Its aim is to take up, interpret and spread renaissance and baroque music, especially Spanish music. The programmes presented by the group are the result of many musical researches and their objective is a stylistic, liturgical and poetic coherence.

2012十週年音樂會 高雄市文化中心至德堂 2012-11-16 指揮: 朱如鳳 伴奏: 許溎芳 詞：以賽亞書九章6節 曲：George Frideric Handel韓德爾 巴洛克時期偉大的作曲家韓德爾（George Frederic Handel, 1685-1759），出生於德國，1712年赴英國發展，以歌劇創作佔有一席之地，然而1730年代歌劇熱潮漸衰，韓德爾遭逢劇院破產，加上身體中風、精神喪亂的危機，在他人生谷底，收到好友詹寧斯（Charles Jennens）寄來神劇《彌...  more2012十週年音樂會 高雄市文化中心至德堂 2012-11-16 指揮: 朱如鳳 伴奏: 許溎芳 詞：以賽亞書九章6節 曲：George Frideric Handel韓德爾 巴洛克時期偉大的作曲家韓德爾（George Frederic Handel, 1685-1759），出生於德國，1712年赴英國發展，以歌劇創作佔有一席之地，然而1730年代歌劇熱潮漸衰，韓德爾遭逢劇院破產，加上身體中風、精神喪亂的危機，在他人生谷底，收到好友詹寧斯（Charles Jennens）寄來神劇《彌賽亞》文本，深受感動，遂在1741年完成了這部長達兩個半小時的巨作，首演大獲成功，也挽救了他的事業。 「彌賽亞」的意思是「救世主」，歌詞依聖經經文寫成，全劇以簡樸流暢的旋律、雄偉的氣勢、華麗的技巧、明亮的和聲交織而成，將人聲與器樂發展到極致，〈因有一嬰孩為我們而生〉是其中最具聖誕節慶氣氛的一首合唱曲，歌詞取自以賽亞書九章6節，四個聲部如爭豔般展現花腔技巧，四個重複段落層層堆疊，表現世人迎接救主降生的喜樂。 For unto us a child is born, unto us a son is given, and the government shall be upon his shoulder; and his name shall be called Wonderful, Counsellor, the Mighty God, the everlasting Father, the Prince of Peace. 因有一嬰孩為我們而生 有一子賜給我們 政權必擔在他的肩頭上 他名稱為 奇妙、策士、全能的上帝 永在的父、和平的君  less

This post was orginally published on Embro Thistle Singers blog. When I was 15, I took singing lessons from the nuns at "The Pines".  These ladies were well respected for the results they achieved in musical training.  Our performance group o...

[A version of this article first appeared as a post on my blog From the Front of the Choir] Many of us are in choirs where a particular section needs bolstering. In my case it’s a lack of altos, for others it might be too few tenors.  ...

Choirs often concentrate on pitch and blend, but it is rhythm that truly binds the music together. This workshop shifts the focus to cultivating a shared sense of pulse and equips Singers with practical techniques to overcome rhythmic challenges in choral...

This was originally published on the Embro Thistle Singers' blog.    Have you ever walked through a mall or downtown and "people watched"?  Oh my.  There are people walking around who, in my mother's words, would be horrified if thei...

[A version of this article first appeared as a post on my blog From the Front of the Choir]   Sometimes trying to get your choir to stand in the right places is like dealing with an unruly kindergarten class. It seems as if spatial awareness and si...

[A version of this article first appeared as a post on my blog From the Front of the Choir]   I aim to please everyone in my choirs and singing workshops. I know it’s an impossible task (see Keeping a choir happy – you can’t ...

Aiming for 16-20 voices, SATB, rehearse in Hammersmith/Chiswick, about every 2 or 3 weeks. All busy professional folk, who understand we cannot all make every rehearsal! Classical almost always unaccompanied repertoire. Palestrina, Bach, Victoria, Britten...  moreAiming for 16-20 voices, SATB, rehearse in Hammersmith/Chiswick, about every 2 or 3 weeks. All busy professional folk, who understand we cannot all make every rehearsal! Classical almost always unaccompanied repertoire. Palestrina, Bach, Victoria, Britten, Howells, RVW, Elgar, Poulenc etc, Need enthusiasm, music reading and some sight singing, or a good ear and quick learning. We dont audition, but invite you to try us and we to try you for a couple of sessions and see. Perform about 2 or 3 times a year.  

You have an extraordinary voice, see the stage as an integral experience and are looking forward to working with other young people on a very high musical level? Then you are the missing piece of the puzzle for the CHOREOS ensemble.