Mar. 14, 2015 Soloist: Tyler Teixeira Dancers: Nikyla Toews, Evan Hawkins, Ainsley Check, Walker Rambo, and Mikaela Hoeppner Percussion: Steven Webb and Adrian Pecold Choreography: Ainsley Check http://www.prairievoices.ca https://www.fa...  moreMar. 14, 2015 Soloist: Tyler Teixeira Dancers: Nikyla Toews, Evan Hawkins, Ainsley Check, Walker Rambo, and Mikaela Hoeppner Percussion: Steven Webb and Adrian Pecold Choreography: Ainsley Check http://www.prairievoices.ca https://www.facebook.com/PrairieVoices https://twitter.com/_PrairieVoices  

May 10, 2014 http://www.prairievoices.org https://www.facebook.com/PrairieVoices https://twitter.com/_PrairieVoices

Here's a new setting of Hildegard von Bingen's Alleluia! O virga mediatrix. Language: Latin. Standard of difficulty: a bit tricky. Duration: circa 2 minutes. It's in six parts with no divisi, so it would also suit a sextet. It may be used for church or c...  moreHere's a new setting of Hildegard von Bingen's Alleluia! O virga mediatrix. Language: Latin. Standard of difficulty: a bit tricky. Duration: circa 2 minutes. It's in six parts with no divisi, so it would also suit a sextet. It may be used for church or concert performances free of charge – please contact me for the score: • Facebook: david.basden.9 • New email: deebee123 [at] bigpond.com Also, please let me know when the performance date is approaching. I'm keen to receive feedback, and I'll happily link your publicity material and website to my social media pages. Choirs are most welcome to post their own versions here on ChoirPlace.  less

I NEVER SAW Davide Riva’s beautiful acapella setting for four-part mixed voices is set to the beloved poem by Emily Dickinson. the composition is divided into two repeated sections. In the first section, the choral texture is homo-rhythmic and in the se...  moreI NEVER SAW Davide Riva’s beautiful acapella setting for four-part mixed voices is set to the beloved poem by Emily Dickinson. the composition is divided into two repeated sections. In the first section, the choral texture is homo-rhythmic and in the second section, the voices are set into a simple counterpoint. “I Never Saw” closes on the dominant chord creating a feeling of suspension that enhances the concept of faith expressed by Dickinson.  

Mar. 14, 2015 Accompanist: Steven Webb http://www.prairievoices.org https://www.facebook.com/PrairieVoices https://twitter.com/_PrairieVoices

Gospel style setting for 2 or 4 Voices, 2 flutes, double bass, guitar and tambourine of my evangelical poem about the meaning of Christmas.

the Harrisburg men have been entertaining central PA audiences for 65 years. Much of the music we sing is arranged in the barbershop style. Along with entertaining our local audience KCC competes in the Mid Atlantic District of the Barbershop Harmony So...  morethe Harrisburg men have been entertaining central PA audiences for 65 years. Much of the music we sing is arranged in the barbershop style. Along with entertaining our local audience KCC competes in the Mid Atlantic District of the Barbershop Harmony Society and is a consistent champion in our Division. KCC also promotes quartet singing as well as a cappella singing among the youth in our region. Rehearsals are Tuesday evenings 7pm and are always open for visitors so feel free to visit to find out more and to see if our group is right for you.  less

A new carol for Christmas with music by David W. Solomons and Text by Thomas Clarke. This setting for Christmas represents the cold of a Northern winter (the cruel wind blows) although of course the actual events took place in rather warmer climes. ...  moreA new carol for Christmas with music by David W. Solomons and Text by Thomas Clarke. This setting for Christmas represents the cold of a Northern winter (the cruel wind blows) although of course the actual events took place in rather warmer climes. It also reflects much of the liturgical and popular symbolism of the Christmas season: robins, holly etc and it brings our thoughts towards the season of Easter with the blood of Good Friday.  

Taken from Never a Brighter Star, a Christmas Concert November 17, 2018, Aula Simfonia Jakarta Sing We Now of Christmas Music based on the French Carol “Noel Nouvelet”, Arranged by Mark Hayes