from my Modal Mass (men's voices version) This setting of the Communion Service uses mainly the Mixolydian and Dorian modes (with short excursions into Lydian and Aeolian and occasionally jazzy modes). A higher (SATB) version of the whole mass is also available (sung by Matthew Curtis)  

Magnificat and Nunc Dimittis (Book of Common Prayer version 1662) set to music for six part mixed voices SAT-SAT) The title of this work (Canticula Ursae Minoris/Songs of the Little Bear) comes from the origin of the melodies: Many years ago I wrote a...  moreMagnificat and Nunc Dimittis (Book of Common Prayer version 1662) set to music for six part mixed voices SAT-SAT) The title of this work (Canticula Ursae Minoris/Songs of the Little Bear) comes from the origin of the melodies: Many years ago I wrote an "Oratorio" based on Winnie the Pooh (The Expotition to the North Pole) and gave each character little melodic leitmotifs, such as "Sing ho for the life of a bear" (which becomes "to be a light to lighten the Gentiles" in the Nunc Dimittis), "They all went off to discover the pole" (which is the initial theme of the Magnificat) and "What I say, said Eeyore, is that it's unsettling" (which becomes the "Glory be to the Father" section at the end of each canticle) The original and much simpler "oratorio" work, called Poohratorio of course, may be published once AA Milne goes into public domain (2031).  less