The cultural and musical association " Coro Polifonico San Domenico Savio" in order to spread more and more the artistic / musical expression in the territory, aware that music is a universal heritage that must be shared with the new generations and repre...

This is the only video we managed to take from our November 2010 Taverner recording sessions. Dum transisset was the first piece by Taverner I ever heard, some 23 years ago while at Christ Church, Oxford, and it's still among my favourites. Recorded on an...  moreThis is the only video we managed to take from our November 2010 Taverner recording sessions. Dum transisset was the first piece by Taverner I ever heard, some 23 years ago while at Christ Church, Oxford, and it's still among my favourites. Recorded on an iPhone 4, but the spirit is still captured!  

A setting for four equal voices of the parody by Rev George Strong on Longfellow's Hiawatha poem. The music is almost, but not quite, a canon... Versions are available in B flat mixolydian and in C mixolydian. (ie major with flattened 7th) When ...  moreA setting for four equal voices of the parody by Rev George Strong on Longfellow's Hiawatha poem. The music is almost, but not quite, a canon... Versions are available in B flat mixolydian and in C mixolydian. (ie major with flattened 7th) When he killed the Mudjokivis, Of the skin he made him mittens, Made them with the fur side inside, Made them with the skin side outside. He, to get the warm side inside, Put the inside skin side outside; He, to get the cold side outside, Put the warm side fur side inside. That's why he put the fur side inside, Why he put the skin side outside, Why he turned them inside outside  less

The combined choirs of Warwickshire Young Voices join forces in a virtual performance this moving piece - learned, performed and recorded in under an hour at each rehearsal - to support One Day One Choir and also begin their support for the work of Save ...  moreThe combined choirs of Warwickshire Young Voices join forces in a virtual performance this moving piece - learned, performed and recorded in under an hour at each rehearsal - to support One Day One Choir and also begin their support for the work of Save the Children as WYV's charity of the year 2015. https://www.justgiving.com/Warwickshire-Young-Voices/  

Sung at Canterbury Cathedral during our Royal School of Church Music Summer Course in 1986, under Martin How. I (david W Solomons) was one of the altos. John Huntley - a fellow alto - recorded this performance.

Promotional video detailing The Georgia Boy Choir. Video production and editorial by MONUMENTALmedia. For more information regarding The Georgia Boy Choir please visit www.georgiaboychoir.org

Stephen Layton Ian Bostridge Neal Davies Carolyn Sampson Iestyn Davies Nicholas Mulroy Roderick Williams Polyphony Orchestra of the Age of Enlightenment Adrian Peacock david Hinitt HYPERION RECORDS Release date: March 2013 Recording V...  moreStephen Layton Ian Bostridge Neal Davies Carolyn Sampson Iestyn Davies Nicholas Mulroy Roderick Williams Polyphony Orchestra of the Age of Enlightenment Adrian Peacock david Hinitt HYPERION RECORDS Release date: March 2013 Recording Venue: All Hallows, Gospel Oak, London, UK http://www.hyperion-records.co.uk/dc.asp?dc=D_CDA67901/2&vw=dc  

Song of summer for choir, cello and guitar based on the duo Summertime Rag by Chris Benson In the summertime when the work was done we'd take our ease and have our fun we'd been always looking forward to the warm dry days of sun In the summerti...  moreSong of summer for choir, cello and guitar based on the duo Summertime Rag by Chris Benson In the summertime when the work was done we'd take our ease and have our fun we'd been always looking forward to the warm dry days of sun In the summertime we would run and sing enjoy all that the days could bring we would laugh and wintertime would seem a very distant thing but it couldn't last and the autumn came too quickly with its wind and rain ....  

including a short salute to "Lullaby of Birdland" Composer - George Shearing Lyrics - B. Y. Forster (George david Weiss)

Weaving a spell - Incantation for Pamela - magic for a while... This song can be understood on two levels. At first sight it is a simple sentimental piece, but beneath it lies a history of pure imagination, enchantment and impossibility. The co...  moreWeaving a spell - Incantation for Pamela - magic for a while... This song can be understood on two levels. At first sight it is a simple sentimental piece, but beneath it lies a history of pure imagination, enchantment and impossibility. The composer already realises he is no longer feeling what he is writing, he is just weaving a spell, over an ostinato guitar motif, to try to bring the feelings back (hence the title "Incantation"). He has found in his life that whenever he writes a song for the object of his desire, he has already begun to stop feeling that desire ... it is a sign that the relationship is about to change or disappear. But the whole thing is indeed enchantment and magic: you can dream and you can take the song at face value if you wish.  less