Aiming for 16-20 voices, SATB, rehearse in Hammersmith/Chiswick, about every 2 or 3 weeks. All busy professional folk, who understand we cannot all make every rehearsal! Classical almost always unaccompanied repertoire. Palestrina, Bach, Victoria, Britten...  moreAiming for 16-20 voices, SATB, rehearse in Hammersmith/Chiswick, about every 2 or 3 weeks. All busy professional folk, who understand we cannot all make every rehearsal! Classical almost always unaccompanied repertoire. Palestrina, Bach, Victoria, Britten, Howells, RVW, Elgar, Poulenc etc, Need enthusiasm, music reading and some sight singing, or a good ear and quick learning. We dont audition, but invite you to try us and we to try you for a couple of sessions and see. Perform about 2 or 3 times a year.  

This post was orginally published on Embro Thistle Singers blog. When I was 15, I took singing lessons from the nuns at "The Pines".  These ladies were well respected for the results they achieved in musical training.  Our performance group o...

[A version of this article first appeared as a post on my blog From the Front of the Choir] Many of us are in choirs where a particular section needs bolstering. In my case it’s a lack of altos, for others it might be too few tenors.  ...

Choirs often concentrate on pitch and blend, but it is rhythm that truly binds the music together. This workshop shifts the focus to cultivating a shared sense of pulse and equips Singers with practical techniques to overcome rhythmic challenges in choral...

Recorded at the church of St Vedast Alias Foster, City of London, 25th April 2015.

This was originally published on the Embro Thistle Singers' blog.    Have you ever walked through a mall or downtown and "people watched"?  Oh my.  There are people walking around who, in my mother's words, would be horrified if thei...

[A version of this article first appeared as a post on my blog From the Front of the Choir]   Sometimes trying to get your choir to stand in the right places is like dealing with an unruly kindergarten class. It seems as if spatial awareness and si...

[A version of this article first appeared as a post on my blog From the Front of the Choir]   I aim to please everyone in my choirs and singing workshops. I know it’s an impossible task (see Keeping a choir happy – you can’t ...

Alias Chamber and Portara Ensembles

You have an extraordinary voice, see the stage as an integral experience and are looking forward to working with other young people on a very high musical level? Then you are the missing piece of the puzzle for the CHOREOS ensemble.