Coral Reyes Bartlet KV Ensemble José Híjar Polo, Maestro de Coro José María de Vicente, Director Carmen Acosta, Soprano Cristina Farrais, Alto Carlos Méndez, Tenor Augusto Brito, Bajo Iluminación Iec Concetta Rizza, Vídeo Luis Acuña, Sonido ...  moreCoral Reyes Bartlet KV Ensemble José Híjar Polo, Maestro de Coro José María de Vicente, Director Carmen Acosta, Soprano Cristina Farrais, Alto Carlos Méndez, Tenor Augusto Brito, Bajo Iluminación Iec Concetta Rizza, Vídeo Luis Acuña, Sonido Concierto de clausura del 40 Aniversario de la Coral Reyes Bartlet Puerto de la Cruz, Iglesia de la Peña de Francia, 19 de diciembre de 2010 www.reyesbartlet.com  

El Coro Mundial de Juventudes (World Youth Choir) en su gira del año 2000 por Verdun (Francia) y Llivia (España) ejecutan "Water Night" de Eric Withacre

Agnus Dei from my Mass for men's voices (Alto, Tenor, Bass) and organ The whole Mass setting contains Kyrie, Gloria, Sanctus, Benedictus, Agnus Dei and also an organ voluntary based on the themes. A version for 3 part mixed choir (Soprano, Alto and M...  moreAgnus Dei from my Mass for men's voices (Alto, Tenor, Bass) and organ The whole Mass setting contains Kyrie, Gloria, Sanctus, Benedictus, Agnus Dei and also an organ voluntary based on the themes. A version for 3 part mixed choir (Soprano, Alto and Men) and organ is also available at: http://dwsolo.musicaneo.com/sheetmusic/sm-185192_mass_for_three_part_mixed_choir_and_organ.html Because of its gently exotic modal flavours, the music was deemed to have a ring of "oriental promise" by one appreciative member of the congregation at the first performance. This setting has been sung in Cathedrals in Manchester, Southwell and Dublin and the Agnus has also featured in services at Christ Church Didsbury. The recording here is the Agnus Dei sung by the Voluntary Choir of Manchester Cathedral during their visit to Southwell Minster.  less

“Il canto è la più intima preghiera e il Gospel ne è la sua forma più coinvolgente”. E’ con questa convinzione che nel 1995 nasce il Soul Singers Gospel Choir e nel tempo, Candy Patricia Cauilan, già cantante del Coro universitario “Philippine Madrigal Si...  more“Il canto è la più intima preghiera e il Gospel ne è la sua forma più coinvolgente”. E’ con questa convinzione che nel 1995 nasce il Soul Singers Gospel Choir e nel tempo, Candy Patricia Cauilan, già cantante del Coro universitario “Philippine Madrigal Singers”, tra i più rinomati e premiati complessi di musica polifonica nel panorama internazionale nonchè cuore, mente e direttrice dal gesto essenziale e dal gusto interpretativo adeguato, crea una formazione che ad oggi conta circa 30 elementi. Ad essa va aggiunta una formazione strumentale che riesce ad esaltare tutta la carica prorompente della musica Gospel. Il repertorio è stato, via via perfezionato affinando in particolare la vocalità con freschezza e dinamicità musicale. La conferma di questo positivo rinnovamento è stata anche sottolineata dal lusinghiero successo ottenuto nella tourné svoltasi in Francia nel 2002. Prestigiosi sono stati i concerti e le recenti collaborazioni che il Coro ha tenuto con Ashley K. Davis, David Massey, Willis Peoples, Sha...    less

4 part Canon by Orlando di Lasso Performed by the Strasbourg singers in 1976 Dis-moi, beau printemps, pour qui sont ces fleurs et ces chansons, La lune blanche dans l'étang, Les nids blottis dans les taillis ? [De ta beauté, de tes parfums ne nou...  more4 part Canon by Orlando di Lasso Performed by the Strasbourg singers in 1976 Dis-moi, beau printemps, pour qui sont ces fleurs et ces chansons, La lune blanche dans l'étang, Les nids blottis dans les taillis ? [De ta beauté, de tes parfums ne nous lassons.]* English singing translation: Tell me, lovely Spring, Now whom are these flowers and songs for? The white moon shining in the pool The nests are hidden in the woods [Let us not tire of your beauty and perfumes.] (The last line was not included in the edition that we were using, but the score referenced here contains the whole piece)  less

Intervención en el acto de clausura del 25 aniversario de la Fundación de la Facultad de Educación de la Universidad de La Laguna. Pieza arreglada y creada para la 14 Edición de Fimucite, Festival Internacional de Musica de Cine de Tenerife. Adaptación d...  moreIntervención en el acto de clausura del 25 aniversario de la Fundación de la Facultad de Educación de la Universidad de La Laguna. Pieza arreglada y creada para la 14 Edición de Fimucite, Festival Internacional de Musica de Cine de Tenerife. Adaptación de Julio Chinea Pedraza  

Participação do Coro Voximix do Conservatório Regional de Castelo Branco no concerto comemorativo dos 75 anos do Conservatório de Música da Covilhã (17.06.2011), com a pianista Helena Nunes e sob a direcção de Armanda Patrício. (http://Corocrcb.blogspot.com)

Eseguito a Toscolano Maderno (BS), in occasione della rassegna di Natale del 10 dicembre 2016 Corale Santa Cecilia, Dir. Gianpietro Bertella Coro Anzano, Dir. Paolo Stefan

The Graduate Choir NZ and NZ Barok perform JS Bach's Easter Oratorio, BWV 249. Conductor: Terence Maskell Soloists: Jayne Tankersley (soprano), Dean Sky-Lucas (countertenor), David Hamilton (tenor), Chalium Poppy (bass) --- This performance by T...  moreThe Graduate Choir NZ and NZ Barok perform JS Bach's Easter Oratorio, BWV 249. Conductor: Terence Maskell Soloists: Jayne Tankersley (soprano), Dean Sky-Lucas (countertenor), David Hamilton (tenor), Chalium Poppy (bass) --- This performance by The Graduate Choir NZ exploits with delight the wonderful collaboration with NZ Barok who provide the gamut of instrumental colour using original instruments (or modern copies of originals) and with specialist players from Auckland, Wellington, Sydney, Melbourne and Perth. This performance is further enhanced by the use of "Baroque pitch" - the nearest equivalent to the pitch used in Germany at the start of the 18th century where A = 415, a semitone lower than our modern pitch. In keeping with these stylistic demands, the size of the choir is reduced to 3-5 voices per part. In these ways, every effort is made to preserve and re-create as far as possible the "Affekt" of the music, aligning this performance as closely as possible with what may have been expe...    less

The second of "Two poems by Thomas Moore" with me directing the Concentus Nymphae feminine choir The score is available for free at IMSLP: http://imslp.org/wiki/Two_Poems_by_Thomas_Moore_(Camacho,_João_Carlos)