Thameside Harmony has been in existence for over 30 years. A ladies' a capella four part harmony group we have our roots in barbershop but sing all sorts of music from old standards and barbershop classics to mega pop hits by groups like Abba and Queen. W...  moreThameside Harmony has been in existence for over 30 years. A ladies' a capella four part harmony group we have our roots in barbershop but sing all sorts of music from old standards and barbershop classics to mega pop hits by groups like Abba and Queen. We perform sing outs for local groups in our area of Hampton in South West London, and take part in local fairs and festivals. Our weekly rehearsals on Wednesdays are a fun evening of singing, chatting and having fun together. We are always open to having new members. Experience is not required, nor is the ability to read music as we have 'teach tracks' with the songs in your part on (tenor, lead, baritone or bass) and access to these are given alongside sheet music. From time to time we run singing courses or open evenings for which there are no auditions. On a course we usually all learn a new song together and sometimes are able not only to benefit from the direction of our musical director but also guest expert coaches from our parent organisation, the La...    less

The opening from our Christmas finale at the "winter warmer" concert! : )

Recorded November 2020 Traditional English Carol arr. Barlow Bradford Audio Engineer: John Paul Hayward Video Engineer: Carter Durham Program Notes: http://www.utahchamberartists.org/wp-...

Here's a new setting of Hildegard von Bingen's Alleluia! O virga mediatrix. Language: Latin. Standard of difficulty: a bit tricky. Duration: circa 2 minutes. It's in six parts with no divisi, so it would also suit a sextet. It may be used for church or c...  moreHere's a new setting of Hildegard von Bingen's Alleluia! O virga mediatrix. Language: Latin. Standard of difficulty: a bit tricky. Duration: circa 2 minutes. It's in six parts with no divisi, so it would also suit a sextet. It may be used for church or concert performances free of charge – please contact me for the score: • Facebook: david.basden.9 • New email: deebee123 [at] bigpond.com Also, please let me know when the performance date is approaching. I'm keen to receive feedback, and I'll happily link your publicity material and website to my social media pages. Choirs are most welcome to post their own versions here on ChoirPlace.  less

Stainer’s Crucifixion: RSCM Annual Lecture and Come & Sing Workshop John Stainer’s The Crucifixion has been popular with church choirs for more than 130 years. The RSCM’s annual lecture, this year given by Professor Jeremy D...

A new carol for Christmas with music by David W. Solomons and Text by Thomas Clarke. This setting for Christmas represents the cold of a Northern winter (the cruel wind blows) although of course the actual events took place in rather warmer climes. ...  moreA new carol for Christmas with music by David W. Solomons and Text by Thomas Clarke. This setting for Christmas represents the cold of a Northern winter (the cruel wind blows) although of course the actual events took place in rather warmer climes. It also reflects much of the liturgical and popular symbolism of the Christmas season: robins, holly etc and it brings our thoughts towards the season of Easter with the blood of Good Friday.  

Taken from Never a Brighter Star, a Christmas Concert November 17, 2018, Aula Simfonia Jakarta Sing We Now of Christmas Music based on the French Carol “Noel Nouvelet”, Arranged by Mark Hayes

Dedicated to apathetic, willfully ignorant people everywhere. "I don’t know. I don’t care." Mobile for SATB Chorus unaccompanied Music by STANLEY M. HOFFMAN (b. 1959) (BMI) With apologies to J. S. BACH (1680–1750) Based loosely on “Prelude in C Major...  moreDedicated to apathetic, willfully ignorant people everywhere. "I don’t know. I don’t care." Mobile for SATB Chorus unaccompanied Music by STANLEY M. HOFFMAN (b. 1959) (BMI) With apologies to J. S. BACH (1680–1750) Based loosely on “Prelude in C Major” from \ The Well-Tempered Clavier, Book 1 (BWV 846, No. 1)  

Music When Soft Voices Die - Edward Bairstow Performed by the Abbeydale Singers on their 25th anniversary concert, at St. John's Church, Ranmoor, Sheffield, 16th July 2011. See http://www.abbeydalesingers.org.uk for more details.

2020 Ocean Grove Virtual Choir Project: Great Auditorium Virtual Men's Choir Jason C. Tramm, Dir. of Music Ministries Ronald Naldi, Tenor Soloist Gordon Turk, Organ Crispian Fordham, Flute Natasha Loomis, Flute Quinton Tramm, Sound/Video Prem...  more2020 Ocean Grove Virtual Choir Project: Great Auditorium Virtual Men's Choir Jason C. Tramm, Dir. of Music Ministries Ronald Naldi, Tenor Soloist Gordon Turk, Organ Crispian Fordham, Flute Natasha Loomis, Flute Quinton Tramm, Sound/Video Premiered: June 21, 2020 www.Oceangrove.org