A community choir for New Hope has been long overdue, and it’s time has finally come. Born in September of 2012, the New Hope – Solebury & Lambertville Community Choir is a true community-based and community-oriented Chorus, made up of members fr...  moreA community choir for New Hope has been long overdue, and it’s time has finally come. Born in September of 2012, the New Hope – Solebury & Lambertville Community Choir is a true community-based and community-oriented Chorus, made up of members from the New Hope, Solebury, Lambertville, and immediate surrounding areas. the choir is non-audition, and is open to all singers and would-be singers, ages 14 to 84 (and beyond). NHS&LCC is the New Hope area’s musical voice. We’ll be there a few times a year with concerts, we’ll be singing at community events, for Christmas caroling, at nursing homes & rehab centers, and more.  less

Performed on Never a Brighter Star, a Christmas Concert November 17, 2018 At Aula Simfonia Jakarta Love Came Down at Christmas Word and Music by Joey Raney

From our CHORALATIONS concert in Saskatoon, SK Knox United Church April 13, 2025 North Sky Chorale is directed by Richard Janzen Andra Wist, djembe Connor Elias, shaker https://northskychorale.ca

This diverse ensemble of adult female voices shares the common goal of making high quality choral music. Belle Canto was the first choir formed in the Cantilon family and remains its only adult ensemble. In touring and recording, Belle Canto has disting...  moreThis diverse ensemble of adult female voices shares the common goal of making high quality choral music. Belle Canto was the first choir formed in the Cantilon family and remains its only adult ensemble. In touring and recording, Belle Canto has distinguished itself as one of today’s foremost women’s ensembles. Originally a group of university students, the choir now consists of amateur singers from all walks of life. Belle Canto particularly enjoys exploring the contemporary repertoire of Eastern Europe and Scandinavia and has recorded much of this repertoire on their disc, Invocation.  less

Nevenka is a Los Angeles-based women's folk Chorus performing music from Eastern Europe. Nevenka's repertoire includes songs from Bulgaria, Macedonia, Croatia, Albania, Russia, Greece, and Georgia, as well as Ladino Sephardic and Rom (Gypsy) songs. ...  moreNevenka is a Los Angeles-based women's folk Chorus performing music from Eastern Europe. Nevenka's repertoire includes songs from Bulgaria, Macedonia, Croatia, Albania, Russia, Greece, and Georgia, as well as Ladino Sephardic and Rom (Gypsy) songs. the group was formed in 1976 by women who shared a common interest in the complex harmonies and compelling rhythms typical in Balkan music. Very much in the Eastern European tradition, Nevenka includes women of all ages making music together.  

Thameside Harmony has been in existence for over 30 years. A ladies' a capella four part harmony group we have our roots in barbershop but sing all sorts of music from old standards and barbershop classics to mega pop hits by groups like Abba and Queen. W...  moreThameside Harmony has been in existence for over 30 years. A ladies' a capella four part harmony group we have our roots in barbershop but sing all sorts of music from old standards and barbershop classics to mega pop hits by groups like Abba and Queen. We perform sing outs for local groups in our area of Hampton in South West London, and take part in local fairs and festivals. Our weekly rehearsals on Wednesdays are a fun evening of singing, chatting and having fun together. We are always open to having new members. Experience is not required, nor is the ability to read music as we have 'teach tracks' with the songs in your part on (tenor, lead, baritone or bass) and access to these are given alongside sheet music. From time to time we run singing courses or open evenings for which there are no auditions. On a course we usually all learn a new song together and sometimes are able not only to benefit from the direction of our musical director but also guest expert coaches from our parent organisation, the La...    less

May 10, 2014 Soloists: Tierney Federeau, Kim Rogalsky, Nikyla Hladio Percussion: Adrian Pecold ------------------------------------ http://www.prairievoices.org https://www.facebook.com/PrairieVoices https://twitter.com/_PrairieVoices

Psalm 23 is dedicated to my aunt Patricia Shaw of Vancouver, as this is her favourite Psalm. Two points of note: First, the composition grew out of the feeling that all 4 voices should start on the same note, grow outwards and then come back to that...  morePsalm 23 is dedicated to my aunt Patricia Shaw of Vancouver, as this is her favourite Psalm. Two points of note: First, the composition grew out of the feeling that all 4 voices should start on the same note, grow outwards and then come back to that same note at the end. the rest just seemed to evolve on its own, seemingly guided by some external force. Second, unusually, I have asked choirs (where possible) to sing this without any breaks, via staggered breathing, as I wanted to highlight the deep conviction underlying the words of the Psalm, as one single thread of deep belief that moves from beginning to end. Sincere thanks to Matthew Curtis (choraltracks.com) for recording "Psalm 23." As always, comments are welcomed. Email me at rain@magma.ca, if you'd like more info. I would like to acknowledge the a cappella choir that I sing in, the Stairwell Carollers, and our director Pierre Massie, for their musical inspiration these past 26 years. I would also like to thank my friends in our "Ad ...    less

the opening from our Christmas finale at the "winter warmer" concert! : )

Here's a new setting of Hildegard von Bingen's Alleluia! O virga mediatrix. Language: Latin. Standard of difficulty: a bit tricky. Duration: circa 2 minutes. It's in six parts with no divisi, so it would also suit a sextet. It may be used for church or c...  moreHere's a new setting of Hildegard von Bingen's Alleluia! O virga mediatrix. Language: Latin. Standard of difficulty: a bit tricky. Duration: circa 2 minutes. It's in six parts with no divisi, so it would also suit a sextet. It may be used for church or concert performances free of charge – please contact me for the score: • Facebook: david.basden.9 • New email: deebee123 [at] bigpond.com Also, please let me know when the performance date is approaching. I'm keen to receive feedback, and I'll happily link your publicity material and website to my social media pages. Choirs are most welcome to post their own versions here on ChoirPlace.  less