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video:
John Saw Duh Numbuh 3 13 2016
#Aliceis90
Alice Parker's arrangement of "John Saw duh Numbah."
Congregational Church of Batavia, IL.
Sunday, 3/13/16.
group:
Motor City Blend Chorus
We are a Chorus of around 100 active members formed in January of 2017 from two former, Regional championship, Sweet Adeline Choruses known as Great Lakes Chorus and Spirit of Detroit. We won our first Regional competition and are preparing to compete at... moreWe are a Chorus of around 100 active members formed in January of 2017 from two former, Regional championship, Sweet Adeline Choruses known as Great Lakes Chorus and Spirit of Detroit. We won our first Regional competition and are preparing to compete at International contest in October. We really enjoying competing and entertaining with our bi-annual shows and occasional singouts in and around the Detroit area. Come have fun singing with us at our Tuesday night rehearsals! Check the website for more details. less
video:
BENEDICTION - John Conahan (SATB - a cappella)
BENEDICTION, An Irish Blessing - by John Conahan, SATB a cappella. In this video, you'll be able to view the complete score in tandem with a performance. For more information and additional works, visit www.Johnconahan.com. (© John Conahan)
video:
Weep, O Mine Eyes - John Bennet (Sopran's Guide)
Weep, O Mine Eyes - John Bennet (Sopran's Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most interna... moreWeep, O Mine Eyes - John Bennet (Sopran's Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”.
Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare.
More Information, contact us:
guide4score@gmail.com less
video:
Weep, O Mine Eyes - John Bennet (Alto's Guide)
Weep, O Mine Eyes - John Bennet (Alto's Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internati... moreWeep, O Mine Eyes - John Bennet (Alto's Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”.
Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare.
More Information, contact us:
guide4score@gmail.com less
video:
Francis Poulenc: Sept répons des ténèbres
Francis Poulenc (1899 - 1963):
Sept répons des ténèbres (1962)
Jeudi Saint / Holy Thursday / Gründonnerstag
I. Una hora 0:09
II. Judas mercator 3:18
Vendredi Saint / Good Friday / Karfreitag
III. Jesum tradidit 5:56
IV. Caligaverunt oculi mei 9:... moreFrancis Poulenc (1899 - 1963):
Sept répons des ténèbres (1962)
Jeudi Saint / Holy Thursday / Gründonnerstag
I. Una hora 0:09
II. Judas mercator 3:18
Vendredi Saint / Good Friday / Karfreitag
III. Jesum tradidit 5:56
IV. Caligaverunt oculi mei 9:54
V. Tenebrae factae sunt 12:20
Samedi Saint / Holy saturday / Karsamstag
VI. Sepulto Domino 16:09
VII. Ecce quomodo moritur 18:50
Monteverdichor Würzburg
Matthias Beckert (cond.)
26. 02. 2012
Neubaukirche, Würzburg, Germany
1. Una hora non potuistis vigilare
mecum, qui exhortabamini
mori pro me?
Vel ludam non videtis,
quomodo non dormit,
sed festinat tradere me ludaeis?
Quid dormitis? Surgite, et orate,
ne intretis in tentationem.
Mk 14,37-38, Lk 22,46 ; Joh 18,2-5
2. Judas mercator pessimus
osculo petiit Dominum:
ille ut agnus innocens
non negavit Judae osculum:
Denariorum numero
Christum Judaeis tradidit.
Melius illi erat si natus non fuisset.
Mt 26,14-16.48-50 und Mk 14,21
3. Jesum tradidit impius summis
principibus sa... less
video:
Requiem - Camille Saint-Saens
Extract from concert given on 31 march 2012.
Choeur de Notre-Dame de Bon Voyage
The 1878 Orchestra
Soloists: Liesel Jürgens, Sandra Mirkovic, Frédéric Diquéro, Sergiu Ceaiscevsciuc
Organ: Henri Pourtau & Catherine Hyvert
Conductor: Stéphan Nicolay