Its aim is to take up, interpret and spread renaissance and baroque music, especially Spanish music. The programmes presented by the group are the result of many musical researches and their objective is a stylistic, liturgical and poetic coherence.

2012十週年音樂會 高雄市文化中心至德堂 2012-11-16 指揮: 朱如鳳 伴奏: 許溎芳 詞：以賽亞書九章6節 曲：George Frideric Handel韓德爾 巴洛克時期偉大的作曲家韓德爾（George Frederic Handel, 1685-1759），出生於德國，1712年赴英國發展，以歌劇創作佔有一席之地，然而1730年代歌劇熱潮漸衰，韓德爾遭逢劇院破產，加上身體中風、精神喪亂的危機，在他人生谷底，收到好友詹寧斯（Charles Jennens）寄來神劇《彌...  more2012十週年音樂會 高雄市文化中心至德堂 2012-11-16 指揮: 朱如鳳 伴奏: 許溎芳 詞：以賽亞書九章6節 曲：George Frideric Handel韓德爾 巴洛克時期偉大的作曲家韓德爾（George Frederic Handel, 1685-1759），出生於德國，1712年赴英國發展，以歌劇創作佔有一席之地，然而1730年代歌劇熱潮漸衰，韓德爾遭逢劇院破產，加上身體中風、精神喪亂的危機，在他人生谷底，收到好友詹寧斯（Charles Jennens）寄來神劇《彌賽亞》文本，深受感動，遂在1741年完成了這部長達兩個半小時的巨作，首演大獲成功，也挽救了他的事業。 「彌賽亞」的意思是「救世主」，歌詞依聖經經文寫成，全劇以簡樸流暢的旋律、雄偉的氣勢、華麗的技巧、明亮的和聲交織而成，將人聲與器樂發展到極致，〈因有一嬰孩為我們而生〉是其中最具聖誕節慶氣氛的一首合唱曲，歌詞取自以賽亞書九章6節，四個聲部如爭豔般展現花腔技巧，四個重複段落層層堆疊，表現世人迎接救主降生的喜樂。 For unto us a child is born, unto us a son is given, and the government shall be upon his shoulder; and his name shall be called Wonderful, Counsellor, the Mighty God, the everlasting Father, the Prince of Peace. 因有一嬰孩為我們而生 有一子賜給我們 政權必擔在他的肩頭上 他名稱為 奇妙、策士、全能的上帝 永在的父、和平的君  less

This post was originally posted to the Embro Thistle Singers blog.  There is a really fun explanation of the 4 basic choir sections as seen by a young person.  I don't know where the original document came from or I would give proper credi...

[A version of this article first appeared as a post on my blog From the Front of the Choir] In my recent post How to sing – the definitive guide, I pointed out that lots of people Google “How to sing” instead of just getting on a...

Choirs and Singers from all around the world. Welcome to the capital of music, Salzburg! meeting music proudly announce its new series of choral festival in 2017.   Salzburg International Choral Celebration & Competition will be held in June 14-19...

Aiming for 16-20 voices, SATB, rehearse in Hammersmith/Chiswick, about every 2 or 3 weeks. All busy professional folk, who understand we cannot all make every rehearsal! Classical almost always unaccompanied repertoire. Palestrina, Bach, Victoria, Britten...  moreAiming for 16-20 voices, SATB, rehearse in Hammersmith/Chiswick, about every 2 or 3 weeks. All busy professional folk, who understand we cannot all make every rehearsal! Classical almost always unaccompanied repertoire. Palestrina, Bach, Victoria, Britten, Howells, RVW, Elgar, Poulenc etc, Need enthusiasm, music reading and some sight singing, or a good ear and quick learning. We dont audition, but invite you to try us and we to try you for a couple of sessions and see. Perform about 2 or 3 times a year.  

[this is a version of a post which first appeared on my blog From the Front of the Choir]   I’m usually the last one to notice, but often when I’m teaching one section of the choir, there’s chit chat from the rest of the Singers....

We just published a new article on audiation over at EasyEarTraining.com, and I wanted to see if the Singers and choir directors here at ChoirPlace are using these kinds of exercises in your choirs?     What is 'audiation'? There are differe...

Recorded at the church of St Vedast Alias Foster, City of London, 25th April 2015.

There are few things that have as powerful an impact on our ensembles as the standing formations of the Singers. This will directly impact the speed at which the ensemble learns new repertoire and polishes the same. Standing formation impacts balance, the...