Nov. 15, 2014 Soloists: Abby Craton and Walker Rambo Percussion: Alec Beatty and Adrian Pecold Choreography: Ainsley Check http://www.prairievoices.org https://www.facebook.com/Prairievoices https://twitter.com/_Prairievoices
May 9, 2015 Soloist: Adrian Pecold https://www.facebook.com/Prairievoices http://www.prairievoices.org https://twitter.com/_Prairievoices
ore">"Ancor che col partire" is a four-voice Italian-language madrigal with music by the Italy-based Flemish composer Cipriano de Rore (1515 - 1565). The madrigal became de Rore's most popular work, one of the most widely distributed madrigals of the entire 16... ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreore" style="display:none;">"Ancor che col partire" is a four-voice Italian-language madrigal with music by the Italy-based Flemish composer Cipriano de Rore (1515 - 1565). The madrigal became de Rore's most popular work, one of the most widely distributed madrigals of the entire 16th Century Ancor che col partire io mi senta morire, partir vorrei ogn'hor, ogni momento: tant'e il piacer ch'io sento de la vita ch'acquisto nel ritorno: et cosi mill'e mille volt'il giorno partir da voi vorrei: tanto son dolci gli ritorni miei. Although when I leave you it is as if I were dying, I would wish to leave you every hour, every moment, I am so very happy when life comes back to me when I return: and so I wish I could leave you many thousand times a day because my heart leaps with joy when I return. less
voices: ChoralTracks https://www.cpdl.org/wiki/index.php/O_sacrum_convivium_(2)_(Scott_Villard) #ChoralTracks #MatthewCurtis #AlexandraBurch
voices: ChoralTracks https://www.cpdl.org/wiki/index.php/Tantum_ergo_I_(Scott_Villard) #ChoralTracks #MatthewCurtis #AlexandraBurch
Easter Friday Song
ore">Robert White's 5 voice setting of 'Christe qui lux es et dies' (Precamur sancte Domine). Score for SAATB. Gallicantus Directed by Gabriel Crouch singing a cappella: David Allsop, Mark Chambers, Richard Butler, Christopher Watson, Nigel Short, Willia... ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreore" style="display:none;">Robert White's 5 voice setting of 'Christe qui lux es et dies' (Precamur sancte Domine). Score for SAATB. Gallicantus Directed by Gabriel Crouch singing a cappella: David Allsop, Mark Chambers, Richard Butler, Christopher Watson, Nigel Short, William Gaunt, Jimmy Holliday 'Christe qui lux es et dies' IV - http://www.youtube.com/watch?v=45SfxG6AokE 'Ad te levavi oculos' - http://www.youtube.com/watch?v=-PGF0C0Rfag 'O praise God - http://www.youtube.com/watch?v=3tt0Kyp8L1g
from the Mass Canticum Pacis - Only voices by Marcos Vinicius. Published singular score by Preludio Music
ore">The third of three movements by composer Joseph Dillon ford for male chorus, based on Dante's La Divina Commedia (L'inferno), sung by the dwsChorale. Video recreated in honour of the composer "O sanguis meus, o superinfusa Gratia Dei, sicut tibi, cu... ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreore" style="display:none;">The third of three movements by composer Joseph Dillon ford for male chorus, based on Dante's La Divina Commedia (L'inferno), sung by the dwsChorale. Video recreated in honour of the composer "O sanguis meus, o superinfusa Gratia Dei, sicut tibi, cui bis unquam Coeli ianua reclusa?" "O thou my blood, O overflowing Grace of God, to whom, as unto thee, was e’er the Gate of Heaven unlocked a second time?” Così quel lume; ond’ io m’ attesi a lui; poscia rivolsi alla mia Donna il viso, e quinci e quindi stupefatto fui; Thus spoke that light; hence I thereto gave heed; then to my Lady turning back my face, I was on this side and on that amazed; chè dentro agli occhi suoi ardeva un riso tal, ch’ io pensai co’ miei toccar lo fondo della mia gloria e del mio Paradiso. for such a smile was glowing in her eyes, that I with my thought I had touched the depths both of my glory and of my Paradise less
Bring us in good ale is a mediaeval drinking song. The premise of the song is that the singers (or players) want no food and so they find all sorts of reasons not to eat: they just want good ale!