SATB version of the Benedictus which was recorded recently by The Priests and Bryn Terfel and Rhys Meirion. Recorded by an audience member (and used with permission) at Douai Abbey in April 2013. Conducted by David Crown. Organist, Chris Enston.

PIE JESU - by John Conahan. SATB piano (optional String Ensemble). This is an accompanied setting of both the Pie Jesu and Agnus Dei texts. In this video, you'll be able to view the complete score in tandem with a performance. More information and additio...  morePIE JESU - by John Conahan. SATB piano (optional String Ensemble). This is an accompanied setting of both the Pie Jesu and Agnus Dei texts. In this video, you'll be able to view the complete score in tandem with a performance. More information and additional scores, visit www.johnconahan.com. (© John Conahan)  

Festival Sanctus - by John Leavitt Canticum Bucharest choir Conductor: Răzvan Rădos Piano: Răzvan Apetrei Place: St. Joseph Roman Catholic Cathedral - Bucharest Producer: ART LIFE MUSIC "Loving art, you will love more than life" www.artlifemusic.ro

Music: Jean-Christophe Rosaz Ensemble Vocal Féminin Callisto dir. Élisabeth Baconnais ___ Ave Maria, gratia plena Dominus tecum Benedicta tu in mulieribus ; Et Benedictus fructus ventris tui, Jesus ! Sancta Maria, Mater Dei, Ora pro nobis, pecc...  moreMusic: Jean-Christophe Rosaz Ensemble Vocal Féminin Callisto dir. Élisabeth Baconnais ___ Ave Maria, gratia plena Dominus tecum Benedicta tu in mulieribus ; Et Benedictus fructus ventris tui, Jesus ! Sancta Maria, Mater Dei, Ora pro nobis, peccatoribus, Nunc, et in ora mortis nostræ. ___ Hail Mary, full of grace, the Lord is with thee. Blessed art thou among women, and blessed is the fruit of thy womb, Jesus. Holy Mary, Mother of God, pray for us sinners, now and in the hour of our death. ___ Je vous salue, Marie pleine de grâces ; Le Seigneur est avec vous. Vous êtes bénie entre toutes les femmes et Jésus, le fruit de vos entrailles, est béni. Sainte Marie, Mère de Dieu, priez pour nous pauvres pécheurs, maintenant et à l’heure de notre mort.  less

"Sanctus", de Robert Prizeman. Coro Encanto, de Casarrubuelos (Madrid) Director: Mariano García Pianista: Marcelino López Solistas: Carla Isabel, Alba Gómez Basílica de la Santa Cruz del Valle de los Caídos San Lorenzo de El Escorial (Madrid) 4 ...  more"Sanctus", de Robert Prizeman. Coro Encanto, de Casarrubuelos (Madrid) Director: Mariano García Pianista: Marcelino López Solistas: Carla Isabel, Alba Gómez Basílica de la Santa Cruz del Valle de los Caídos San Lorenzo de El Escorial (Madrid) 4 de julio de 2015 ----- CORO ENCANTO de Casarrubuelos (Madrid) www.coroencanto.com www.facebook.com/coroencantocasarrubuelos twitter: @Coro_Encanto info@coroencanto.com Teléfono: (+34) 656161440 CORAL SANTIAGO APOSTOL de Casarrubuelos (Madrid) www.coralsantiagoapostol.com www.facebook.com/coralsantiagoapostol twitter: @CSApostol coral@coralsantiagoapostol.com Teléfono: (+34) 656161440  less

Gilad Hochman's PRAYER OF THE LIVING – Elegy and Canon for mixed SSATB choir a cappella (2012, rev. 2018) Kammerchor Hannover Stephan Doormann – conductor Text: Agnus Dei (Catholic Mass, Latin), Psalm 34,15 (Bible, Hebrew) Dona nobis pacem; בַּקֵּ...  moreGilad Hochman's PRAYER OF THE LIVING – Elegy and Canon for mixed SSATB choir a cappella (2012, rev. 2018) Kammerchor Hannover Stephan Doormann – conductor Text: Agnus Dei (Catholic Mass, Latin), Psalm 34,15 (Bible, Hebrew) Dona nobis pacem; בַּקֵּשׁ שָׁלוֹם וְרָדְפֵהוּ Grant us peace; Seek peace and pursue it Gib uns Deinen Frieden; Suche Frieden und jage ihm nach Commissioned for the International Holocaust Remembrance Day. Score available over: www.giladhochman.com/prayer-of-the-living-scores © 2012 Gilad Hochman  less

"Comin' Thro' the Rye" is a poem written in 1782 by Robert Burns (1759–96). The words are set to the melody of the Scottish Minstrel "Common' Frae The Toun". (This is a variant of the tune to which Auld Lang Syne is usually sung—the melodic shape is alm...  more"Comin' Thro' the Rye" is a poem written in 1782 by Robert Burns (1759–96). The words are set to the melody of the Scottish Minstrel "Common' Frae The Toun". (This is a variant of the tune to which Auld Lang Syne is usually sung—the melodic shape is almost identical, the difference lying in the tempo and rhythm.) It is performed here by the dwsChorale, with a cheeky insertion of a hornpipe! Gin a body meet a body Comin' thro' the rye Gin a body kiss a body Need a body cry? Ilka lassie has her laddie Nane, they say, hae I Yet a' the lads they smile at me When comin' thro' the rye. Gin a body meet a body Comin' frae the toun Gin a body greet a body Need a body froun? Ilka lassie has her laddie Nane, they say, hae I Yet a' the lads they smile at me When comin' thro' the rye. Gin a body meet a body, Comin' frae the well, Gin a body kiss a body, Need a body tell? 'Mang the train there is a swain I dearly lo'e mysel' But what his name or whaur his hame I dinna care to tell  less

Gloria Dei Chorale, Mobile, AL Louis F. Daniel, Director "O Great Mystery" by Louis F. Daniel, All Rights Reserved

The choir of Somerville College, Oxford David Crown, conductor Somerville College Chapel, Oxford Facebook: http://www.facebook.com/somervillechoir Website: http://www.somervillemusicsociety.com

Weaving a spell - Incantation for Pamela - magic for a while... This song can be understood on two levels. At first sight it is a simple sentimental piece, but beneath it lies a history of pure imagination, enchantment and impossibility. The co...  moreWeaving a spell - Incantation for Pamela - magic for a while... This song can be understood on two levels. At first sight it is a simple sentimental piece, but beneath it lies a history of pure imagination, enchantment and impossibility. The composer already realises he is no longer feeling what he is writing, he is just weaving a spell, over an ostinato guitar motif, to try to bring the feelings back (hence the title "Incantation"). He has found in his life that whenever he writes a song for the object of his desire, he has already begun to stop feeling that desire ... it is a sign that the relationship is about to change or disappear. But the whole thing is indeed enchantment and magic: you can dream and you can take the song at face value if you wish.  less