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video:
K. Stetsenko - Praise the Lord, O my Soul
Kyrylo Stetsenko "Praise the Lord, O my Soul"
Performed by Pektoral Chamber Choir (Kyiv, Ukraine).
Art Directior - Andriy Karpinets.
(Fragment of the concert at Moskow Easter Festival 27th April 2012, at Cathedral of miraclemakers Cosma & Damian in S... ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreKyrylo Stetsenko "Praise the Lord, O my Soul"
Performed by Pektoral Chamber Choir (Kyiv, Ukraine).
Art Directior - Andriy Karpinets.
(Fragment of the concert at Moskow Easter Festival 27th April 2012, at Cathedral of miraclemakers Cosma & Damian in Shubin (Moskow)).
Our SoundCloud page:
https://soundcloud.com/pektoral-chamber-choir/
Follow us on Facebook:
https://www.facebook.com/PektoralChoir.Ukraine
video:
John Hanson Community Choir
We have recently launched the John Hanson Community Choir. Open to all ages across the community of Andover and beyond. Come and join us and join in with the fun and love of singing together. Every Thursday evening 6-8 pm at John Hanson Community School - Andover
video:
in Flanders Fields by John McCrae (May 1915)
Join us on facebook : https://www.facebook.com/fanclubAndantino
the famous poem done as a song taken from from Lieutenant Colonel John McCrae, MD (1872-1918) Canadian Army
McCrae maakte tijdens de Eerste Wereldoorlog als frontarts in 1915 de Tweede Slag... ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreJoin us on facebook : https://www.facebook.com/fanclubAndantino
the famous poem done as a song taken from from Lieutenant Colonel John McCrae, MD (1872-1918) Canadian Army
McCrae maakte tijdens de Eerste Wereldoorlog als frontarts in 1915 de Tweede Slag van Ieper mee. Daar ontstond zijn beroemde gedicht. McCrae's graf in het Frans-Vlaamse Wimereux (vroeger Wimmerrewe of Wimerreuwe)
Stadhuis Vilvoorde 10/11/2014
Andantino (Vilvoorde België olv Peter De Waele)
in Flanders fields the poppies blow
Between the crosses, row on row
That mark our place; and in the sky
the larks, still bravely singing, fly
Scarce heard amid the guns below.
We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved, and were loved, and now we lie
in Flanders fields.
Take up our quarrel with the foe:
to you from failing hands we throw
the torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
in Flanders fields.
“in Vlaanderens velden bloeien de kl... ink" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less
video:
Lord Jesus hath a garden for three part choir
Dutch Christmas carol sung in an English translation by the dwsChorale
(Also known as King Jesus hath a garden)
It is a version for mezzo, alto and bass.
Lord Jesus hath a garden full of flowers gay,
Where you and I can gather nosegays all the day:
... ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreDutch Christmas carol sung in an English translation by the dwsChorale
(Also known as King Jesus hath a garden)
It is a version for mezzo, alto and bass.
Lord Jesus hath a garden full of flowers gay,
Where you and I can gather nosegays all the day:
Refrain:
there angels sing in jubilant ring,
With dulcimers and lutes,
And harps and cymbals, trumpets, pipes,
And gentle, soothing flutes.
And harps and cymbals, trumpets, pipes,
And gentle flutes.
there bloometh white the lily, flower of Purity;
the fragrant violet hides there, sweet Humility:
(Refrain)
And one thing fairest is in all that lovely maze,
the gard'ner, Jesus Christ, whom all the flowers praise:
(Refain)
O Jesus all my good and all my bliss! Ah me!
Thy garden make my heart, which ready is for thee!
(Refrain) ink" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less
video:
Haydn: Sing the Lord, performed by the Mendelssohn Singers
Haydn: Sing the Lord, ye voices all. Mendelssohn Singers conducted by TMC Associate Conductor Matthew Otto. James Bourne, piano. Michael Bloss, organ. Performed at the toronto Mendelssohn Choir's Symposium concert on January 26, 2013 at Yorkminster Park... ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreHaydn: Sing the Lord, ye voices all. Mendelssohn Singers conducted by TMC Associate Conductor Matthew Otto. James Bourne, piano. Michael Bloss, organ. Performed at the toronto Mendelssohn Choir's Symposium concert on January 26, 2013 at Yorkminster Park Baptist Church. This concert concluded the TMC's 2013 Choral Conductors' Symposium led by Noel Edison. Webcast produced by inline Digital.
video:
Weep, O Mine Eyes - John Bennet (Tenor's Guide)
Weep, O Mine Eyes - John Bennet (Tenor's Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internat... ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreWeep, O Mine Eyes - John Bennet (Tenor's Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”.
Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. the speaker wishes his death by drowning in his despair, in his tears. the expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare.
More information, contact us:
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