1998 Copyright Lilly Mack Music/Kerrion Publishing (BMI) Performed by Salvacosta Keys - Alvin Allison Saxophone - david Heming Percussion - Allister Atherton Bass Guitar - Howard Wood DMB Music www.dmbmusic.co.uk Video Creation - Kingsbere D...  more1998 Copyright Lilly Mack Music/Kerrion Publishing (BMI) Performed by Salvacosta Keys - Alvin Allison Saxophone - david Heming Percussion - Allister Atherton Bass Guitar - Howard Wood DMB Music www.dmbmusic.co.uk Video Creation - Kingsbere Designs www.darrenBartlett.co.uk Copyright DMB MUSIC 2016  

Score (in versions for 3 sopranos, or 3 altos, or 3 tenors or 3 basses): A canon style hangover song after a poem by Gavin Ewart, with kind permission from the poet and from Random House UK Ltd The music (in a three part equal voice canon) was composed ...  moreScore (in versions for 3 sopranos, or 3 altos, or 3 tenors or 3 basses): A canon style hangover song after a poem by Gavin Ewart, with kind permission from the poet and from Random House UK Ltd The music (in a three part equal voice canon) was composed and performed by david W Solomons  

Choirs R Us Christmas Concert 2014 at Ewen Hall, Barnet on 6th December 2014. Choir director and musical arrangement: Jenny Bennett. For more info: www.choirsrus.co.uk

Takerei Komene’s 'He Tamaiti ō te Ao Tukupū' is a celebration of birth, rejoicing in its chaos and the process of creation. This new commission revolves around the creation of a person with endless potential. The text centres on a well-know whakatauki or ...  moreTakerei Komene’s 'He Tamaiti ō te Ao Tukupū' is a celebration of birth, rejoicing in its chaos and the process of creation. This new commission revolves around the creation of a person with endless potential. The text centres on a well-know whakatauki or proverb: Whāia te iti kahurangi, ki te tuohu koe, me he maunga teitei [Seek that which you treasure most – if you must bow your head, let it be to the loftiest of mountains] A mihi pepeha, hailing the fabrics of space and the throes of the heart, is joined by the organ – a giant celestial factory, chaotic and cacophonous, with great starry arms placing pieces into unique moulds forming the fragments of the final section of the work – a mighty invocation of the whakatauki.  less

This is a setting of a poem by The Reverend Doctor Malcolm Guite, Chaplain of Girton College Cambridge,with his permission. The poem is a response to the 8th "O Antiphon" for Advent

Mass setting by D W Solomons for choir and orchestra performed in January 2016.

Il repertorio spazia dai canti della tradizione popolare e folcloristica a brani d’autore. Ha partecipato in questi anni a prestigiosi concorsi Corali, ottenendo importanti riconoscimenti. La direzione è affidata al M° Gilberto Buriola

composizione su di un'antica melodia processionale veneta.

Concierto del 21 de diciembre de 2024 Parroquia Virgen Inmaculada de Lourdes Ciudad de Buenos Aires

arranged by D W Solomons: for men's voices (in G), mixed voices (in B) and women's voices (in D)) These arrangements of the song skip from 5 to 12 in order to avoid tiring the audience ("Let's not make them listen to the lot!") This version in G is per...  morearranged by D W Solomons: for men's voices (in G), mixed voices (in B) and women's voices (in D)) These arrangements of the song skip from 5 to 12 in order to avoid tiring the audience ("Let's not make them listen to the lot!") This version in G is performed here by Matthew Curtis