This a cappella arrangement was sung by my vocal ensemble CHOIRISH. The group consists of Anna Sofie Damsgård (S), Astrid Gotlieb Jensen (A), Bjarke Brandt (T), Bjarne Madsen (B), Helen Jagd Christensen (A), Maja Mann (A), Mette Beier Jensen (S), Simon Fy...  moreThis a cappella arrangement was sung by my vocal ensemble CHOIRISH. The group consists of Anna Sofie Damsgård (S), Astrid Gotlieb Jensen (A), Bjarke Brandt (T), Bjarne Madsen (B), Helen Jagd Christensen (A), Maja Mann (A), Mette Beier Jensen (S), Simon Fyhr (B) Camera: Michael Lassen Bruns Video: Dénise Stockmann Location: uKirke @Vesterbro (thank you, Malte Madsen!!) I, Dénise Stockmann, am Their choir conductor and vocal arranger. If you want to know more about me and/or my projects, feel free to stop by: F: facebook.com/Stockmann Stage W: stockmannstage.com M: contact@stockmannstage.com  less

Victor C. Johnson combina con maestría una melodía popular española y sefardí fluida con un texto apasionado sobre cómo encontrar el camino a casa. Esta excepcional pieza de Navidad, que contiene el texto principalmente en inglés, está interpretada por el...  moreVictor C. Johnson combina con maestría una melodía popular española y sefardí fluida con un texto apasionado sobre cómo encontrar el camino a casa. Esta excepcional pieza de Navidad, que contiene el texto principalmente en inglés, está interpretada por el CORO "SANTA MARÍA" de Coria del Río (Sevilla) con una sincronía muy especial, ya que se han entrelazado hasta 4 interpretaciones en 4 lugares diferentes, para obtener esta versión única, que bien podría resumir el extraordinario calendario para los Conciertos de Navidad del año 2024. Acompañados al piano por Óscar Vicente, bajo la dirección de Sergio Asián, estas versiones corresponden a los días 13-14-21-22 de diciembre de 2024, por orden de aparición en la Parroquia del Sagrado Corazón de Jesús y Ntra. Sra. del Dulce Nombre de Jesús en Bellavista, la Parroquia de Ntra. Sra. de los Dolores en el Cerro del Águila, la Parroquia de Ntra. Sra. de los Ángeles y Santa Ángela de la Cruz en Sevilla Este, y finalmente en la Parroquia de San José de Coria del Río. ...    less

Alejandro D. Consolacion II, piano

"Go Tell It on The Mountain", traditional American spiritual, arr. John Gardener. Recorded live on December 15, 2013, at The Broward Center for The Performing Arts in Fort Lauderdale, Florida. Performed by The Concert Choir ensemble of The Girl Choir o...  more"Go Tell It on The Mountain", traditional American spiritual, arr. John Gardener. Recorded live on December 15, 2013, at The Broward Center for The Performing Arts in Fort Lauderdale, Florida. Performed by The Concert Choir ensemble of The Girl Choir of South Florida. Artistic Director: Wallis Peterson, Accompanist: Gayle Giese.  

Words and music by Carly Simon Arrangemed by Craig Hella Johnson Performed by Universitair Koor Antwerpen at Their Christmas Concert "Praise The Chord" on December 15, 2015.

Recording info: The Master Chorale of Tampa Bay Sydney Guillaume, guest conductor April 1, 2022 (world premiere) Venue: First Presbyterian Church - St. Petersburg, Florida - - - Order score at: https://sydneyguillaume.com/product/this-too-shall-pass/

Performed by Stella Choir - REPERTOIRE of WINTER 2023 Contact : stellachoirstaff@gmail.com Conductor : jad.harjane19@gmail.com Feel The pulse of energy and emotion of Stella Choir with a captivating performance. This piece radiates with lively enthou...  morePerformed by Stella Choir - REPERTOIRE of WINTER 2023 Contact : stellachoirstaff@gmail.com Conductor : jad.harjane19@gmail.com Feel The pulse of energy and emotion of Stella Choir with a captivating performance. This piece radiates with lively enthousiasm and a profoundly emotional melody. arr. Michael Barrett Soloists : Ibtihal Kenfaoui, Hafsa Abid, Ismail Messari, Kamal Daghmoumi Percussion : Alae Eddine Baqloul, Ismail Messari Directed by Jad Harjane Filmed by DIAZ PRODUCTION at LADABATEK, Tangier Sponsored by The AMERICAN LANGUAGE CENTER  less

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Cantoria Sine Nomine conductor Carlo Andriollo Live 2014

This brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement project" - developing his own Theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background...  moreThis brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement project" - developing his own Theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background: I have sung The traditional version of Good King Wenceslas since I was a kid. I fell in love with The lyrics and The story, but have always been puzzled by The way it was arranged, in particular The way that The "las" of Wenceslas lands on The downbeat. When I was young, I thought The lyrics were actually "Good King Wences last looked out!" All to say that I got inspired to create a totally different version. I used The 19th century poem by John Mason Neale, but I wanted to create a different "feel" to The story, to take it back in time to its origins in The Middle Ages - hence The medieval feel to much of The piece. I also felt that since The Wenceslas story is all about a journey, a setting in 3/4 time would create a better sense of that feeling, ra...    less