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video:
Η Λησμονημένη | The Woman Fallen into Oblivion
Η Λησμονημένη
Στίχοι και Μουσική: Μάνος Χατζιδάκις
Χορωδίες: Μελισσάνθη & Αλεξανδρινές Φωνές
Διεύθυνση: Ελένη Θεοδωρίδου
Πιάνο: Κώστας Παντελίδης
Σολίστ: Κυριάκος Σαββόπουλος
Από την Εκδήλωση "Ένας αιώνας ελεύθερη Θεσσαλονίκη"
Λεπτομέρειες:... moreΗ Λησμονημένη
Στίχοι και Μουσική: Μάνος Χατζιδάκις
Χορωδίες: Μελισσάνθη & Αλεξανδρινές Φωνές
Διεύθυνση: Ελένη Θεοδωρίδου
Πιάνο: Κώστας Παντελίδης
Σολίστ: Κυριάκος Σαββόπουλος
Από την Εκδήλωση "Ένας αιώνας ελεύθερη Θεσσαλονίκη"
Λεπτομέρειες: https://plus.google.com/u/0/b/108065264916578562768/events/ct2bq6qmm1up2ua6gdruee350f4
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The Woman Fallen into Oblivion
Music & Lyrics: Manos Hadjidaki
Choirs: Melissanthi & Alexandrian voices
Conductor: Eleni Thedoridou
Pianist: Kostas Pantelidis
Solist: Kyriakos Savvopoulos
From the event "A century of liberated Thessaloniki"
Details:
https://plus.google.com/u/0/b/108065264916578562768/events/ct2bq6qmm1up2ua6gdruee350f4
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*****************Disclaimer*************************
Apart from the performance, the choirs do not have and do not claim any of the other copyrights on the music works in the video. They all belong to the... less
group:
Bismarck State College Concert Choir
The Bismarck State College Concert Choir is a 50 voice non-audition Mixed collegiate choir that performs medium to advanced choral literature. Primary goals are to obtain a strong foundational choral training and raise the standard of non-audition choirs ... moreThe Bismarck State College Concert Choir is a 50 voice non-audition Mixed collegiate choir that performs medium to advanced choral literature. Primary goals are to obtain a strong foundational choral training and raise the standard of non-audition choirs to the level of auditioned 4-yr collegiate choirs.
video:
Vox Animae - Legenda (P. I. Tchaikovsky)
A part of the concert held on November 23rd 2012 in Žilina (Slovakia) on the occasion of the 1150th anniversary of the arrival of Saints Cyril and Methodius to Great Moravia.
Participants:
Mixed Choir "Vox Animae", conductor: Tomislav Veršić (Split, C... moreA part of the concert held on November 23rd 2012 in Žilina (Slovakia) on the occasion of the 1150th anniversary of the arrival of Saints Cyril and Methodius to Great Moravia.
Participants:
Mixed Choir "Vox Animae", conductor: Tomislav Veršić (Split, Croatia)
Cantica - Collegium musicum, conductor: Štefan Sedlický (Martin, Slovakia)
Mixed Choir of Žilina, conductor: Štefan Sedlický (Žilina, Slovakia)
Organized with finanical support of the Ministry of Culture of the Slovak Republic.
video:
R. Brisotto (1972): Epitaphium
Epitaphium
for Mixed choir (SSAATTBB) and tubular bells ad libitum
by Roberto Brisotto (1972)
Lyrics by Marco Valerio Marziale (30 o 41 d.c./108 d.c.)
"To the memory of the Syrians children killed in the bombings of the April 2017"
Youth Mixed Choir ... moreEpitaphium
for Mixed choir (SSAATTBB) and tubular bells ad libitum
by Roberto Brisotto (1972)
Lyrics by Marco Valerio Marziale (30 o 41 d.c./108 d.c.)
"To the memory of the Syrians children killed in the bombings of the April 2017"
Youth Mixed Choir Emil Komel (Gorizia - ITALY)
conductor: David Bandelj
Thanks to the Fondazione Guido d'Arezzo and to the Youth Mixed Choir Emil Komel for the kind permission to use this audio recording.
group:
Women's voices Chorus
WVC has evolved into the premier Triangle chorus for sopranos and altos. While performing a wide and diverse repertoire, we remain steadfast in support of our threefold mission to: provide a welcoming place in the Triangle for women to share the joy of si... moreWVC has evolved into the premier Triangle chorus for sopranos and altos. While performing a wide and diverse repertoire, we remain steadfast in support of our threefold mission to: provide a welcoming place in the Triangle for women to share the joy of singing together, promote choral works written by and for women, and strive to achieve the highest standards of musical excellence.
blog:
Which single note do you give your choir to start a song?
[this is a version of a post which first appeared on my blog From the Front of the Choir]
Last time (Tuning up – where do start notes come from?) I talked about my aim of being able to give out a single note to my choir, instead of having t...
blog:
The pleasures of being a choral director
[this is a version of a post which first appeared on my blog From the Front of the Choir]
Last week I wrote about the pleasures of being a choir member.
Choir conductor Marjukka Riihimäki by Kanttila
This week I ...
blog:
Starting over – going back to choir after a long break
[A version of this article first appeared as a post on my blog From the Front of the Choir]
After the long summer break, I used to arrive really early at the first choir session, sit by the door, and worry that nobody would come back.
...
blog:
What’s the opposite of a “Singing for fun” choir?
[A version of this article first appeared as a post on my blog From the Front of the Choir]
Certain people are rather dismissive of “Singing for fun” choirs. If it’s for fun then it can’t possibly be of any quality.
...