The New Wave Chorus was created in early 2015 by Armanda Patricio. Integrates more than twenty young people between fourteen and eighteen years of age who have, in Music, a common denominator. Intends to continue developing their Vocal talent, working a v...  moreThe New Wave Chorus was created in early 2015 by Armanda Patricio. Integrates more than twenty young people between fourteen and eighteen years of age who have, in Music, a common denominator. Intends to continue developing their Vocal talent, working a varied repertoire in multiple languages, styles, and four mixed voices (SATB) a cappella or in collaboration with instrumental Ensembles. Has the support of the Instituto Politecnico de Castelo Branco, through the provision of space for rehearsals, on Escola Superior de Artes Aplicadas de Castelo Branco (ESART). Fifteen days after its formation, the band was invited to participate in the IX Spring Concert (Covilha), with the theme "East and West", taking place on March 15, 2015. He accepted with great pleasure and it turned out a great way for bringing a greater responsibility to the original project.  less

CHORALIS CONSTANTINUS 500 A HABSBURG CSÁSZÁRI UDVAR ÉNEKES SZERTARTÁSAI A 15-16. SZÁZADI GYAKORLAT ALAPJÁN Vocal LITURGICAL MUSIC IN THE HABSBURG IMPERIAL COURT ACCORDING TO 15TH AND 16TH-CENTURY PRACTICES A SOROZAT ZÁRÓ HANGVERSENYE/THE LAST CON...  moreCHORALIS CONSTANTINUS 500 A HABSBURG CSÁSZÁRI UDVAR ÉNEKES SZERTARTÁSAI A 15-16. SZÁZADI GYAKORLAT ALAPJÁN Vocal LITURGICAL MUSIC IN THE HABSBURG IMPERIAL COURT ACCORDING TO 15TH AND 16TH-CENTURY PRACTICES A SOROZAT ZÁRÓ HANGVERSENYE/THE LAST CONCERT OF THE SERIES www.choralisconstantinus.hu Heinrich Isaac (c.1450-1517): Virgo prudentissima Cantoratus Budapestiensis Opicz József, Muntag Lőrinc, Újházy Márton, Mizsei Zoltán Corvina Consort Andrejszki Judit, Pintér Ágnes, Draskóczy Balázs, Pászti Károly, Kalmanovits Zoltán, Demjén András Discantus Szemkeő-Martin Orsolya, Hajós Nikolett, Heimné Reviczky Júlia, Ligeti Orsolya, Nagy Bernadett, Beleznai Katalin, Gombos András, Mészáros Péter, Széplaki Márk, Pálmai Árpád, Sziklay-Pap Ferenc, Nemes Krisztián, May Zoltán Greccio Chamber Choir Birtalan Zsolt, Bódy Balázs, Cser Balázs, Cser Miklós, Harmath Dénes, Juhász János, Kecskés Mónika, Pászthory Blanka, Petneházy Gyöngyvér, Solymosi Tamás, Táborszky Györgyi, Tatai Lilla Voces Æquale...    less

Short unedited excerpt from Oct 1 2013 recording session at the American Academy of Arts and Letters in New York City. The choir is an ad hoc group of pros assembled for the session. This is raw footage, captured on my camera with its tiny microphone. I w...  moreShort unedited excerpt from Oct 1 2013 recording session at the American Academy of Arts and Letters in New York City. The choir is an ad hoc group of pros assembled for the session. This is raw footage, captured on my camera with its tiny microphone. I was so excited about how the session went that I wanted to share it, even with its various minor imperfections. UPDATE: This track is available on my upcoming CD due out Feb 10, 2015 http://www.gregorywbrown.com/cd-moonstrung-air/ composer: Gregory W. Brown conductor: Eric Dudley  less

Just a few highlights from our recording session in July, 2011. "Sweet Was the Song" will be released on Dec 17th, 2011. Visit www.kantoreikc.org or kantoreikc on facebook and Twitter.

Sostieni la nostra attività facendo una donazione libera a questo link http://www.santateresadeimaschi.it/sostienici/ Ensemble Vocale Florilegium Vocis Orchestra barocca S. Teresa dei Maschi Maria Luisa Casali, soprano Tina D'Alessandro, mezz...  moreSostieni la nostra attività facendo una donazione libera a questo link http://www.santateresadeimaschi.it/sostienici/ Ensemble Vocale Florilegium Vocis Orchestra barocca S. Teresa dei Maschi Maria Luisa Casali, soprano Tina D'Alessandro, mezzo soprano Manuel Amati, tenore Giuseppe Naviglio, baritono Sabino Manzo, direttore Bari Cattedrale, 23 settembre 2018 Festival Notti Sacre Video edit Anna Giordano  

CS Light Staged production The author of the project and conductor: Karmina Šilec The choir Carmina Slovenica: Simona Raffanelli Krajnc, soprano The Ensemble !Kebataola! Zvezdana Novakovia, soprano, ethnic voice, narrator Ula ©egula, soprano ...  moreCS Light Staged production The author of the project and conductor: Karmina Šilec The choir Carmina Slovenica: Simona Raffanelli Krajnc, soprano The Ensemble !Kebataola! Zvezdana Novakovia, soprano, ethnic voice, narrator Ula ©egula, soprano Nadja Stegne, soprano Eva Bračič, ethnic voice, narrator STOP, Slovene percussion project Franja Kmetec and Jasna Vantur, organ Vesna Čobal, violin Scenography: Branko Hojnik Costumography: Belinda Radulović, Gordana Gašperin Choreography: Tina Dobaj Eder Light design: David Orešič Sound: Danilo Ženko Programme: Steve Reich, Philip Glass, Thomas Jennefelt, Morton Feldman, Karin Rehnqvist, Bronius Kutavieius, Tellu Turka Project CS Light has been createtd in desire to experiment with voices, percussion instruments, body movements and different feelings while performing and listening to musical expressions of the present - minimalist music.  less

Heia Viri M. McGlynn

Ubi Caritas, M.Durufle

A wonderful instrumental rendition of O Holy Night by our Chief Keyboardist, Dr. Kofi Frimpong-Manson, Arrangement by DPSM Have a blissful Christmas Evening❤️

Choregie project by Karmina Šilec Performed by Vocal Thatre Carmina Slovenica The shaman idea is at the centre of the project: everyone and everything that man creates can be turned against him if used without respect for life. To have control over s...  moreChoregie project by Karmina Šilec Performed by Vocal Thatre Carmina Slovenica The shaman idea is at the centre of the project: everyone and everything that man creates can be turned against him if used without respect for life. To have control over something matterless, we control it with the knowledge about it and thus gain power over it. The almost sinister thought “I'll tell you. You're young, but you're one of us, and I'm one of us, so I'll tell you.” gives the Toxic Psalms its tone. For in the background of the whole concert arch death utters and murderous plague intones. Through the music the project reflects Palestine, Syria, Pussy Riots, weapons, concentration camps, blood feuds, extinctions, contaminations of religions and creates a picture of human brutality. The living of a man is changed into a drama here and now: men killing for the glory of their psalms. The author’s poise is not one of an agitator – awaking the feeling that “something has to be done” – it is rigorously contemplative. Despite ...    less