Maranatha Christian University Choir. Agustinus Bambang Jusana, conductor. Photos by Eric Jodhy. Live recording at Pelgrimskerk, Badhoevedorp - The Netherlands, 2014. Indonesian Mass is a project of combining Indonesian folk music elements and Weste...  moreMaranatha Christian University Choir. Agustinus Bambang Jusana, conductor. Photos by Eric Jodhy. Live recording at Pelgrimskerk, Badhoevedorp - The Netherlands, 2014. Indonesian Mass is a project of combining Indonesian folk music elements and Western contemporary music writing. Each movements of the mass represents one island from Indonesia. Gloria represents West Papua island, with traditional yelling and voice imitation of the traditional nose-flute.  

Coral Reyes Bartlet Capilla Cayrasco José Híjar Polo, Maestro de Coro Eligio Luis Quinteiro, Director Fernando Paz, flauta de pico Sara Moffatt, violín renacentista Emilia Benjamin, violeta Bárbara Sela, bajón Ismael Perera, órgano Luis Acuña...  moreCoral Reyes Bartlet Capilla Cayrasco José Híjar Polo, Maestro de Coro Eligio Luis Quinteiro, Director Fernando Paz, flauta de pico Sara Moffatt, violín renacentista Emilia Benjamin, violeta Bárbara Sela, bajón Ismael Perera, órgano Luis Acuña, sonido Tinglado Films, imagen X Festivall de Música Antigua y Barroca de Puerto de la Cruz Iglesia de la Peña de Francia, 31 de marzo de 2012 www.reyesbartlet.com  

Coral Reyes Bartlet José Híjar Polo, Director Jens Eggers, tenor Carlos Mozzi, guitarra José Carlos Valladares, percusión y flautas Karina Martín, percusión José Antonio Fernández, flautas y charango Ismael Perera, piano Jessica Paterson y Manue...  moreCoral Reyes Bartlet José Híjar Polo, Director Jens Eggers, tenor Carlos Mozzi, guitarra José Carlos Valladares, percusión y flautas Karina Martín, percusión José Antonio Fernández, flautas y charango Ismael Perera, piano Jessica Paterson y Manuel González, percusión menor 2º Festival de Música de La Coruña (grabación en directo) Teatro Rosalía de Castro, La Coruña 10 de agosto de 1995 www.reyesbartlet.com  

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The first of three settings of text from the Odes of Solomon. The Odes of Solomon are believed to have been written around the year 100 A.D., and include strong parallels to the Dead Sea Scrolls. Scholars have debated whether the Odes should be consid...  moreThe first of three settings of text from the Odes of Solomon. The Odes of Solomon are believed to have been written around the year 100 A.D., and include strong parallels to the Dead Sea Scrolls. Scholars have debated whether the Odes should be considered Jewish, Christian or Gnostic, and whether they were first written in Greek, Hebrew or Syriac. Early Christian writings refer to and quote from them. A Syriac manuscript containing the text of most of the Odes was discovered in 1909 by the English scholar J. Rendel Harris, and other partial texts in various languages have also been found. There are 42 Odes. Some fragments are still missing from Odes I and III, and no part of Ode II has yet been found. For these choral settings, I selected text from four of the Odes of Solomon which I found particularly compelling. The anonymous translation I have used comes from The Gnostic Society Library.  less

Collaboration concert "Gloria Alleluia" by Lassenne Vocale (Belgium) and Familia Cantorum Choir & Orchestra (Czech Republic). Ivan Yohan, conductor Petr Hoffmann, conductor Klára Boudalová, soprano Karel Jakubů, baritone Kyrie 00:00 Gloria 05:49...  moreCollaboration concert "Gloria Alleluia" by Lassenne Vocale (Belgium) and Familia Cantorum Choir & Orchestra (Czech Republic). Ivan Yohan, conductor Petr Hoffmann, conductor Klára Boudalová, soprano Karel Jakubů, baritone Kyrie 00:00 Gloria 05:49 Credo 10:23 Sanctus 16:27 Benedictus 20:03 Agnus Dei 22:58 Recorded live at Église St. Vaast, Rivière, France 2022  

