Coral Reyes Bartlet KV Ensamble José Híjar Polo, Maestro de Coro José María de Vicente, Director Mónica Pérez, Soprano Cristina Calvo, Alto Jorge Cordero, Tenor Augusto Brito, Bajo La parte de timbal de esta misa está reconstruida por Sixte Escrihuela. ...  moreCoral Reyes Bartlet KV Ensamble José Híjar Polo, Maestro de Coro José María de Vicente, Director Mónica Pérez, Soprano Cristina Calvo, Alto Jorge Cordero, Tenor Augusto Brito, Bajo La parte de timbal de esta misa está reconstruida por Sixte Escrihuela. Iluminación: E. Zalba Sonido: L. Acuña Imagen: Video Humer Centro de Congresos Taoro, Puerto de la Cruz 18 de diciembre de 2011 www.reyesbartlet.com  

Note dall'Anima Choir began as an association of friends attending services and is therefore a non-professional choir. Since 2009, it has been gladding the ceremonies of parishes nearby, mainly thanks to new musical equipment and stabler rehearsals and or...  moreNote dall'Anima Choir began as an association of friends attending services and is therefore a non-professional choir. Since 2009, it has been gladding the ceremonies of parishes nearby, mainly thanks to new musical equipment and stabler rehearsals and organisation. The most unique thing about this choir is its style: apart from being always varied, it offers a joyous, rhythmical, alternative and new way of celebrating Mass, joining pop and rock with religious themes.  

This is the final section from my Modal Mass (men's voices version) This setting of the Communion Service uses mainly the Mixolydian and Dorian modes (with short excursions into Lydian and Aeolian and occasionally jazzy modes). A higher (SATB) versio...  moreThis is the final section from my Modal Mass (men's voices version) This setting of the Communion Service uses mainly the Mixolydian and Dorian modes (with short excursions into Lydian and Aeolian and occasionally jazzy modes). A higher (SATB) version of the whole mass is also available (sung by Matthew Curtis)  

Coro Voximix do Conservatório Regional de Castelo Branco, no auditório da Escola Superior Agrária, às 18h00. Pianista acompanhadora: Helena Nunes; Direção: Armanda Patrício

A Christmas choral composition for mixed choir (SABar) Performed by Ensemble In Contrà conducted by Roberto Brisotto Music by Roberto Brisotto (1972) Lyrics by David Maria Turoldo (1916-92) "Mentre il silenzio fasciava la terra e la notte era a metà...  moreA Christmas choral composition for mixed choir (SABar) Performed by Ensemble In Contrà conducted by Roberto Brisotto Music by Roberto Brisotto (1972) Lyrics by David Maria Turoldo (1916-92) "Mentre il silenzio fasciava la terra e la notte era a metà del suo corso Tu sei disceso, o Verbo di Dio, in solitudine e più alto silenzio..." "While Silence embracing the earth and the night was half-way through, You descended, Word of God, in solitude and in the highest silence..." Sheet Music: http://www.ph-publishers.com/index.php  less

This was recorded during St Peter's Singers' lunchtime recital on 28th October 2009 in the beautiful Basilica de Sant Francesc, Palma de Mallorca, which formed part of the choir's acclaimed concert tour of Mallorca. The organist is David Houlder, Sub-Orga...  moreThis was recorded during St Peter's Singers' lunchtime recital on 28th October 2009 in the beautiful Basilica de Sant Francesc, Palma de Mallorca, which formed part of the choir's acclaimed concert tour of Mallorca. The organist is David Houlder, Sub-Organist of Leeds Parish Church and the Singers' regular accompanist. Ave Maria, gratia plena, Dominus tecum et benedicta fructus ventris tui, Jesus. Sancta Maria, Mater Dei, ora pro nobis, nunc et in hora mortis nostrae, ora pro nobis peccatoribus. Amen. [Translation: Hail Mary, full of grace, the Lord is with thee. Blessed art thou, and blessed is the fruit of thy womb, Jesus. Holy Mary, Mother of God, pray for us sinners now and at the hour of our death. Amen] Simon Lindleys setting of the Angelic Salutation, Ave Maria, was devised for the Choir of Leeds Parish Church in the late 1970s and has since achieved widespread performance by choirs throughout the English-speaking world. The work has been recorded and broadcast many times and was chosen to ...    less

Tratto da "Beatus Conradus - Messe e Mottetti per la Cattedrale di Molfetta", registrato per la casa discografica DigressioneMusic nel 2019. Esecuzione a cura della Cappella Musicale Corradiana diretta da Antonio Magarelli.

This is a double choir setting (with optional [unscored] percussion) of the popular Elizabethan song "My Lord Willoughby's welcome home", based partly on the lute duet on the tune by John Dowland. Composed and performed (in the men's choir version with...  moreThis is a double choir setting (with optional [unscored] percussion) of the popular Elizabethan song "My Lord Willoughby's welcome home", based partly on the lute duet on the tune by John Dowland. Composed and performed (in the men's choir version with added percussion) by David W Solomons  

Coro ET AL 2014 Participant (9/27/2014).

Bano eseguito dal Coro Estro Armonico di Salerno in occasione del 3. Concorso Corale nazionale di Fermo - 20/10/2013, dove ha conseguito il 3. posto.