The second of three settings of text from the Odes of Solomon. The Odes of Solomon are believed to have been written around the year 100 A.D., and include strong parallels to the Dead Sea Scrolls. Scholars have debated whether the Odes should be consi...  moreThe second of three settings of text from the Odes of Solomon. The Odes of Solomon are believed to have been written around the year 100 A.D., and include strong parallels to the Dead Sea Scrolls. Scholars have debated whether the Odes should be considered Jewish, Christian or Gnostic, and whether they were first written in Greek, Hebrew or Syriac. Early Christian writings refer to and quote from them. A Syriac manuscript containing the text of most of the Odes was discovered in 1909 by the English scholar J. Rendel Harris, and other partial texts in various languages have also been found. There are 42 Odes. Some fragments are still missing from Odes I and III, and no part of Ode II has yet been found. For these choral settings, I selected text from four of the Odes of Solomon which I found particularly compelling. The anonymous translation I have used comes from The Gnostic Society Library.  less

The third of three settings of text from the Odes of Solomon. The Odes of Solomon are believed to have been written around the year 100 A.D., and include strong parallels to the Dead Sea Scrolls. Scholars have debated whether the Odes should be consid...  moreThe third of three settings of text from the Odes of Solomon. The Odes of Solomon are believed to have been written around the year 100 A.D., and include strong parallels to the Dead Sea Scrolls. Scholars have debated whether the Odes should be considered Jewish, Christian or Gnostic, and whether they were first written in Greek, Hebrew or Syriac. Early Christian writings refer to and quote from them. A Syriac manuscript containing the text of most of the Odes was discovered in 1909 by the English scholar J. Rendel Harris, and other partial texts in various languages have also been found. There are 42 Odes. Some fragments are still missing from Odes I and III, and no part of Ode II has yet been found. For these choral settings, I selected text from four of the Odes of Solomon which I found particularly compelling. The anonymous translation I have used comes from The Gnostic Society Library.  less

http://www.cpdl.org/wiki/index.php/Scott_Villard Missa Brevis in F Major (2016) (00:00:04) Kyrie (00:01:13) Gloria (00:04:00) Sanctus & Benedictus (00:05:37) Agnus Dei Missa Brevis in F minor (2016) (00:08:19) Kyrie (00:09:56) Sanctus & B...  morehttp://www.cpdl.org/wiki/index.php/Scott_Villard Missa Brevis in F Major (2016) (00:00:04) Kyrie (00:01:13) Gloria (00:04:00) Sanctus & Benedictus (00:05:37) Agnus Dei Missa Brevis in F minor (2016) (00:08:19) Kyrie (00:09:56) Sanctus & Benedictus (00:11:29) Agnus Dei Missa Brevis in G Major (2016) (00:13:38) Kyrie (00:14:41) Sanctus & Benedictus (00:16:16) Agnus Dei Missa Brevis in G minor (2016) (00:17:51) Kyrie (00:18:58) Sanctus & Benedictus (00:20:33) Agnus Dei Missa Brevis a 3 (2012) (00:21:58) Kyrie (00:23:21) Gloria (00:25:46) Sanctus & Benedictus (00:27:36) Agnus Dei Mass (2015) (00:29:06) Kyrie (00:30:20) Sanctus & Benedictus (00:32:06) Agnus Dei (00:33:38) Magnificat & Nunc dimittis (SATB version, 2012) Three Sacred Love Songs (2012) (00:39:21) Rise Up, My Love (00:41:10) Set Me as a Seal (00:43:36) Thou Art All Fair Three Evening Motets (2011) (00:46:00) Noctis recolitur (00:47:17) In manus tuas (00:50:14) In pace, in idipsum ...    less